Don't Worry, Murray, written and illustrated by David Ezra Stein. Harper. 2022. $21.99 ages 4 and up

 

"Why don't you want to say hello 
to this new dog, Murray? 

Don't worry, Murray! He's nice. 

Good boy, Murray! Good boy."

While we never meet the narrator, there is constant love and praise for the tiny dog who cannot seem to come to terms with the outside world and all the many experiences he might face if he leaves his house. His worries manifest themselves in his imagination, and at every turn. 

Questions are asked; readers can see what Murray so clearly imagines as his answer to each successive one. What if it rains, and the water rises higher and higher. Danger! Maybe a raincoat would help. A sound plan until the thunder and lightning BOOM! Poor Murray. 

A new dog? Perhaps it's bully and will take his toy. When it doesn't, things look more promising. A loud, animated bark sends Murray scurrying to find a hiding place. Poor Murray. Will there be fireworks at the barbecue? No. But there might be exploding balloons. Poor Murray. Even the darkness of bedtime does not look promising. 

Listening to the voice full of praise for all he tried in the day, Murray is finally able to settle. 

Listeners are sure to empathize with Murray as he explores new and often scary moments in his day. It's a terrific read aloud and encourages them to speak to some of the fears they share with Murray, or have of their own. 

"I'm proud of you ... 
My brave dog."

                                                                                      

My Poet, written by Patricia MacLachlan and illustrated by Jen Hill. Harper, 2022. $21.99 ages 4 and up

 

"She picks up a round white stone, 
smoothed by the sea, 
closing my hand over it - 
warm from her hand. 
"It has a story, Lucy," my poet tells me. 

What story is that? 

Poets are word collectors. In this book that Patricia MacLachlan writes in memory of Mary Oliver, she helps listening children see how poems develop from the world they see around them. Lucy's 'poet' lives next door. As they walk together, both look for words. Lucy carries a notebook, and is always tuned into the way her friend is observant about dogs, the sand on the beach, flowers, stones, birds. the marsh, and weather. If you know Mary Oliver's poetry, you will see the similarities. 

First-person narration by the child who spends so much time with her friend is quiet and gentle, in keeping with the many discoveries made as they wander. Lucy learns and creates as the two spend time together. The poet reacts enthusiastically to Lucy's attempts at creating her own poetry. When they are not together, Lucy continues to hone a craft that she hopes will one day be hers. 

"Are you writing something, Lucy?" she asks. 
"I'm still looking for the words," I say. 
She puts her hand on her head,
then over her heart. 

"The words are here," she says. "You just 
have to find them." 
And I know the secret! 
She listens. 
She touches." 

Jen Hill's charming gouache artwork perfectly matches the soft tone of this story of friendship and inspiration. The story concludes with a poem by the young girl. An author's note adds context.

You are the Loveliest, written by Hans and Monique Hagen. Illustrated by Marit Tornqvist. Translated by David Colmer. Levine Querido, Raincoast. 2022. $23.99 ages 4 and up

 

"A baby dog is called a puppy
a little cow's a calf
a baby bed is called a crib
a quarter's not a half

a baby plant is called a cutting
a tiny fly's a gnat
a little man is still a man
nothing changes that"

As I read and reread these remarkable poems, I would choose one to begin the post. I would type it on the page, move forward, and find another to replace it. That is to say there are many of the 23 poems in this newly-translated book of poetry that comes to readers from the Netherlands that are worthy of attention. Lucky we are to be able to share all 23 poems with our children. 

Each of the poems offers the perspective that comes from a young girl who experiences the daily pleasures and concerns of childhood. She is fully aware of the world, both indoors and outside. Like other children, she wants a dog, has dreams, plays teacher for her stuffies, dislikes the smell of a baby's full diaper, is sometimes hurt, and wonders about clouds. Each poem considers her daily thoughts about her own world. 

"grandma is wrinkles
grandma is kind
grandma is cuddles 
and grandma is old

her hair is made of silver 
and her teeth are made of gold" 

An opening note about the drawings is spot on ... 

... are like a color palette, comparable to the moods of a small child that can quickly switch from light to dark. Marit Tornqvist came up with a new recipe for each poem, using materials from gouache and acrylic paint to charcoal and ink, from watercolor and pastels, in an attempt to build a child's world ... 

What a truly wonderful book this is. Please don't miss it! 

