"Now the little stone buddha could
see more than the sky. He saw all the
people and cars moving fast, the tall
brick buildings, the crushed cans and
dirty boxes all around him. But his
smile still stayed."
On the opening endpaper, a man pedals a bicycle carrying a load of belongings through a drab neighborhood, when a little stone buddha falls from the pile and lands near a collection of garbage. People pass by, going hither and yon, never noticing the tiny buddha lying there. He listens to the beat of people's feet, the traffic noise, always smiling though he sees nothing.
A small girl, walking with her mother, does notice him. She whispers hello; at her mother's bidding to not touch the dirty garbage, she sets the buddha on a discarded box and suggests that someone should clean up the place. From his perch, he can now see all around him. Despite the gloominess of his surroundings, he continues to smile. A man notices that smile, and stoops to take some of the discarded empty cans away with him.
Things look a little better. The buddha continues smiling. His smile encourages young men carrying throw-aways to a dump further down the street to keep going. A dog is discouraged from 'doing his business' where the little guy is living. The dog's owner leaves some flowers and promises a vase for them ... tomorrow. More and more people take time to stop and to make his life better. Days pass; garbage is removed; flowers are planted; a shelter is built, and gifts are offered.
"All for the little stone buddha ...
who continued to smile."
Grace Lin's compelling gouache illustrations begin in the dim confines of a dilapidated neighborhood where garbage collects in open spaces, and lends an air of misery to the buddha's new home. As neighbors stop to pick up garbage and work to change the space, new and vibrant colors invites close observation and feelings of goodwill and generosity. In the end, it becomes a haven appreciated by all who live in the community.
An author's note (complete with colorful photographs) tells readers that this book was inspired by two things: a book Ms. Lin loved as a child - The Little House by Virginia Lee Burton. The other is the true story of the Oakland Buddha (found at the traffic median of East 19th Street and 11th Avenue in Oakland, California).
Note: The final endpaper shows the amazing transformation of the initial space, following the many acts of kindness shown by members of the neighborhood.




























