Goodnight, Bruce, written and illustrated by Ryan T. Higgins. Disney/Hyperion, Penguin Random House. 2026. $26.99 ages 3 and up

 

"We don't have time for this. 

Honk ... 

What do you mean NOW 
you remember you don't 
have an Aunt Gladys?!

Go upstairs! 
It's time for bed!"

Ryan T. Higgins knows curmudgeons, and he knows kids! By creating Bruce, the crochety bear who becomes a very unlikely mother to four goslings and three mice in earlier stories, he has given us a character who provides unlimited love and kindness for his charges. He doesn't always do it with patience, as is evident in the furrowed brow and grumpy exterior. 

In the newest release from this very popular series, Bruce faces another dilemma that comes with raising a family ... bedtime. While the young ones watch a movie in a darkened room, Bruce decides it's time for bed. What about the Friday-night monster movie, they want to know. Bruce is adamant; it's time for bed. No arguments. If you have children, you will know how that goes. They have reasonable requests before following orders: watch to one specific scene (that comes near the end of the movie), finish their bowls of popcorn, and clean up the mess made earlier.  

Then, it's put away the ice cream, finish a letter to an imaginary aunt, find Stuffy Bear (who was left at the park), teeth brushing, and finally: 

"You can't tell us when 
to go to bed now. See?
We're too old!

Also, we are out of 
toothpaste." 

What about a glass of milk for one, then every single one of them? Could it be warm? You do know that the bathroom break is next. Finally, they are ready to settle for a story; but, not that one. Who falls asleep first? 

The text is written in full dialogue, which offers it up as terrific shared reading or reader's theater in a classroom. The artwork is familiar and welcome for fans, and full of Bruce's surliness and his charges' innocence at every turn. The setting remains a cozy cottage in the woods. It is another charming readaloud. This is a story I will enjoy reading again and again, as will happen when you share it. I would suggest not reading it at bedtime, wouldn't you? 

Monster Mender, written by Christine Baldacchino and illustrated by Ilona Iske. Groundwood, 2026. $21.99 ages 5 and up

 

"Dot took armfuls of fresh new
ingredients back to her cottage. 
The prickliest peels from the prickliest
fruit in the swampiest swamp. The 
shimmering bark of silver trees from 
the highest mountaintop. And the softest
flower petals from a garden three valleys
down and two lakes over."

Dot is a small, but capable, doctor for her mythic patients. She awakens early each morning to provide care for a dragon, a chimera, a gryphon, and a kraken, to name a few. She travels far and wide to visit with them when she is needed. Their ills are many: Dot is a conscientious and kind caregiver. 

All goes well until a Sea Serpent stops by. The Serpent explains that he is sad ... so very sad. Some days he doesn't want to show himself above the ocean and on other days, he wants to fly into the clouds where he cannot be seen. It's hard for him to know for sure what he really wants; it is always so different. Dot carefully looks him over. She sees no evidence of illness. The Serpent explains again that he is very sad. Serpent looks fine. 

Dot knows she is a good mender. She takes on the task of fixing him. She wants to make something that will cure the sadness. Nothing works. After numerous attempts to make him feel better, Dot realizes that he likes her company. They spend time together, quietly. When asked if he wants to go with her to see Jackalope, he refuses. As the two spend time together during mender visits, Sea Serpent becomes more comfortable and occasionally shows affection for Dot. Dot worries that she is not very good at her job, and tells him so. 

Sea Serpent explains: 

"It's when you sit and have tea and 
bread with me. And we talk about silly
and not-so-silly things," he said. 

"And it's when you ask me how I'm feeling 
today. And today I feel like telling you that 
you're the best monster mender a monster
like me could have.""

Amen! It's the little things that don't seem so little, even to a huge Sea Serpent. 

Do you make someone feel like that? 

Flowers for Mama, written and illustrated by Deborah Freedman. Viking, Penguin Random House. 2026. $24.99 ages 3 and up

 

"Ooh ... Making sounded 
beautiful to Tulip. 

