A Salwar Kameez for Ambika, written by Arti Pandey and illustrated by Avneet Sandhu. Owlkids, 2026. $22.95 ages 4 and up

"Ambika felt like she was floating on a 
sea of colors. 
There was a green cloth checkered 
with multicolored thread. 
Another was a shimmering blue. 
A pale yellow one had bits of glass
threaded into the pattern."

If you have seen any photographs from Indian weddings, you will remember the glorious colors worn by those in attendance. It is Ambika's first visit to her mother's homeland; with that comes the excitement for having her first salwar kameez designed to wear to her cousin's wedding. She and her mother visit the best shop in Lucknow where they meet a kind and very helpful shopkeeper who will help them choose the fabric. 

After consideration, Ambika chooses a brilliant red with threads of gold embroidered into it. The next stop on their quest for the perfect salwar kameez is with the darzi, Shakeel. Opening his notebook, he asks a number of questions about style. With a look through a photo folder, Ambika is able to choose the style she finds will be perfect for dancing. She informs the darzi, who then takes measurements and tells mother and daughter it will be ready in a week. 

They don't have a week! There are only three days until the wedding. Shakeel promises to do his best to have it ready. There is much to do in preparation for the wedding, taking Ambika's mind off the waiting. When a package arrives on the day before the wedding, Ambika is thrilled. In fact, she finds it so beautiful, she thinks she might need one for every day of the week!

Readers who have worn a salwar kameez will appreciate seeing the beauty of the color choices and the many styles available. Those who have no knowledge of the traditional clothing will welcome Ms. Sandhu's depiction of the crowded bazaar, the fabric shop, the design work of the darzi, and the evident joy at a wedding celebration. Ambika's face is filled with all the emotions of this first memorable experience. 

Luz Sees The Light and Luz Makes a Splash, written and illustrated by Claudia Davila. Kids Can Press. Revised editions, 2026. $12.99 ages 8 and up

 

"What's with the weird groceries? 
Where are our avocadoes and pineapples?

And no frozen fish fingers? 

Those cost too much now. Probably because 
they're imported from far away.

With fuel prices so high, it's cheaper to buy 
local stuff." 

The life Luz leads in the first book, with video games, trips to the mall, and using the microwave to zap her food quickly, depends on electricity and fossil fuels. She is aware that changes are happening that are a concern; she doesn't like it. Numerous power failures, and her mom's feelings about the price of things (including the sneakers she is saving for) helps Luz see that her community needs to make changes. With help from the new kid Robert, Anika and others in the neighborhood, she begins the task of turning an old empty lot into a tidy garden and playground for all. Her energy and enthusiasm are contagious and inspires the community to get on board to help with the transformation. 

Ms. Davila's graphic novel presentation of her message is effective for her target audience. The fact that this revised edition delivers a message not unlike what was happening in 2011 (when the first edition was published), when it comes to climate change and efforts to help stem it, is concerning. With likeable characters, a lesson on composting, and a lead character with endless energy, it might just inspire kids to do what they can where they live to make reasonable changes. 

"A-ha!

That's where my gray water filtration 
system comes in. 

Tap water is good for drinking, cooking, 
bathing, washing ... 

After it's used once, 
it's called gray water. 

But it can be used again!"

In the second book, a heat wave and lingering drought have Luz turning to activism once more. It feels very real for me these days as we have been suffering through a record-breaking heat dome and the threat of both grass and forest fires. The community garden inspired by Luz and her neighborhood is dying. Not only that, a new plant is depleting ground water while Spring Pond outside town is nothing but mud are causing big problems. Having taken on a tough task previously, the townsfolk work together in a campaign to set up rain barrels and other receptacles to save and filter graywater. Perfect fare for building neighborhood spirit and prompting thinking about going green and how it might be done. 

The graphic novel format is sure to prove popular with kids interested in thinking about what is happening to the earth, due to climate change and thoughtless destruction around the world. The two books are a viable and useful way to inspire conversation, and the belief that small actions can have an impact. 

Just Right, written by Torrey Maldonado and illustrated by Teresa Martinez. Nancy Paulsen Books, Penguin Random House. 2026. $24.99 ages 4 and up

 

"Uncle flies me away 
from all the things that 
don't feel right ... 

until I land in an office chair where 
I once taped a sign with my name on it. 
TOBY'S CHAIR.
Uncle never moved that."

Toby and his mom are shopping for gifts for his father and his uncle. As he searches the sock display, he finds it easy to find the right pair for his uncle, and not so easy to choose a pair for his dad. His dad is 'hard to please'. While wrapping his father's birthday present, he hopes he will acknowledge it with love. When that doesn't happen, his mom suggests that he take the socks he got for his uncle down to his garage. 

Despite some of the not right things he sees on the way through his neighborhood (broken glass, a long- neglected playground project), Toby is thrilled to see everyone at EL TIO AUTO REPAIR, especially Uncle. The feeling is mutual. Uncle scoops Toby up, deposits him in his own chair while Toby takes time to notice the many reminders of days he spent with Uncle. Uncle loves the socks! Really???

"'Come here, little man." He hugs me off my feet.
"Your just made my day. Best gift ever." 

"But you don't even know if they fit," I say.

Uncle smiles. "It's from YOU. You the gift. 
You more than enough. These socks? They extra.""

Talk about feeling JUST RIGHT. 

Teresa Martinez matches every feeling felt by Toby at every turn. It's easy for young readers to see when things don't feel right, and then the enthusiasm and love felt when they do! It's so important for kids to see themselves valued and her digital artwork is testament to that. 

In an interview with Publishers Weekly, Torrey Maldanado had this to say about his first picture book:  

The story comes straight from my own childhood. Toby’s dad is my dad. I called him my “summa time dad”—sometimes he was there. And like Toby, the boy in the book, I had people who were there for me, and who saw me as family. So many people say, “Hey, nephew” to me ...  I think about what Maya Angelou said, “Be a rainbow in somebody’s cloud,” and I want to remember the rainbows of my life. 

... There’s so much goodness around us, and we need to preserve it. I hope that Just Right will spark conversations on how we need to be there for each other—and take action, too. I’d like my readers, and all of us, to ask ourselves every day, “What can I do to make someone feel just right?” and then do it!