Peculiar Primates: Fun Facts About These Curious Creatures. Written by Debra Kempf Shumaker and illustrated by Claire Powell. RP Kids, Hachette. 2022. $23.99 ages 5 and up

 

"One's butt is splashed 
with colored streaks.  

Some primates store 
food in their cheeks. 

One primate wears 
a cute mustache.

Another likes 
to soak and splash." 

The endpapers are an enticing invitation to get right into this book that offers a field study of animals from around the globe. A world map plots the journey that will be taken to explore where the various primates live. The packing list begins with an admonition not to forget to feed the cat before venturing forth, and another that suggests coming home is the final leg of the journey. The in-between list is long and relevant for the trip ahead (including jam sandwiches for the trekkers and lots of bananas for the primates to be researched). 

The text begins with the ways in which primates are the same: they climb, breathe air, have big brains, hands and hair. There are also observable differences: where they live, how they look, their hunting habits, their anatomy, how they spend their time and where they sleep. 

"Peculiar looks, 
odd things they do. 
Some primates can 
be strange, it's true." 

It's important for kids to realize they are primates, too.  

Debra Kempf Shumaker has filled the pages with details that grab attention and inform in a most enjoyable way. Claire Powell uses a bright color palette, constant movement, expressive faces and careful labels to move readers from one spread to the next. 

Back matter adds further information for each featured primate visited, as well as a list of websites, books, and videos for further learning. 

If you enjoy this book, be sure to see if you can find a copy of Freaky, Funky Fish. (Running Press Kids, 2021) 

Me and Muhammad Ali, written by Jabari Asim and illustrated by AG Ford. Penguin Random House, 2022. $23.99 ages 4 and up

"Like most folks, Langston looked up to the champ
because of his strength, speed, and confidence. But 
Langston loved him just as much for his poetry. He
was thrilled when Ali promised to float like a butterfly
and sting like a bee."

When Langston, a young and earnest fan, sees a poster for a meet and greet with Muhammad Ali, he also takes note of the Wall of Respect mural that features the faces of many Black heroes. While Ali inspires for a number of reasons, Langston is especially impressed with hearing him speak. He loves his way with words. 

Langston loves Ali's boasting; he even tries some his own rhymes while out on the playground. He excitedly waits for the day he will be able to see his hero in person. His mom is impressed with Ali's work to make the world a better place. A trip to the barber shop provides a haircut shaped to match Ali. There in much talk there and pride in the champ. Soon, it's time to go to school and fulfill a dream. When they get there, they are turned away by the guard who tells them it is for school students only, not for neighbors of the school. 

And then ... up walks Muhammad Ali! Once told the problem, Ali escorts Langston and his mother inside. What a hero for the young boy! 

"I'm quick and I'm strong. 
I'm Black and I'm free. 
I'm brave and I'm bold, 

like Muhammad Ali!"

In an author's note Jabari Asim makes it clear that Ali was a hero to his entire community. In their St. Louis neighborhood, Ali was an athlete, fearless in taking a stand for what was right, and not afraid of the press it would bring. The event described in this story is literally what happened for his mother when Ali visited her neighborhood school. 

AG Ford creates images in acrylics and colored pencil to welcome readers into an African-American community inspired by the grace, dignity, power, and athleticism of a great legend. The excitement felt by all jumps off the page at every turn. Energetic and emotional, this is a book that makes a terrific read aloud for early years classrooms. 

                                                                                  

Farmhouse, written and illustrated by Sophie Blackall. Little, Brown and Company, Hachette. 2022. $23.99 ages 7 and up

 

"and whispered secrets.
played truth or dare,
and lost their teeth
and brushed their hair, 
where they kept collections 
of tiny toy cars
and feathers and bones
and movie stars, 
where they hung prize ribbons
for champion cows 
that lived in the barn 
behind the house"

Sophie Blackall is a wonder; here, she proves it once more. In an author's note she tells her readers that she has a penchant for old things that tell stories. When she bought an old barn and the farmhouse that was also on the property, she decided to try to learn its stories before the excavator came to bury the house underground. Some things she found there that belonged to the Swantak family of long ago provided the inspiration and the materials used to create this remarkable homage to the past, the house itself and the family who lived there.

The illustrations for this book were created using Chinese ink, watercolor, gouache, and colored pencil, as well as materials salvaged from a falling-down nineteenth-century farmhouse in New York State: wallpaper, composition books, newspapers, brown-paper bags, clothing, handkerchiefs, curtains and string. 