So, she picked up her orange 
and made a slow O, just like 
Mama had taught her.
Tulip added C shapes - "

It will soon be Mama's special day ... too soon! Oleander is having a time trying to make a decision about a gift he can make that will truly celebrate his brilliant mama. The other three kittens have ideas, but none seem to be just right. Would flowers work? All they can find are weeds that are prickly and unappealing. Oleander is busy with a package of seeds. When asked for help, he suggests that they make flowers of their own to give to Mama. 

Tulip likes that idea. She begins with orange and does her best to draw some lovely flowers. As Tulip adds more of Mama's favorite colors, Oleander only has brown. Herbie uses his saved-up bits and scraps, working tirelessly to collage something wonderful. Oleander makes wet dirt from his brown. Blossom's imagination runs away with her and she pens a song. Oleander's seeds in brown dirt are not very inspiring. Everyone is excited, wanting to see Oleander's flowers since it was all his idea. Nothing is happening there. 

When the kittens wake Mama to show the flowers they have made for her, Mama couldn't be more delighted. Poor Oleander ... so sad that his flower is late. His mother's love wraps around him as she explains that flowers take their own time. Besides, she already loves his ... and all the others. 

Deborah Freedman's welcome description of the art she created to tell this heartfelt and endearing tale is inspirational. Her explanation that she did a lot of experimentation as she worked helps readers see that there are many different ways to explore their own creativity. She describes how each of the kittens used their own artistic leanings to find the perfect gift for Mama.                                                                                  

Rumpelstiltskin, retold by Mac Barnett and illustrated by Carson Ellis. Orchard Books, Scholastic. 2026. $27.99 ages 5 and up

"Once upon a time, 
a girl grew up in the woods, 
climbing trees and whittling sticks and 
catching tadpoles with her bare hands. 

Her father, a poor miller, was a nice enough guy,
but he had a big mouth. He told wild stories
and bragged all the time."

That girl ends up being the main character in one of her father's elaborate stories. When he meets the king by chance one day, the miller tells him that his daughter can spin straw into gold. What king would not want to grow his wealth? The rest of the story, for the most part, follows the path of the original fairy tale. 

Of course, she cannot do such a thing. While she sits alone in a room full of straw bemoaning the promise of certain death if she fails to complete the task, a tiny man pops up through an unseen door. She quickly shares her tale of woe. The little man explains that he is up to the task, but will need to be paid for his trouble. She promises her necklace. 

The same thing happens the next night; she gives him her ring. On the third night, the king promises marriage; the little man demands her first born child. Terrified and unsure of her future, she agrees. When she marries the king and has that child, the tiny man comes looking for his reward. Upon seeing her tears, he gives her one last chance: if she can guess his name in three days, he will forget they made such a deal. It is an almost impossible task, as one would expect. Twice she fails. Her love for the outdoors is her saving grace. While walking with her son on the dark final evening, she happens across the tiny man singing and dancing around a fire; his song reveals his name. At his next visit, when the queen reveals what she has learned, he stomps himself into a puff of smoke and disappears forever. 

This is an old story told through many childhoods. I love that Mac Barnett has given it a contemporary vibe that will make it very appealing to today's readers. It is chatty in its presentation with a subdued humor. Shared alongside his earlier The Three Billy Goats Gruff (Orchard, 2022), it is promising to think that the many children who have never heard an old fairy tale will have a chance to hear these new ones. Bring on more, please! 

Ms. Ellis enhances the storytelling with her gouache color palette and the castle setting. The wall tapestries and the floor patterns give it a historical feel. Listeners will very much enjoy the meandering lists of names created for the queen as she tries her best to come up with Rumpelstiltskin. 

https://youtu.be/bIozA8_AdW8?si=-3wmgrpiq4_eJeZw

Where I Grew, written by Jashar Awan and illustrated by Rahele Jomepour Bell. Norton Young Readers, Penguin Random House. 2026. $24.99 ages 4 and up

 

"To reach this land

In search of the 
   perfect place 

To put down 
        our roots 

And call home."