Bitter Tea and Rock Candy, written and illustrated by Yan Gu. Henry Holt and Company, Macmillan. Raincoast. 2025. $25.99 ages 4 and up

"The first day, Mimi pretended to drink 
the tea, but instead she spat it down the sink. 

The second day, Mimi pretended to drink 
the tea, but instead she gave it to Ali under
the table."

Waipo is pleased to share her favorite tea with her favorite granddaughter; she knows it will be good for her. Mimi is not at all sure about even trying it. It looks and smells awful. Waipo insists that the traditional Chinese tea has been passed down through generations and has important cooling powers. 

When Mimi gives it a try, the tea is too hot and much too bitter to be consumed. Still, Waipo insists on her finishing it. Every time Mimi tries it, she determines never to drink it again. She finds ways to get rid of it. When Mimi is caught, her grandmother is very angry. Mimi cannot help herself; she tells Waipo exactly what she thinks of the tea. 

The next morning, she finds Waipo working in the kitchen with herbs and flowers. Waipo is making tea AGAIN. When the tea has steeped, she pours it into two bowls. Once cooled, Waipo suggested a piece of rock candy to help with the bitterness. She shares her memory of a time when she didn't like the taste of the liangcha, and her waipo did the same for her. While the tea still looks the same and smells awful, Mimi also sees the love and care that Waipo gives to creating a new tradition with her beloved granddaughter.

Lovely, and sweet! 

Main Street: A Community Story about Redlining. Written by Britt Hawkins and Tiffany Jewwll and illustrated by David Wilkerson. Kokila, Penguin Random House. 2026. $24.99 ages 7 and up

"Mama cleaned houses, 
and Papa got a weekend job.
We became members of a co-op,
Hamer's Building and Loans, 
and others shared with us. 
They taught us how to save and 
help each other. And our 
thrift manager approved our
application for a loan. That's 
how we got our home."

I don't know nearly enough about some things, and I'm always impressed and happy to learn something new from a book for kids. So, when I started reading this book, I knew very little about how redlining impacts community. Alison's birthday party is coming to an end, when Olivia (who has really enjoyed the party atmosphere) invites the other kids in attendance to come to the annual block party on her street. Alison's response is a huge surprise when she tells Olivia she can't be there because her mom says Main Street isn't safe. 

"My stomach aches. 
My face is hot. 
My eyes fill with water.

I can't wait to leave."

She cries as she tells her mama what Alison said about Main Street where they live. Mama doesn't have a response. The ride home makes clear to Olivia the differences as they move from Alison's neighborhood to her own. Ms. Effie is outside when they get home. Olivia needs a chat. As she expresses her sadness over what Alison said, Ms. Effie relates a story from her childhood when she heard the same thing. 

The bank wouldn't lend her family money for a house, citing the thought that Main Street was not a good neighborhood. Her family knew it was perfect for them, and still is for many reasons. Neighbors on Main Street help each other, and work together to provide the money needed for a new home. Ms. Effie also worried about what people were saying. To help Olivia understand, she goes inside to get a map, and brings it back outside to help her explain just exactly how redlining was used to separate 'Black, Brown, and Jewish people' from others by calling where they lived 'hazardous' places. 

People began to believe it to be true. Though others abandoned those who lived on Main Street, friends and neighbors did not abandon each other. Olivia feels better after their talk, and realizes that Main Street is a wonderful place to be. Off the two go to join their neighbors for the 62nd Annual Block Party - a time of happy celebration. 

An author's note adds further information about redlining, including the fact that it was outlawed in 1968, but such feelings still exist and the effects of it continue to be felt in many such communities. A list of ways to care within neighborhoods is appended. Historically accurate and easy to understand, with digital art that mirrors the tone and welcoming nature of the Main Street community, this is an ode to the human spirit. 
                                                                                         

Our Home, Our Only Home, written by Marion Dane Bauer and illustrated by Sophie Diao. Candlewick Press, Penguin Random House. 2026. $24.99 ages 6 and up

 

"For all our knowing, though, 
we barely noticed our new fuel 
filling the sky 
with gases. 
Or the fertilizers and pesticides
washing from our fields 
into streams, 
into rivers, 
into oceans. 
We forgot 
as we cut down forests." 

Ms. Bauer uses a mix of poetry and science to bring ecological awareness to her readers; together she posits they can help to save this planet that is our home. She begins by reminding those who share her book that ours is the only planet that can sustain life. Over billions of years, it has changed, then changed again in the most amazing ways to move through periods of extinction. Yet, it survives. 

It took all that time before humans appeared, with a brain that tamed fire - for heat, for protection, for cooking the food that made us healthier in every way that mattered. Because of fire, people lived. Too soon, humans also discovered coal, oil, and gas which led to the development of machines that used those fossil fuels. The effects of those inventions and the ways in which they were used has brought us to a crisis on our planet. We didn't see what they were doing to our home and our environment. 

"Our lives had never been better, 
never been easier." 

It has not taken nearly as many years to get to where we are now. In fact, much has changed in the last few decades - rapid change that has never been seen before now. Her approach in the second half of the book is to suggest actions that can be taken and to talk about those who inspire others to make a difference. They may be teenagers, or those who have worked tirelessly throughout their lives to help us understand just exactly what is happening, and what changes will help. It's important to think beyond the human perspective and consider what it means to put the Earth first and do what's best to be sure every life is protected. 

Stunning digital illustrations ensure that readers are made aware of the emergency that is climate change and also begin to understand that we all can play a part with hope, action, and letting others know how to help turn things around for all. 

"Begin by being grateful."

Forty The Fortune Teller, written by Drew Daywalt and illustrated by Kevin Cornell. Philomel, Penguin Random House. 2026. $24.99 ages

"Basketball was so distracted 
with his nasty poo-poo foot 
that Forty and Chip were able 
to escape and continue toward 
the slide. 

Just then, it started to rain. 
Forty and Chip were in 
danger of getting soggy. 

Desperate and willing to try 
anything, Forty looked up 
at the dark gray rain cloud 
overhead."

Chelsea loves to make fortune tellers ... the subject of this new book from Drew Daywalt and Kevin Cornell. The endpapers get readers right down to business by providing step-by-step instructions on how to make a fortune teller from start to finish. Making one (or more) is sure to take up time on an 'I don't know what to do' summer day. At the end of the book, Mr. Cornell includes instructions for making your own Chip as well, and maybe a gum wad, or a basketball,

This is story is written about one particular fortune teller named Forty, and her friend Chip. Forty and Chip are two casualties of playground activities. Forty is dropped as the child who made her rushes into school when the bell rings. Chip is but one potato chip left from a throwaway bag, with a bite taken out of his head.