What a treat readers are in for as they pore over each fascinating double page spread created by this incomparable artist. It begins with the setting: rolling hills, patchwork fields, wildflowers and the farmyard. Twelve children lived there with their parents. Their daily activities are lovingly captured in images that clearly show those reading what life must have been like for them.  

The text is rhythmic and most enjoyable to read. The textured illustrations are collaged in layers that reflect the house's history. The countless details are impressive, ensuring constant attention and discussion. Cross-sections hint at how many of the rooms may have looked when the large family took up all its space. There is a complete awareness for the changes that happen over time. Imagining the house's many celebrations and stories gives readers a real sense of what survived there over the years as it fell into disrepair. 

Tender and charming, stirring and superb, this book will be shared numerous times - deservedly so.                                                                               

patchwork, written by Matt De La Pena and illustrated by Corinna Luyken. G.P. Putnam's Sons, Penguin Random House. 2022. $24.99 ages 5 and up

 

"But the skill it takes to make people laugh
is the skill you'll use to help people learn
when you become a favorite teacher.
And when a restless kid like you 
lands in the back of the class, 
you will see her, 
you will love her."

I am a great admirer of the team that has created this ode to children being who they are. Matt De La Pena is an expressive and supportive champion of children and writes books that speak to the heart. Corinna Luyken shapes a diverse group of children using a palette of appealing colors while also setting the individual children on a patchwork pattern that is sure to concentrate attention on the child themself.

Affirming words and images encourage children to be themselves, not someone others expect them to be. Too often, a child is born with a plan for their future, without any knowledge of who they actually are. If given the chance, without restrictions, to explore and celebrate their own unique and evolving personality, they have much to offer. Their choices are endless and full of opportunity. 

A child fully engaged in 'any-kind-of-ball' might one day become someone else. 

"But soon you will see your sport for what it really is. 
An expression. 
The sound of a bouncing ball
is the language of your loneliness. 
You are bilingual. 
And one day you will carry words with you instead. 
You will spin couplets on your finger
because you've always been a poet." 

Children are absolutely more than is expected of them. They need time to consider each facet of themselves to find where they can be comfortable. Each personal discovery is an affirmation for the children who read or hear these reflective words reminding them that eyes should always be wide open to the possibilities in life. Bravo! 

                                                                                

The Boy Who Loved Maps, written by Kari Allen and illustrated by G. Brian Karas. Penguin Random House. 2022. $23.99 ages 6 and up

 

"The girl thought a moment, then smiled. 
"I'd like a map of the perfect place. A 
place that's toes-in-the-sand, wrapped-up-
in-a-towel warm." 

The Mapmaker checked his globe and drew
a map of the warmest place he could find,
with its sunny, sandy beaches. 

The girl studied the map, then shook her head." 

When I was teaching in an early years classroom, we liked to try our hand at mapping. We started with the child's room, and moved out from there, almost always ending with a map of our school neighborhood. It was an appreciated learning experience for all.  So, I am delighted to share this new book about a boy who loves maps, and who does his very best to create the map a young girl in interested in having. 

The mapmaker has his own personal space for doing his work. It is a treehouse, and it contains all he needs to produce the maps he so loves making. He doesn't just make them; he collects them and studies them, too. They are different sizes and describe numerous settings. When the girl visits his tree house, she makes a request for her own map. She knows exactly what she wants. The mapmaker sets to work. With each try, the girl is enthusiastic but not satisfied. She wants more and more. Finally, he has to admit failure. He has never seen such a place charted. 

The girl suggests theyshould try exploring. Once he has everything he needs, they are off. The girl carries nothing. As they walk together through town, they find places that perfectly match her wishes. Their final stop is the girl's house where she adds found treasures to her growing collection. That exploration is all the mapmaker and his new friend need to create the one-of-a-kind, exactly-right map she has described. 

This debut picture book is an on-going riddle for readers, always encouraging them to think about the perfect place the young girl is describing. Mr. Karas uses gouache and pencil to enhance the story and provide maps that are sure to interest the kids who have the same interest as The Mapmaker. 

End matter includes an author's note, map words, a description of a map, step-by-step instructions for mapping a neighborhood, and a list of map activities.                                                                             

I Forgive Alex: A Simple Story about Understanding, written and illustrated by Kerascoet. Random House Studio, Penguin Random House. 2022. $23.99 ages 4 and up

 

"Here is a simple yet meaningful story 
that explores the complicated 
feelings that come with apologies 
and forgiveness."