Oh, the setting is so gorgeous. Endpapers are filled with a detailed look at the forest, its flora and fauna. Bright colors accompany forest greens to invite readers to turn the page to see what is next. A hook, hung with a soft cap and a tote bag suggest outdoor adventure. The title page shows the owner with a satchel, all alone on a gray day.

The opening page returns readers to the forest, and two people venturing in where animals leap and birds sing. The older of the two, presumably a grandparent, is wearing the hat and carrying the tote bag, while a young girl holds his arm. She explains 'we come from all over'. As they walk on, there is joy in their being together in the beauty of their natural surroundings.

As they explore their environment, she tells how people got to the place they are now. In the past, they needed transport, and help to arrive safely in search of a new home. This is where she grew daily, through the seasons, and the years that have passed. She is proud to talk about community, her neighbors and their growing families, and wonders what the future holds for all. 

"As for me, 

This is where 
       I grew.

This is 
where I 
will stay. 

This is 
my home."

Ms. Jomepour Bell’s wondrous illustrations reveal the slow passage of time. Observant listeners will take note of the many details, including the pink beret and glasses the now adult has been wearing since childhood and her grandfather's tote bag that she carries so closely. 
                                                                              

The Mountain That Wouldn't Move, written and illustrated by Sandra Dumais. Owlkids, 2026. $22.95 ages 4 and up

 

"So the animals climbed, 
one atop another. On shoulders, 
on snouts, on antlers. 

        They pushed, 
     they pushed, 
they pushed. 

 But the mountain stood still."

Bear is not happy living in the shadow of a mountain. The shadow's color changes Bear's mood. Bear loves warm colors; that never happens with the mountain in Bear's way. It makes Bear very grumpy; the mountain is oblivious. Bear wants the shadow to go. The other animals are accepting of their lot. Bear will not let it go, calling a meeting to encourage the other forest animals to join with her in eliminating the shadow that causes issues for all. 

Moving the mountain is the only solution. All animals are ready to push the mountain to the left; then to the right. When nothing comes of their hard work, the other animals go back to acceptance. Bear, by now, is beside herself to get the mountain moved. The thought of it consumes her. 

"I will see a sunset if it's
the last thing I do!"

No matter what she tries, nothing works. It is time to give up. Thanks to her many friends, their climbing ability, and their love for their friend, Bear's most fervent wish comes true, leaving Bear to recognize the true benefit of living in the mountain's shadow. 

                                                                                     

Turtle Slept In, written and illustrated by Jacob Grant. Viking, Penguin Random House. 2026. $24.99 ages 3 and up

"Bird looked at the crumbling 
pile of sand and shook her head. 
"We should walk around," she said. 

Turtle had already dashed in. 

"Slow down!" said Bird. "If we're not careful,
the whole pile will fall. 

But nothing could slow Turtle down."

Readers will quickly empathize with the single tiny turtle who awakens late in the morning she and her many siblings were meant to make their trip to open water. A sandpiper who sits nearby explains that the rest left for the water at night. That is when turtles are supposed to hatch. No problem for the latecomer, she will meet them in the sea! 

Easier said than done, explains the bird. It's a long way to the sea, and the beach is a dangerous place: hot, too many people, beach balls, sand castles, and not for one tiny turtle on her own. Turtle won't be stopped. She will follow the tracks of her siblings as she makes their way across the beach. The bird offers accompaniment. Turtle is keen on new adventure and fun. Despite the bird's good advice, Turtle is having none of it. Independent and determined, she chooses the course she will take. 

As they get closer Turtle is suddenly aware just how big the sea is. Turtle begins to pull back. By now, Bird is sure they can make it. There are many distractions for Turtle as she does her best to avoid getting closer to the wide expanse of blue ocean that is right in front of them. 

""The sea is so very big," said Turtle. "REAL B IG. 
How will I ever find my brothers and sisters in 
something so big?""

Bird continues to encourage Turtle. It's a tough decision to make ... soon Turtle is in the water and waving goodbye. Turtle is alone for the first time ... or is she? 