A search for other casualties leads them to discover a red bolt needed to ensure safety for the slide ladder. They have to get that slide fixed before someone gets hurt at recess. As they make their way across the playground to get to work, a huge squirrel scoops up Chip as a snack. A distraction is needed! Forty bamboozles the squirrel with a very funny fortune, and its hilarious result. From there, the two are on to new adventures with a basketball and a raincloud, before the kids are released for play and someone gets hurt. Who knew that gumwads attached to the underside of the slide would keep Forty and Chip from being on their slide? Maybe another fortune will work? 

You will have to read the ending to see what happens next! I will let you know what Chelsea thinks when I read it to her in July!                                                                                   

The True Ugly Duckling: How Hans Christian Andersen Became a Swan, written by Sandra Nickel and illustrated by Calvin Nichols. Levine Querido, Raincoast. 2026. $25.99 ages 8 and up

 

"Sometimes, to comfort his heart, the boy 
cut out shapes from paper, since that was 
all he had. 

One day, a neighbor girl asked him why 
her flowers had faded overnight. The boy, 
who was a young man by now, answered 
with a story. And as he spoke, he took out 
his scissors and cut out pictures of hearts, 
little ladies who danced, flowers, and great 
castles in which one could open the doors."

Using the style of storytelling that made Hans Christian Andersen famous, Ms. Nickel shares the details of his life from the time he was a young child. That early life was not an easy one; Hans was not like the other children. He did not attend school as they did. He looked different; he had a tender heart; he created costumes for toy actors and then used them to tell stories to anyone who would listen. He loved to entertain. A few offered coins helped while most who listened made him feel unwanted and sad. 

In a quest to find a better life, he sailed off to Copenhagen. The manager at the Royal Theater was not impressed with his look or his manner. The dance school did not need a young man who could not dance. He held his own in a boys' choir until his voice changed. Without money and a way to earn any, he made one last attempt to get the attention of the directors of the Royal Theater. He wrote a play. One said no, another thought it help promise. First, he would need to go to school.  At 17,  he spent his days studying with much younger children and was not allowed to write stories. 

Though always sad, he found comfort in cutting shapes from paper. A simple question asked by a young neighbor girl led to his telling her a story using scisssors to embellish it. Because she loved it so, he wrote it down and had it published with three old stories he retold in his own unique way. Children loved them. Hans was on his way, telling tales and writing stories children loved to read.    

"Before long, even adults were reading about a one-legged tin soldier
who yearned for love. A poor match girl. A mermaid who gave her 
voice for a prince." 

Brilliantly told with empathy and admiration, this picture book biography includes clever references to some of his most famous tales and invites readers to learn more about the man whose stories were drawn from his own experiences as a 'strange child'. His love of creating cut-paper artwork is replicated by the stunning illustrations of Calvin Nichols. The closer a reader looks, the more there is to see. It isn't until Hans finally achieves success that Mr. Nichols allows readers a clear look at who had become; once an ugly duckling, now a beautiful swan.   

The author ends with a note about neurodivergence, and the fact that some experts believe Mr. Andersen was likely on the autism spectrum. She also talks more about his work and includes a select bibliography that will certainly offer help for readers who want to know more.
                                                                                       

Taking Flight, written by Kashmira Sheth and illustrated by Nicolo Carozzi. Dial Books for Young Readers, Penguin Random House. 2026. $24.99 ages 5 and up

"Still, you gather up your courage, 
that first day of school. 
Lifting your chin, 
you step through the door. 

Instantly, many heads turn toward you, 
their eyes seem to study you. 
Your stomach stirs, 
palms grow cold, 
knees turn mushy."

What a heartwarming, and yet also heartbreaking, way to show readers the reality of the refugee experience for many. Three young children are introduced, and their journeys to safety in faraway lands portrayed in exceptional digital artwork created using graphite. The first leaves a grandmother in a Tibetan highland home. The second leaves a cozy Syrian home surrounded by cotton fields, following many others who are doing the same. The third escapes a beloved Ukrainian city in the wake of bombing that is leaving it in ruins. 

"No matter where you started, 
leaving was hard - so was that journey. 
And you finally reached safety, 
you were hungry, thirsty, worn-out.
Ready for rest."

That rest came first in a refugee camp. Then, travel to a new land happened on a plane, a boat, and a bus. All the while, hearts were filled with hope for a better life in a strange new place. It was all so different - language, noise, everything unfamiliar, school, food. Still, there are those who know what to say, what to do, how to help make things better - a friend or friends. 

"Day by day, little by little, 
as the new becomes known, 
you meet other children just like you."

The telling is so quiet and meaningful for readers, allowing a chance to develop empathy and compassion for the children they are meeting. The illustrations perfectly match the story's tone, offering readers the opportunity to sense the fear, and feel the emotions of each refugee child. There is such joy in the welcome they experience because of the children they meet who show interest, kindness, and patience. That is what most kids do, when given the chance.                                                                                        

 

Dad, written and illustrated by Christian Robinson. Balzer + Bray, Macmillan. Raincoast, 2026. $25.99 ages 3 and up

 

"Dad is here now. 

Dad had to go away.

Dad holds on tight. 

Dad needs lots of space."

I love that Christian Robinson dedicates this new book to 'caregivers who gave what they never got'. It is a perfect way to honor those fathers who do their best to be there for their young ones ... animals and humans. He begins with a flamingo on the title page, looking down from above to the little one standing  between his legs. Love radiates between the two. The gorilla father is 'strong', the fox dad sweetly cuddles three kits, and the frog dad piggybacks his tadpole offspring. 

Each pair that follows shows all that dads do to make life better, while also letting their children down occasionally, or making mistakes. It's not always easy. When he switches to human dads, he follows the same format, allowing readers to see dads who wipe tears, and worry about their children. Even when they are away, the love lingers and keeps them front of mind. A dad's dreams are filled with wishes for their children to grow, and grow, and grow even more. 

Christian Robinson is adept at conveying his positive message in a simple narrative that is accompanied by telling  paint and paper-collage illustrations that pay homage to fathers. They are not perfect, and this is an honest look at that. Taking time for children to really listen, and then talk about some of their own experiences will enhance the reading and offers a safe place for discussion. 