If you read I Walk with Vanessa and you liked it as much as I did, you will be pleased to see that a second wordless book by this husband-and-wife team is on bookshelves now. It is another book about schoolchildren and their capacity for empathy and understanding. School yards are familiar with 'scraps' and small conflicts that may not seem so small for the children involved. 

The opening page shows children interacting with one another at the recess break. Two boys hold sway for very different reasons. One carries a red backpack and sports a jacket, t-shirt and long pants; the other is dressed in a red and blue uniform and is happily holding a basketball. Each attracts a group of children. The boy with the backpack shares portfolio pictures that he has drawn. The other is chased by kids wanting him to share his basketball. He likes to keep it for himself. 

When the basketball player throws the ball over the heads of those wanting to play, it lands on the artwork being admired, and splashes water all over the drawings. Readers can see that the ball player is upset, but holding back. They can also see many annoyed faces looking directly at him. Others quickly support the artist with sympathetic looks and support. As the athlete approaches, he shows embarrassment. At that very moment, the recess bell rings and the children go inside. 

Feelings remain clear for the rest of the school day. The ball player is left out. No one goes near him at second recess. From the midst of the recess crowd, the artist moves toward him. They talk together, shake hands, and move on. It takes one person! 

 No adults. This book is an endearing look at what it takes to admit a mistake, and offer forgiveness. It takes both bravery and compassion. Kids have both in spades if we let them show it. There is much to see in the faces of the children portrayed here. 

Suggestions for dealing with hurt are appended for both children and adults.                                                                                  

The Mouse Who Carried A House On His Back, written by Jonathan Stutzman and illustrated by Isabelle Arsenault. Candlewick Press, Penguin Random House. 2022. $24.99 ages 4 and up

 

"But the cat was mistaken. 
Vincent's house was much larger than it appeared. 

There was even room for a hungry cat. 

Clouds billowed in the west, and in blew a family 
of hedgehogs - one by one by one by one by one - 
each wet and tousled by a mighty storm."

It is certainly understood when readers catch their first glimpse of Vincent, the mouse carrying a house on his back, that there is little room inside that abode. After a long trek, Vincent finds the place he wants to be. Nothing special about it; it speaks to Vincent with the grass, the path, the hill, and the endless sky. He settles his house in an appropriate spot. 

Soon, an extremely tired bullfrog appears on the path. Vincent invites him in to rest. The bullfrog guffaws, assuming the house is much too small to provide him shelter. To his surprise, Vincent's house offers both space and comfort. The same thing happens with a hungry cat, a family of hedgehogs, and a multitude of other forest creatures. Vincent's house grows in relation to the number of its occupants. 

At dinner one night, a cold, tired, lost bear knocks at the door. Vincent remains kind and accommodating as the rest of the residents express shock and worry over the bear's intentions. Vincent will not be deterred; the bear expresses concern that the house is much too small for a bear its size. Vincent assures him that all will be well. There is definitely room! 

Following an overnight storm, morning brings sunlight and the departure of Vincent's many guests. Vincent's house is empty once again. He picks it up and carries it on his back until he finds the next place he needs to be.  

Warm and cozy artwork is as inviting as Vincent is. His house is a place of comfort, shown in the many fine details drawn by Ms. Arsenault. The dark rainy night creates a fearful atmosphere for those who want nothing to do with a bear. Generosity is at the heart of Vincent's welcome and the bear soon becomes another house guest. As the house grows, Ms. Arsenault creates additions to the original, until an open gatefold allows readers to see the many changes that need to be made to accommodate all. 

What an extraordinary and hospitable home it turns out to be. 

How to Send a Hug, written by Hayley Rocco and illustrated by John Rocco. Little, Brown and Company, Hachette. 2022. $22.99 ages 5 and up

"Luckily, I learned how to send a hug.
Let me show you. 

First, get something to write with. 
This marker is my favorite. 

Then find the 
just-right-perfect
piece of paper. 

Now you can create your hug. 
You can use words or draw pictures
or even do both."

Who doesn't love hugs? The first two years of the pandemic certainly changed many lives in terms of the ability to give hugs. We all need the warm feelings that hugs afford us. For grandparents and teachers, a letter is a magical way of keeping in touch. Teachers love them for the learning that comes from the writing. A grandparent loves them because a letter is a tangible way of communicating with their grandchildren, and it is also a treasure to keep until the grandchildren are older and can read it again. 