A collection of the included animals and additional father-child facts about each provides help with understanding more about them. 

"PORCUPINE

Some porcupine dads 
share babysitting duties
with moms and other 
adults to care for their 
porcupettes."

If you are looking for a book to share for Father's Day, you cannot go wrong with this one. 

                                                                                          

Loch Ness Monster's Unbelievable Science, written and illustrated by Anne Appert. Kids Can Press, 2026. $16.99 ages 6 and up

"Now, THAT is science. 

But this isn't as fun. 

Of course it is! 
Science is fun!

And it's the real me! 

Fine. 

Make sure you stick to the facts. 
Promise? 
No more made-up science. 

I promise ... "

There are constant warnings for today's young readers about how tough it is to tell fact from fiction. To that end, the Loch Ness Monster is willing to help. Ness's new book promises 'scientific truths' while helping to explain how to pay careful attention to what is being written. This one is about birds, something that Ness knows. 

He will start with puffins, and their beaks. In the past when the two friends decided to sunbathe, Puffin refused protection saying no sunblock was needed. Wrong! That is why today puffins have more colorful beaks in the summer. Puffin disagrees, offering to write its own truth. In a following two-page spread, Puffin sets Ness straight with a series of real facts about the species. Ness explains that he is not sure what Puffin has provided is a lot of fun. Puffin responds that it is science, and science is fun. Ness promises to stick to the facts for the next section of his book.

Is that likely? Read on and see. Ness's next topic is the blue-footed boobie's blue feet. His tale is much appreciated by the booby; not so much for Puffin who is trying to hold Ness to the promise he made. When the blue-footed booby takes the time to think clearly about its feet, it is able to construct an account of his own species with REAL FACTS. There follows very interesting and pertinent facts about his species. The booby prefers Ness's more exciting tale; real science prevails. 

The final section concerns flamingos. What do you think the focus might be this time? If you said pink  feathers, you are absolutely right. This time Ness has his story straight and passes on accurate information before Flamingo adds a few facts of his own. In the end, Ness can now tell his own story - one he knows well. 

The graphic novel format is sure to appeal to the target audience, while offering a series of facts about birds and a touch of humor. Back matter includes a resource list, website, and a list of the author's selected sources for writing the book. 

                                                                                  

The Heart of Our Home, written and illustrated by Janelle Washington. Roaring Brook Press, Macmillan. Raincoast, 2026, $27.99 ages 4 and up

 

"When my brothers and I get in trouble, 
the kitchen table is where
we have serious talks. 
It's uncomfortable to 
               make mistakes, 
              but deep down, 
                    we know we learn from them. 
                    And sometimes, we even admit
                    that Dad is right."

There have been other picture books this past year or two about the importance of the kitchen table in family stories. I know I have shared a few with readers. It is the heart of this home, where the family gathers each morning to enjoy the first meal of the day, warm conversation, and a hearty send-off to a brand-new day. 

At the end of the school day, the child who narrates the story and her brothers use it for games played together, baking, and making a mess. Too soon, it's dinnertime and her job is to set the table while Mom prepares what they will eat tonight. When the meal is ready and everyone is seated, it's the perfect time to talk about the day's events. There is always much to say. It is the perfect spot for thinking, studying, creating. Every day the table centers what is happening with the family, from Friday fish fries to serious talks about behavior and how to learn from the mistakes we make. 

"It's where laughter fills the air, 
presents are unwrapped, and 
cake is enjoyed, turning every 
gathering into something 
memorable."

Readers are told 'the art for this book was rendered by hand cutting black paper using a craft knife. Colored tissue and handmade paper was used for additional layers.' It very effectively shows the many memories that the author holds close to her heart from times spent at the family table. Intense colors and textures add detail for those listening. Finally, archival photographs of the her family offer context for the warmth shared here.

I think I have asked these questions before. What are some of your memories of times spent sitting at your kitchen table? Do you still have meals together there? 

The Selfish Sister, written by David Sedaris and illustrated by Bob Staake. A Toon Book, Astra. Penguin Random House, 2026. $24.99 ages 4 and up

"Don't try to ride 
       her bright green trike. 
It's hers alone, 
       the un-kind tyke. 

It sits 

      un-used, 

            ignored, 

               forsaken

not peddled yet, no long rides taken."

I have always enjoyed David Sedaris' humor! I have read many of his adult books, and was happy to learn that he has turned his talents to writing for children. The first was Squirrel Seeks Chipmunk (Little, Brown, 2011). Look for it at the library; you won't be disappointed. I told readers about Pretty Ugly (TOON Books, 2024) previously, and next up is this book about a sister who can only properly be described as both SELFISH and GREEDY! She is trouble at every turn ... taking on anyone who gets in the way of her belief that the world (and all in it) is her oyster. 

 In cheeky rhymes, the author is able to show readers just exactly what greediness in its purest form is. There is not a thing that doesn't belong to her and she makes sure that everyone knows it, especially her small and quite terrified brother. No amount of trying keeps her from taking everything in sight: cork, tuning fork. bed, towel, chair, stuffed animals. Then, she moves outside. 

Finally, in a fit of anger, her father shouts "Enough! When she continues in her selfish ways, he offers a deal. She refuses. When she has finally claimed ALL to be hers, she finds herself without only one thing: friends. So much for her self-centered ways! 

Bob Staake fills the spreads with digitally colored pencil and ink drawings that are sure to please young readers. He leaves plenty of white space in order to keep attention on her antics and expressions. Green skin and one tooth make her a real charmer. Get ready to giggle, and then read it again. 
                                                                            

Grandma, Cho Cho and Me, words by Morgan Christie and pictures by Paulica Santos. Groundwood, 2026. $21.99 ages 3 and up

"Grandma sends me to pick some callaloo
from the garden. I cut handfuls of the 
deep-green leaves before we chop and saute
them with chili flakes, garlic and a Scotch 
bonnet for kick."

It doesn't always happen that a family gathers together for a big breakfast; more often, that happens at dinner time. The young girl in this story is helping her grandmother prepare a delicious early morning meal for the whole family. In doing so, Grandma explains why breakfast is so important. As they work together to decide on the menu and to get what they need for its preparation, Grandma explains that many families do the same. Often the work of the day begins early in the morning, and does not end until moonshine leads the workers back home. That breakfast helps thems get through their long days.   

As the two talk, they work at the recipes handed down for generations. Ackee, saltfish and fried dumplings are first on the agenda, followed by some of the granddaughter's favorite sides: callaloo, stewed cho cho with spices and herbs. All the while they talk about the lessons learned from their cultural heritage in Jamaica. She explains that many people from the Caribbean eat big breakfasts; it is the way they start each new day. 

There are many reasons for big breakfasts. Grandma shares a final thought:

"When we eat breakfasts together, we are reminded,
before we take on the world, that we will always be 
there for each other. That I will always be there for you."

This story is inspired by Morgan Christie's memories as the daughter of Jamaican migrant parents. She is clear that those memories have informed her life, and made her want to write about it in a gentle and loving way. Paulica Santos uses digital mixed media and acrylic paint to showcase the brilliance of the Caribbean colors as she helps readers be a part of the planning and execution of a most delicious family meal.                                                                                          

That is NOT a Dog! Written by Bea Birdsong and illustrated by Charlie Alder. Nancy Paulsen Books, Penguin Random House. 2026. $24.99 ages 3 and up

 

"Ollie was glad to have friends with him
as the sun slipped lower in the sky, 
and he invited them to dinner. 

He was happy they 
didn't see any dogs
along the way. 
Not one."

Everything Ollie had ever heard about dogs terrifies him. Being a cat, it is not a surprise. Is all that he has been told the truth? Ollie thinks so; he chooses friends he knows are not dogs, then stays away from dogs at every opportunity. It's their mean eyes, giant teeth, and loud barks that make him quake with fear. The first quick reaction from young readers will happen when Ollie meets a creature (obviously a dog) with kind eyes and black-and-white fur. Ollie knows immediately it is not a dog; it must be a cow whose dog tag says it's name is Mildred. They spend time together watching the birds, and then walk on. The next animal they meet is described as a hippo named Finchley. 

Their adventure continues through the park where they come upon more dogs that do not meet the criteria Ollie has in his head. I can hear (as you can if you have ever spent time in an early years classroom, or with kids of your own) the laughter and the constant cries to let Ollie know each new friend is really a dog! The happy, action-filled illustrations are consistent in telling a very different story - one that contradicts everything Ollie believes to be true about the dreaded dog. There is no scare in any of them. They are friendly, helpful, and fun. They have a wonderful time together and share a lovely meal. All the while Ollie is delighted to be spending his day with any animal but a DOG!  

Aya Has Never Seen A Bear, written by Geretchimeg Blackcrane and illustrated by Jiu'er. Translated by Paul Qiao. Adapted by Helen Mixter. Aldana Libros, Greystone Kids. 2026. $25.95 ages 6 and up

 

"Aya understands that this garbage must be 
completely burned. If the bears get used to 
it, they might be attracted to the human world. 
That would be dangerous for them and for humans.

This is how the Oroqen share the forest with 
bears. Respect them, be in awe of them, and 
keep away from them."

I cannot imagine any child not wanting to know more about this book from their first glance. How can you possibly not want to know more about the bear that graces its cover? 

The opening page explains:

This book takes place among the Oroqen, an ethnic group 
who live in the forests and mountains of Greater and 
Lesser Khingan, in northern China. They are hunters. 

Aya is sound asleep when Grandma calls for her to get up. Grandpa is back with food for breakfast and plans for the day. He wants to take his granddaughter with him in a search for bears. Aya has been longing for such an adventure; she has never seen a bear. The two mount their horses, leaving the noisy dogs behind them. Grandpa has always been Aya's guide to the beauty of the woodlands and all it hides. 

As they ride, they take note of all that is happening in their natural surroundings: changing colors, trees, migrating birds, a hare family enjoying the sunshine, and roe deer watching them pass by. As owl passes too closely, causing Aya and Grandpa to bend their heads and hurry away. Moving on to the wetlands, they notice that the fox family they have been watching all summer now has grown kits who are ready for their own home. Many animals share the land with the Oroqen people. 

A river valley is next. They leave the horses there and walk on to the pine woods where the bears live. Once settled in the thick bushes, they sit silently ... waiting! A mother bear and her three cubs eventually come out of forest, leaving Aya breathless. They watch as the bears play together, and finally rest. Later, when Grandpa whistles, the bears quickly depart. Before they head home, the two gather the garbage left behind by forest visitors, and light it all on fire. Grandpa does not want the bears to become accustomed to the presence of humans. 

Once the fire has been extinguished, the two head back the way they came, gathering berries along the way, a gift from the autumn forest. The bears will find no scent of humans, and will then search to find their own food as they prepare for a long winter's sleep. 

A final few pages offer further information about the Oroqen, and the way their lives have changed through the years. 

In keeping with the patience required to catch her first glimpse of a bear, the text moves clearly and quietly as it describes the shared adventure. Warm and absolutely stunning natural surroundings are shown in artwork done with mineral pigments. It is a lovely book!                                                                             

Our Gracie Aunt, written by Jacqueline Woodson and illustrated by Monica Mikai. Nacy Paulsen Books, Penguin Random House. 2026. $24.99 ages 4 and up

 

"Sometimes we helped our 
Gracie aunt cook. 

She let us throw spaghetti 
against the wall. If it stuck, 
it was done. 

On Saturday nights, she made popcorn
and let us watch scary movies with her."

Beebee and her younger brother are alone in their house when Miss Lee comes to the door asking to speak to their mother. Readers quickly learn that Beebee has a worry about foster care, as their mom is often away for different periods of time. When Miss Lee returns, Beebee does open the door and Miss Lee explains she is taking them to be with their mother's sister. 

Johnson's first-person narration is full of questions about what will happen to the two of them. As they drive away from their home, Miss Lee explains she has talked with their aunt. She is their mother's sister. It is a very quiet ride. Upon arrival, Johnson becomes quite excited at how things look. 

"I couldn't believe it either. Her yard was big and had a tire swing
hanging from a tree, And pretty flowers everywhere."

Their Gracie aunt is delighted to welcome them and does everything she can do to make them comfortable. Beebee is not as amenable to the situation and attention during the day, or at bedtime. Their aunt answers the questions they have, explaining to Beebee that she and their mother had an argument once that left them not speaking to each other. 