Hayley Rocco, in her debut picture book, introduces Artie (and her pet goose) who loves sharing hugs. She gives all kinds of them for many reasons. But her grandma Gertie lives too far from her to share a hug. Phone calls and Zoom calls help, but Artie has found another way to send a hug. She is keen to share that idea with readers. She starts with art supplies and notepaper, something to use for writing, and imagination. 

Once the letter is complete, the hug is ready for the long journey ahead. A number of things must be completed before it is ready to be mailed. The choices are many to send it on its way. The long wait then begins, and goes on and on and on. Patience is necessary, but difficult. Like so many other letters, hers will make its own special journey and will finally be delivered and fully appreciated by the loved ones who receive it. 

"How will you know if your hug arrived safely?"

You will get a hug (and a letter) back. What joy is there in that for Gertie? Endless!

In a letter to readers, Ms. Rocco explains how important letters were for her when she was young. Today is quite different for children; it is much easier and faster to communicate. Lucky we are for that, but the pleasure of writing and receiving mail from those we love should not be dismissed in our rush to get things done. 

Realistic artwork done by Hayley's husband John are created using watercolor and digital color. As he has often done, he creates characters and settings that add context and humor. A hug might take a long trip; in the end, it is worth every bit of wait time it takes to get where it's going. 

Saving the Butterfly, written by Helen Cooper and illustrated by Gill Smith. Candlewick Studio, Penguin Random House. 2022. $23.99 ages 5 and up

 

"The bigger one said they were lucky.
They could have lost even more.
Yet they had nothing. 
Or almost nothing. 
Nothing left from before, 
except each other. 
The little one didn't think about that for long. 
But the bigger one did. 
She couldn't help it."

The title page shows a dark, moonlit night and a boat floating on a black sea. We soon discover there are only two survivors aboard: two children, one little and one bigger. The bigger one had worried for their lives. Yet, survive they did. Rescuers were quick to help, to do what they could do. 

The little one remembered nothing. The bigger one was able to tell their story. They were given shelter, food, and not much else. Now safe in the refugee camp, the little one found solace and growing strength in being outside and playing with other children. The bigger sat inside and continued worrying. She could not forget what had happened. She hid away from all the others. Concerned, the little one brought her a butterfly. The butterfly, despite its panic to be free, would not leave. The bigger one suggested space and time. 

Finally, the butterfly calmed. It would not be caught. The little one worried about the bigger one. Time passed and still she waited inside with the butterfly for company. She could not make the butterfly leave. One day, she took it outside in an attempt to finally set it free.  

"The butterfly didn't look back. 
She wished she didn't have to look back, 
but memories and shadows called 
from the dark safety in the broken house."

Now outside, the little one called to her. It was time, and for that day she was ready. 

Mixed-media artwork clearly conveys the feelings and uncertainties that plague the bigger one, and the joy and hope that bring bright color to the little one's existence. Gill Smith's endpapers move from barbed-wire fencing beneath a cloudy sky and one dandelion to the same scene in bright sunlight, many more dandelions (resilience), and a gracefully floating butterfly. Just right! 

Love in the Library, written by Maggie Tokuda-Hall and illustrated by Yas Imamura. Candlewick Press, Penguin Random House. 2022. $24.99 ages 7 and up

 

"Tama did not know when she would
ever leave Minidoka - if she ever would.
But there was nothing to be done about 
that. So she worked in the library and
watched as each day passed her by. 

Some days, many people would come to 
the library and borrow something to read."

In a book inspired by her Japanese grandparents' experiences at a World War II incarceration camp, Ms. Tokuda-Hall builds a powerful story. They were sent to Minidoka, Idaho following the bombing at Pearl Harbor. Her story begins after her grandmother had been there for a year. Tama hated the desert, the dust, the fences that keep her imprisoned. Wanting to do her best to deal with the conditions she was living under, she worked at the camp library. She had no training; she did the job assigned to her. 

George was always first in line, waiting to return yesterday's books and check out more. Many things had changed in their lives.in the past year. Conditions in the camps were deplorable. Tama did her best to get through the worry and fear.  George brought a smile each day, and the books helped pass time. 

"Pressed between their covers were words that planted seeds in the garden of Tama's mind. How magical that -even in Minidoka - such a small little library could fit so much inside its four walls!"

Smiling was not as easy for Tama, as it seemed to be for George. She was able to talk to him about the confusion she was feeling. That helped. The more time they spent together, the stronger their bond. They married and had a child. What wonder they found in each other, at the worst time of their life! 