It is not an easy transition; it takes time for the children to accept their new reality. The love shared begins a healing process that leads to their having a visit with their mama, who tells them how much she loves them and explains that she cannot take care of them right now. Their excitement as they return to their Gracie aunt leaves them in a hopeful place until the family can be reunited. 

Tender and moving, with warm digital artwork that adds understanding for the circumstances the children face, and the constant love that surrounds them whatever family might look like. 

A Fly In The Chai, written by Zenia Wadhwani and illustrated by Chaaya Prabhat. tundra, Penguin Random House. 2026. $24.99 ages 4 and up

 

"I stop for a pistachio kulfi before we get to 
Mr. Sharma's chai stall and Nanu gets a big 
steaming cup. He leans in, about to take a sip. 

"STOP! THERE'S A FLY IN 
      YOUR CHAI!""

Nanu and his granddaughter are visiting the market where Nanu has many, many friends. Each merchant is honored with a greeting in their own dialect as the two move toward Mr. Sharma's chai stall. Nanu loves a big steaming cup. As he leans in to take a sip, his granddaughter shouts out a warning about a fly in his chai. 

Despite encouragement, the fly is going nowhere. Onlookers each have a suggestion for getting rid of it. They also have opinions about why the fly is even there. Only then does the fly have a say, offering her name and the fact that her love for chai is very strong. 

"I love the smell of cardamom. 
I love to watch the steam rise. 
I love the cozy way it makes me feel. 
I love EVERYTHING about chai!"  

Nanu shares his own love for chai and its many wonders. An argument ensues; the fly angrily returns to the cup of chai. Nanu is now also furious, and does what any sane person would do. He drinks it down in a huge gulp. Does that work? I wonder. 

Bright bold colors offer a look at a traditional Indian bazaar with great characters and many items of interest. Final pages provide a pronunciation guide for the varied greetings, a glossary to explain any unfamiliar cultural words, and a recipe for Zenia's family chai recipe.  
                                                                                  

The World Entire: A True Story of an Extraordinary World War II Rescue, written by Elizabeth Brown and illustrated by Melissa Castrillon. Chronicle Bo;oks, Raincoast. 2025. $29.99 ages 8 and up

 

"Aristides hugged them more 
tightly than ever before and 
sent his sons and nephew 
home to Portugal. 

The radio announced the news -
German troops were only miles 
from Bordeaux."

This is a story I had not heard in any of the many books I have read about WWII. Aristides de Sousa Mendes worked for the Portuguese government, living as consul general in Bordeaux, France when the Nazis started pushing through that country. Always kind to his neighbors in need, Aristides turned his attention to helping refugees fleeing to safety in Portugal where they thought they would be safe and protected. The Portuguese government was not in favor of helping them. 

When faced with hundreds of travelers wanting visas, Aristides disobeyed government orders to hold them back. Over a period of 23 hectic and terrifying days in the summer of 1940, he worked endlessly to provide visas for as many people as he could. With help, he granted visas to everyone who asked, even setting up a table in the street to accommodate their requests. His disobedience led to conviction and a guilty charge. He was stripped of his job, and his home, his prestige and other repercussions for his family. At a soup kitchen where his family was being fed, he met some of those he had helped and others who had escaped. What a legacy he left.

"Over a period of 23 days, Aristides de Sousa Mendes rescued many thousands of people, including the painter Salvador Dali; the writers Margaret Rey and H. A. Rey; the entire Belgian cabinet; professors of medicine, biology, and physics who would go on to teach in America; and thousands of others whose lives are less known but no less precious." 

His story is told with honor and simplicity to hold attention and inform young readers interested in heroic people from history, and WWII specifically. What a rescue mission he commanded. It is estimated he helped upwards of 30,000 people, Digital pencil crayon illustrations offer a realistic setting and inspiration for the fine work he did. An extensive author's note provides further context, along with a timeline for the 23 days, a list of quotes and sources, and a bibliography. 

Take Me Out To The Ball Game, words by Jack Norworth and pictures by Gary Clement. Greystone Books, 2026. $23.95 ages 6 and up

 

"LET ME ROOT, 
ROOT, ROOT, 
FOR THE 
HOME TEAM,

IF THEY DON'T
      WIN IT'S
      A SHAME."

Written in 1908 and not heard at a ball game until the 1934 World Series in St. Louis, this song has become an iconic anthem for many baseball games, including ones played in packed MLB stadiums. It's a fun song to teach in early years classrooms, and is one of those books that young readers will soon be reading for themselves. 

What Gary Clement has done is create an illustrated story for the familiar words. An eager young fan does his best to have his father leave the endless pile of work on his desk so that the two can head out to enjoy a ball game together. The father is not sure he has the time, what with all the work facing him. The child is not willing to give up on his dream. 

By singing the song, he entices his father to consider all they will see while there: the crowd, the food vendors, the perpetual action as the game begins, and the joy that comes from rooting for a favorite team. Soon Dad is joining in the song, and the two are in the car and on their way to a packed stadium full of ardent fans. A home run makes their day. 

Watercolor, gouache and ink artwork shows the child in different roles within the ball game experience. The bond between parent and child at a venue they love will certainly help it find fans who will want to sing it again and again. It is a beloved tradition of summer baseball.                                                                                           

Frog: A Story of Life on Earth, written by Isabel Thomas and illustrated by Daniel Egneus. Bloomsbury, Raincoast. 2026. $26.99 ages 8 and up

 

"But if frogs come from eggs, 

and eggs come from frogs, 

where did the first frog 
come from?"

Beginning with the life cycle of the frog, and a child observing a frog's eggs in the pond visited, the author poses the question that will lead to sharing the history of the universe based on a frog's life. That story begins before frogs and everything else, including people, plants, Earth and stars. In fact, it begins with a very hot speck impossible to imagine. 

A BIG BANG happened when that speck expanded and created a universe. Small and energetic, 'there were no frogs yet'.  Going back billions of years, Ms. Thomas shares how stars and planets formed, followed by life ... but still no frogs. It took eight billion years to form the Sun and eight planets. The best of all of those was Earth, where life could develop because of its perfect atmosphere. 

The accuracy of the storytelling allows young children to understand complicated ideas of how life today came to be. Repeating the phrase 'but there were no frogs yet' keeps readers looking ahead to a time when there will be frogs. Ther progression is laid out clearly and enhanced by mixed-media illustrations that are stunning in their scope, filling spreads with scientific accuracy as stars explode, and the world moves toward what children know today. 

Text circles back to the origin story of amphibians: 'the ancestors of every living animal with four limbs, whether legs, or flippers, arms, or wings, including ... the very first frog!' Long after dinosaurs, frogs survived throughout the world. One exceptional spread shows many colorful species found around the world. As their ancestors, a frog's life cycle remains as it has always been. 

"Next time you see a tadpole, egg, or frog, 
marvel at this animal like any other, 
formed from stardust scattered through
space, created by chemistry, conditions, 
and chance.

Not just a frog, 
but the story of the universe, retold."

As they have done in two previous books, Moth (Bloomsbury, 2018) and Fox (Bloomsbury, 2021), this incredibly talented team uses an animal familiar to readers to examine a life cycle, and offer an accessible look at evolution in a way that is perfectly understandable for their target audience. Backmatter tells The Story of Everything in a double-page spread that offers context for the awesome and wondrous story of evolution. For those kids always wanting to know more, this is sure to be read again and again. 

"You are a whisper of the past.

You are a wonder of the universe."                                                                                  

Go, stories by Deborah Ellis. Groundwood, 2026. $15.99 ages 10 and up

"After he sees Ms. Penheligan, he'll go home. 
He'll give his parents the footstool he made. 
Maybe they'll like it. He'll be okay if they don't. 
They'll probably be mad at him for leaving Sam
stranded. He'll be okay with that, too. 
     In less than four and a half years, Brodie will 
have his own life. 
     He has plans. He has things to do. He has places 
to go." 

I am in awe of the short story genre, and of the writers who do a remarkable job of writing with such care and precision to give readers a momentous experience in storytelling. Deborah Ellis is one of the finest. Following Sit (Groundwood, 2017) and Step (Groundwood, 2022) comes Go. As she did in those earlier books, Ms. Ellis explores the world of children from different points of view. In Sit, she introduces nine children who find themselves in situations that require making a needed decision and taking action to change their circumstance. In Step, ten eleven-year-old children around the globe find themselves learning the true meaning of empathy toward others. 

In Go, readers are introduced to nine children who learn those in the adult world can be a disappointment. Through their experiences, they realize there comes a time when they must pick up and Go. Three sections, entitled Ready Set, and Go, share Brodie's continuing story about his how family expects him to step up and admit wrongdoing when he has done nothing wrong. They have no intention of doing anything for him once he admits guilt. The consequences are heartbreaking; Brodie is able to find a way through the pain and make a plan for his future. 

Joan learns that nothing she does for her cantankerous grandmother will make a difference, and knows that her parents have no confidence for her future. So, she decides to makes decisions that will improve her circumstances and not worry about what the adults think. While looking to take some money from her father's stash of bills in his dresser drawer, Janine makes an alarming discovery and keeps the secret until she can no longer ignore it. Liberi learns that stealing results in feelings of guilt, despite his impossible situation: alone, far from home, without money or papers to help him navigate his way. Bastien, whose life as an unwanted foster kid, has that life change when a wildfire threatens the town he is living in and he makes the decision to offer help where he can. 

Each child's story is heartbreaking in that the grownups in their lives have turned their backs, leaving the children to find ways to move forward from where they are. Each child learns there is somewhere to go if you take action that helps to lighten the darkness. Middle grade readers are sure to root for each of them as they negotiate circumstances created by the adults in their lives. Perseverance in really tough times result in survival, independence, and an understanding of themselves at a too early age. 

The Future Book, written by Mac Barnett and illustrated by Shawn Harris. Alfred A. Knopf, Penguin Random House. 2026. $26.99 ages 4 and up

"In the future, lots of people are named

CHARLIE CHEESE FACE

There's an interesting reason why, 
but we don't have time for that story.
I have too many other things to tell 
you about the future."

Mac Barnett and Shawn Harris have done their best, in this new book, to ensure their audience is attentive to the ridiculous changes in language the future may bring. They are also set on inspiring laughter at every turn of the page. It begins quite innocently, letting readers know things will be very different in years to come. 

For instance, the sun will be called the moon, and the moon the sun. Morning will be called night, and night morning. The first sign that things are changing even more dramatically comes when readers are told bananas will be called apples, and there will be no longer be any apples. No explanation ... it's time to move on to the next change (see above). The changes become more absurd by the minute as readers eagerly continue page-turning. 

Cows and cats have new names; dogs remain dogs. Numbers have even been changed with knowledge that everyone will become accustomed to it. Reactions to common occurrences and phrases are impossible to explain. Even a new color is announced. 

"BLORANGE

Blorange is a very famous word
in the future because there are 
no words that rhyme with it!"

Can you hear listeners response when they hear that? On the narrator goes, introducing the supermarket (silly word) as being called the 'bolly bolly hoo hoo'. This is followed up by an uproarious two-page dialogue between two characters who manage to use most of the new language so carefully presented in preceeding pages. 

Why not get kids together to create their own short story using what they have learned about conversation in 'the future'?  The sky's the limit when taking this premise to a logical conclusion in the imagination, since we don't know what the future holds for us.

Shawn Harris' ink and acrylic (and boldly colored) illustrations match the absurdity of the text in every way. There is joy, and considerable humor, as he interprets the text for full impact in a book that is entertaining enough to spur repeated readings. 
                                                                                     

Light As A Feather: Fifteen Phenomenal North American Birds, written and illustrated by Will HIllenbrand. Holiday House, Penguin Random House, 2026. $26.99 ages 4 and up

 

"Brown Pelicans catch a lot of water
along with their prey. They tip their 
bills downward to drain the water 
before swallowing the fish. A Brown 
Pelican's gular pouch can hold up
to three gallons of water, three times
the bird's total weight. They also use 
their pouch to carry food for their 
young."

Young readers will be surprised to see the front endpaper which tells them that 'the birds presented here are in scale to each other'. Someone is sure to ask what that means, and you will be able to tell them that even though the birds are not their real size, the illustration shows what they would look like if they were next to each other in nature. What a concept! 

Surely, they will want to get right at the reading to see what facts Will Hillenbrand has to offer. To that end, he begins with the Northern Cardinal. Each introductory side of the book's double-page spreads provides the bird's measurements (length, weight, and wingspan). At the bottom of that page, their range is described. The facing page presents further information that is particular to the featured bird. For instance, in telling more about the cardinal, the author answers a question about why feathers are so light, while also describing a bird's molt cycle. In small print, he also adds something of note about the cardinal itself. 