Ms. Imamura's earthy tones create a stunning look at the worry and the warmth of the internment setting, and the growing relationship between Tama and George. Their imprisonment was unjust and constantly filled with an uneasiness about their future. That is clearly shown in these remarkable images. 

An author's note speaks to the racism that put her grandparents in Minidoka, and that still exists. 

"Hate is not a virus; it is an American tradition." 

Despite that, as her grandparents did, marginalized people continue to find hope and joy in their lives: perhaps a promise for a better future. When we know more, we can do better.                                                                                       

Tree Hole Homes: Daytine Dens and Nighttime Nooks, written by Melissa Stewart and illustrated by Amy Hevron. Random House Studio, Penguin Random House. 2022. $24.99 ages 6 and up

 

"A tree hole can be 
deep in the woods

High in the rain forest 
canopy, a female tree frog
searches for a tree hole 
filled with rainwater. She 
attaches her eggs to the 
walls above the pool. 

When the tadpoles hatch, 
they fall into the water. 

Every few days, the female frog
returns to the sky-high nest. She 
checks on the tadpoles and lays 
unfertilized eggs for them to eat."

I am forever grateful to Melissa Stewart and others who choose to pen nonfiction books for children. They have the best ideas, and a plethora of patience when it comes to doing the research needed to write reliable information books for the kids who are constantly on the lookout to learn important things about nature they do not yet know. 

On her blog, she says this: 

"My personal mission as an author is to share the beauty and wonder of the natural world with young readers. I want to inspire kids to see and appreciate the world around them in new and exciting ways.

For more information, be sure to check out her website at https://www.melissa-stewart.com/

In her newest book, she looks to the trees and presents an abundance of arboreal inhabitants. She begins with a child invited to imagine sitting at the base of a tall tree where there is a hole with a space big enough to provide shelter for that child. 

"As you crouch down 
and close your eyes, 
the sounds of the outside world
fade away.
And you wonder ... 

What would it be like 
to live inside a tree?"

Ms. Stewart goes on to describe great variety in the types of tree holes that attract various creatures. They may be large or small, calm or rowdy, deep in the woods or on the edge of a field. The list continues with on-target facts concerning the animals who choose each of the habitats. Residents are described in short paragraphs that provide just enough information to send interested readers looking for more. Most will be familiar to kids who love the natural world. 

Amy Hevron creates acrylic and marker on wood illustrations that are then digitally collaged to give texture and depth to her images. Readers will certainly gain understanding by looking closely at each one. Melissa Stewart adds a fact list about each that includes scientific name, size, habitat, range, diet, life span and a fun fact. 

This is a stellar information picture book! 

Kumo the bashful cloud, written by Kyo Maclear and illustrated by Nathalie Dion. tundra, Penguin Random House. 2022. $24.99 ages 6 and up

"What a mistake. 
She was stuck. 

Fortunately, a friendly kite
came along to help. 

And a kindly wind gave an extra lift. 
It felt good to be free again."

Poor Kumo. All she wants is to wander through the sky unnoticed. She likes being mostly invisible. A change comes for her when a problem occurs, and her help is needed. Cumulus and Cirrus are unable to do their normal work. Kumo is the answer to their woes; she, on the other hand, is seriously concerned. 

"What if people point?
What if I'm too airy? 
Too stormy?
Too wispy?"

Her lack of confidence in herself has her wondering if she is up to the job entrusted to her. Closing her eyes, she sets off. Soon, she is stuck in a tree. Luckily, a kite helps. A wind moves her along. Her drifting takes her to many places, even dropping a touch of rain on a field and protecting a gardener from the sun. There is so much to see! A young daydreaming boy brings awareness for what the sky holds for dreamers. 

When she comes upon unfamiliar clouds along the way, she worries that they may not want her to join them. In fact, they do and she enjoys their company as they move together across the sky. Kumo enjoyes being in their company, and lets go of her doubt. As the sky darkens, all the clouds move off and leave her on her own. Well, not quite. What a day it has been! 

Mixed media illustrations by Nathalie Dion are very impressive. Young readers will feel they know the characters, and the softness long associated with clouds sailing across the skies. Kids who find the outside world a touch disconcerting will see in Kumo a kindred spirit. The images soothe and comfort as Kumo finds an ability to do what she has been asked to do, and to find friendship along the way to doing it. 