In a similar style, he goes on to tell his readers about fourteen other North American birds that may or may not be familiar to his audience. In each case, he adds accessible and pertinent facts that make the reading memorable and worthy of sharing. The subjects for research are feathers, drumming sounds, bill shape, flight, color, intelligence, science tagging, color change, nest building, injuries and care, a pelican's pouch, food, silent hunting, and bird sounds. 

Collage artwork is inspiring and as gorgeous as one would expect if you are a fan of Mr. Hillenbrand's work. Colorful and brilliant, the illustrations warrant careful observation and repeated visits. In back matter, he includes words about his illustrations, an author's note, and a list of online resources that readers are sure to find helpful and valuable for further study. Finally, an index will help anyone wanting to return to a certain bit of information.                                                                                           

We Are Who We Are: An Ode to Indigenous Heroes Past and Present, written by Wab Kinew and illustrated by Janine Gibbons. tundra, Penguin Random House. 2026. $24.99 ages 5 and up

 

"Our love is so pure. 
it comes from the heart. 
If they hate, that's on them. 
We are who we are. 

We are who we are. 
There's strength in this too. 
We kept this place free, 
so you can be you."

In this companion book to Go Show the World (tundra, 2018), Wab Kinew extends the list of Indigenous heroes who have left a lasting legacy in Canadian history. There are 13 men and women included whose accomplishments are far-reaching and numerous. As he did in his first book, he introduces them in rhythmic language meant to inspire young Indigenous readers to learn more about what makes them who they are. 

It begins with the importance of the braid and the way it connects with strength, and through time. He then moves to a series of double-page spreads that honor heroes beginning with Mary Golda Ross, an engineer whose work helped launch jets, rockets, and NASA into space. From there, he writes about Chief Dan George, Steve Charging Eagle of the Lakota, Louis Riel, Thanadelthur, Tasha Spillett, N. Scott Momaday, Pine Leaf, Patricia Nez Henderson, Fawn, Tommy Prince, Phil Fontaine, and Mr. Bonga. 

Interspersed between, a repetitive refrain reminds readers of all that was done to allow people to be who they are, and to be proud. There is little information provided in the odes to the mentioned people. However, a section in back matter titled Biographies provides further relevant information about each and a winning sketch to accompany the paragraph. 

"TOMMY PRINCE (1915-1977) was an Ojibwe
war hero and soldier who fought during World 
Was II. He is one of Canada's most decorated 
Indigenous soldiers, recognized for his service
in the First Special Service Force, an elite 
American-Canadian commando unit. He was 
also a strong advocate for equality and Indigenous 
rights." 

Janine Gibbons' artwork is stunning and 'was created with acrylic paint on poster paper coated in clear sealant. The sketches were created with pencil, pen and ink on card stock'. Every spread is sure to inspire interest and close observation as the book is shared. The spreads are filled with the realistic beauty of every setting, and many familiar and respected symbols that speak to Indigenous culture. 
                                                                                    

All I Want To Do Is Swim, written by Marilyn Singer and illustrated by Luisa Uribe. Rise, Penguin Random House. 2026. $24.99 ages 2 and up

 

"So I jump into the water
and imagine I can be ... 

an animal that feels at home, 
swimming naturally. 

Now like a duck, 
I float on water. 

Kids will only have to touch the cover of this book to be intrigued by the marine animals that have a place in this new book by the prolific Marilyn Singer whose rhythmic, descriptive language will draw readers in. Each of the animals is pearly-white and sparkly ... and embossed which gives the cover such appeal.

Our young narrator is sitting on a dock, her dog and dad close by. She's looking down at the water, and dipping her toes in. Brrr! Chilly it is. After taking many lessons at the pool, she is a touch tired of being there. As she sits on the dock watching a turtle and fish swim past, she wonders if she can swim like they do right where she lives. It has to be worth a try. 

Jumping in, she begins to imagine what it must be like to swim as different animals swim. First, the ones she sees at her pond. Then, a hippo, a penguin, a dolphin, and a frog? She floats, dips, flies, jumps and flips; she even dog-paddles like her poodle. What fun it is to use all she has learned during her swim lessons in the pond with other young visitors!  

Luisa Uribe's artwork assures that water is where all the action is. From the blue-green, sun-dappled watery endpapers to the pool and pond where a love of swimming is clearly shown on spread after spread is a visual delight.
                                                                         

                                                                             

iVIVA VALENZUELA: FERNANDOMANIA Erupts in Los Angeles, written by Nathalie Alonso and illustrated by John Parra. Calkins Creek, Astra. Penguin Random House. 2026. $25.99 ages 7 and up

"Generations of Mexican American and Latino families in 
Los Angeles gathered around televisions and radios, 
tracking each pitch Fernando threw. And, in Mexico, 
many radio stations were tuned into Dodgers' games
for the first time. 
To these communities, Fernando was more than a 
baseball player. 
He was one of them."

Baseball is in full swing for the 2026 season, and many are tuned in night after night to watch and listen to their favorite teams. In Los Angeles, in April 1981, Fernando Valenzuela, a 20-year-old rookie from Mexico. made his debut as the Dodgers' opener. His team beat the Astros and Valenzuela goes on to win his first eight games. No one had heard of this youngest in a Mexican family of 12 children. No one knew the excitement that he would inspire in the 50,000 fans in attendance in those days. Few pitchers had ever thrown a screwball; it is exactly what he did game after game. 

For the first time, Mexicans and Latinos had a hero who looked like they did, and who was an immigrant as they were. They had often faced racism and rejection. Now, they had someone to cheer for and follow on TV and radio game after game. As the baseball world adjusted to Fernando, Fernando did his best to adjust to a new home, a new culture and language. It was difficult. Add to that, a players' strike in June. Fernando went home, not knowing if he would return. Two months later, the strike ended and Fernando was back on the pitcher's mound. His success waned. Would he still be able to help his teammates win an important game in the World Series. It seems he would! 

Baseball reporter Nathalie Alonso and artist John Parra have collaborated on another winning picture book biography from the baseball world. Back matter includes notes from both author and illustrator, a note about Latinos and the Dodgers, a description of the screwball and a bibliography. There is also an archival photo of Fernando as he prepares to throw one of his famous screwballs. 

Viva, #34!