Boobies, written and illustrated by Nancy Vo. Groundwood, 2022. $19.99 ages 3 and up

"But wait … the Blue-Footed Booby does 
not have any boobies at all. 

Birds are avian, not mammalian.
Mammals have mammary glands.
In other words, mammals have boobies."

Did you think that this book was going to teach readers about the blue-footed booby? That would not be a surprise; the bird is on the cover. Nancy Vo is quick to relate that her book is, in fact, a book about boobies. She makes sure to introduce one of the blue-footed kind. Then, she turns her story on its ear by asking a very pertinent question. 

"Look! 
Which of these animals have boobies? 

A dog?
Yes. 
A cat?
Yes. 
A hamster?
Yes. 

A fish? 
No. Fish are not mammals."

The book goes on to discuss variety in boobies and totalk about their ability to feed their young. She also explains that all mammals have mammary glands. It educates young readers and will engage them in the conversation provided from page to page. Certainly, they will go home with more knowledge concerning breasts and their function, as well as their cultural associations. 

Her approach to a subject that is often deemed taboo for shared talk is casual and educational, using stencilled artwork created with acrylics and pen. There is humor, and there are facts. It is scientific, and encourages young children to talk about body parts without any awkwardness. It might be the first book in a new series. The final spread offers a clue. 

Eye-opening and valuable.                                                                                     

Midnight and Moon, written by Kelly Cooper and illustrated by Daniel Miyares. Tundra, Penguin Random House. 2022. 24.99 ages 4 and up

 

"The school bus almost drives past Clara's 
stop because the blizzard erases hills and 
trees and turns in the road. Clara's mother 
wants her to stay in the house but she won't. 
The two of them go to the barn to see if the 
horses have found their way in the storm.
Her mother holds her hand tightly as they 
wade through drifts."

Clara does not speak. It makes school difficult for her as she is different from her schoolmates. What Clara has that others do not is a quite extraordinary sense of hearing. Clara also loves horses, especially Moon. Moon cannot see; he, too, has an exceptional ability to hear all that is going on around him. 

Clara has a friend Jack. Jack likes Clara just the way she is. They spend time together at school and beyond. Moon also has an ally; Midnight is her name. This warm book about the four of them is sure to capture attention for children who have a special place in their hearts for animals, especially horses. Readers will find comfort in the story about those who are different. They may even see themselves in its pages. 

The parallel stories that happen between Clara and Jack and Midnight and Moon are sure to hold the attention of readers as the story progresses. Midnight looks out for Moon, just as Jack supports Clara at school. A blizzard creates havoc with travel for children on the bus after school. Clara arrives home to find that the horses have not returned to the barn. 

The horses are caught out in the storm. They cannot find their way back. Thanks to Moon's ability to hear what the others cannot, he is able to lead them to the sound of Clara's soft voice beckoning them to safety. 

"None of the horses can hear what Moon hears. 
He steps out of the herd and starts walking, 
nickering for Midnight. Then all the horses 
begin to walk in a wind-tossed line, following
Moon as Clara's voice leads him ... 

Home."

Daniel Miyares' artwork, painted with gouache, draws readers into the heart of the story. Differing perspectives are welcome, the color palette inspiring, and the design as it deals with the parallel story lines ideal for providing context.                                                                                  

 

The Ugly Place, written by Laura Deal and illustrated by Emma Pedersen. Inhabit Media, 2022. $18.95 ages 5 and up

"There is only one way to get to the ugly place,
and you have to feel absolutely miserable."

The child whose story is shared here is having a rough time. Hurt and angry, a solitary walk along the sea at low tide is the place to be. The ugliness of the mud, the slime, and the cold seem the perfect backdrop for the feelings that are so evident. No sun, no blue sky, nothing but gloom to make sure that ugly place is as unpleasant as it can possibly be. 

Boots leave ugly prints in a journey across the wet tundra, and the smell of salt and seaweed assault the senses in every way. Looking down for so long proves that this place is a just-right match for an ugly mood. Life is not good. Or, is it? Looking up, the effect that being in nature has soon invites careful observation of soaring seagulls and the sounds offered by the waves touching on the rocks as the tide begins to turn back. Deep breaths match the movement heard in the surf. 

"...my heart settles when I see the
seagull circle around again in effortless
flight, joined by another. Their crisp
white feathers are exceptionally bright
against the sunless sky. They play while
gliding and swooping through the air."

It isn't too long until the warmth of growing sunlight brings a more peaceful feeling. The child begins to find beauty in the surroundings. All at once, the ugly disappears to be replaced by all things worthy of huge smiles and warm thoughts. Nature has done it again! 

Opening eyes and hearts to the beauty of the natural world has proven to make the differences needed to help alleviate negative thoughts and moods. We all have ugly days. Often, taking the time to see what is in front of us is all it takes to shift a mood and bring us to a better place. 

Introspective artwork allows readers to feel all the emotions the child feels while facing the dull and dreary beginning to the day. As the day's weather changes to bright sunshine so does the joy felt by the child. The tundra landscape is effectively portrayed as the child travels a long distance from home, while dealing with all the real emotions felt.                                                                                   

African Icons: Ten People Who Shaped History, written by Tracey Baptiste and illustrated by Hillary D. Wilson. Groundwood, 2022. $24.99 ages 9 and up

"Mansa Musa (emperor of Mali from 1312 CE-)
ruled over forty million people, yet there was peace
during his twenty-five-year reign, likely because Musa
was smart about how to use the royal coffers. He donated
money to people and built schools and mosques. Because
Musa levied taxes against merchants as they came and
went, the Malian people themselves did not have to pay
taxes. It was a smart move that ensured peace inside
the country."

Whenever I read books similar to this one, I am amazed at what I learn. Tracy Baptiste here shares stories of ten historical figures from Africa. They are short biographies and her book also offers historical notes on the continent itself, making it all the more intriguing and informative. 

I am one of those people who know little about African history ... at least, I was before I settled to read this fine book. There is much inspiration to be found in the stories she tells. Ten names; three I recognized, and I did not know the full extent of their stories. In her introduction, Tracy Baptiste talks about Africa before the transport of African people to enslavement in the wider world. She wants her readers to know what was happening before the Middle Passage. 

She mentions the misconceptions about the size of the continent itself ... one-fifth of the total land area of Earth. The only continent bigger is Asia. A graphic map created by Kai Krause shows the actual size of Africa by placing other countries of the world within its vast borders. She also notes that its history is the longest, dating back more than two million years. Her book is the story of both a continent and its people. Her research was completed with much help, and was often discouraging. She is happy to report that African scholars are now telling their own stories - it is an exciting time. 

The design for the rest of the book is to present sections of historical information followed by the introduction of the African figures whose stories she wants to share with readers. Hillary Wilson creates compelling images of the included leaders whose dignity, strength, and confidence demand attention. The settings, maps and backgrounds offer important context. 

Ms. Baptiste does a remarkable job of telling their stories in accessible and memorable text. The sections are never too long, while filled with fascinating material that obviously has been carefully researched. It really is eye-opening and enjoyable learning.  What an important addition this will prove to be for Black History Month reading. Kids need to hear these stories of African history and the role models who made a huge impact there. 

Back matter presents an author’s note, extensive source notes, a select bibliography, and an index. 

Rodney Was a Tortoise, written by Nan Forler and illustrated by Yong Ling Kang. Tundra, Penguin Random House. 2022. $24.99 ages 4 and up

 

"At bedtime, Bernadette read stories
of creatures from creeks and forests
and did all the voices, as Rodney
snoozed in the tank beside her.

When she said the tortoise lines, 
she was sure she caught him 
smiling."

Rodney is a pal. He is always there for Bernadette. He is her pet turtle, well-loved and admired. There is little they don't do together. They play games, hold contests, dress up, eat, and share stories at bedtime. Bernadette does most of the work that needs to be done; she is sure Rodney appreciates her every effort. At night, she keeps him near. 

Time passes; Rodney gets slower and slower. One day, he stops moving at all. Bernadette is comforted by her mother, helps with his burial, and sings him a goodbye song. Days pass. Her thoughts constantly turn to her beloved pet. Kids at school don't seem to care. Bernadette grieves in silence.  Nothing helps her feel better. She pulls into herself at school, creating her own protective shell. Does anyone notice? 

Amar does. Seeing her alone and tucked into her coat, he sits beside her. Quietly, he offers sympathy and memories of Rodney. He has his own story to share. With time and companionship, the two find comfort and joy in one another. 

Heartfelt and thoroughly sincere, this story allows Bernadette to feel all the hurt and sorrow that comes when Rodney dies. Soft watercolor and pencil illustrations work their magic as they take readers through her experiences. The palette is quiet, the emotions real, and the support of a friend evident.