Using oil pastel monoprints and colored pencil, Jacob Grant creates a beach setting that is perfect and adventure-filled for Turtle, while less so for Bird. As the two say their goodbyes, readers will feel a little hiccup of sadness watching Bird stand alone on the beach while Turtle plunges into the sea that will lead her back to her family. 

“If you want to stay, there will always be room by my nest.
But after the wild beach trip you made it through today,
I know you will find your way.”                                                                                       

 

Fresh Delicious: Poems From the Farmer's Market. Written by Irene Latham and illustrated by Mique Moriuchi. Astra Young Readers, Penguin Random House. 2026. $13.99 ages 4 and up

 

"They burst 
like flavor-filled 
fireworks
in waffles 
and muffins. 

But the best 
thing about 
blueberries
is the way 
they change

your lips
and teeth
and tongue 
from regular 
to purple-blue."

Readers will love sharing these celebratory poems about foods found in farmers' markets. The book was originally published in hardcover in 2016, and has recently been reissued as a paperback. Lucky for us that it is still in print; there is much appeal in the poetry and in the collage and acrylic illustrations. The fact that the characters attending the market are animals makes it a win-win for young readers. 

Most of the poems are written in free verse, showing fruits and vegetables in ways that may not have surfaced in other writing. They identify the foods as submarines, facial features, protection, playthings and more. Ms. Moriuchi's artwork is bright, detailed and placed on effective backgrounds to perfectly match the tone and descriptions in each of the poems. 

The animals, whether sellers or buyers, are clearly at home at the market. They welcome one another, choose what they need with care, and offer new ways of looking at the foods they are purchasing. A rabbit uses a lettuce leaf for protection from falling rain; three monkeys show the color-changing effects of ingesting blueberries; a hippo and giraffe, garbed as pirates, find treasure in a chest of fresh eggs; and a pig and a skunk savor the fuzziness of a peach.   

As the market comes to a close for another day, the buyers happily head for home with baskets, bags, and hands full of 'fresh delicious'! To add to the appeal, Ms. Latham closes her book with six esasy recipes for using the fruits and vegetables purchased. 

I Built a Rocket Ship, written by Anna Lazowski and illustrated by Jennica Lounsbury. Kids Can Press, 2026. $21.99 ages 5 and up

"Dad asked what I was doing.
When I told him, he got really quiet.

I get it. 
It's a big idea. 
One time you said people get nervous
around big ideas. 
But not me."

It's very clear from the first page that the story's narrator has a definite plan in mind. She is building a rocket ship with 'cardboard, tape and tinfoil, a cushion, batteries and Bernadette'. Even in the darkness, with flashlight at hand, she continues her work. Bernadette keeps her company. As she builds, she shares memories with an unseen other person. She says she has kept the materials from when the two built a robot. 

Dad is interested in knowing what's going on. While explaining, she notices that her dad is very quiet. She knows it is a big job; that's what makes it worth doing. She lets readers know that the person she is so dearly missing said she would always feel a presence. The child is not sure that is true; her rocket ship will offer the chance to see them again. She continues to add items to the ship that remind her of the one she misses so badly. She is preparing every day.  

"I built it because I made you a promise 
to remember. 
And I do. 
I remember everything."

Dad does his best to temper the anticipation. She won't give up. She thinks she has exactly what she needs; it doesn't seem just right yet. Only one more thing is needed: her loved one's favorite paint color so she can be seen as she rockets upward.  

Sad and lovely, yearning and hopeful, full of grief and love, it is a memorable look at a child's response to the loss of one so loved. Soft, quiet artwork ensures a warm and comforting feeling.                                                                                     

 

Bread Is Love, written by Pooja Makhijani and illustrated by Lavanya Naidu. Roaring Brook Press, Macmillan. Raincoast, 2026. $25.99 ages 4 and up

"We measure ingredients by the gram.
Mama tells me, "Bread is science." 
We mix 
                       FLOUR,
                            WATER,
                                 SALT, 
                                          and STARTER.

The wet dough sticks to our fingers, 
Mama's apron, my chin."

Oh, what a splendid family story! A mom and her two children working together every week to create a new and special treat for all. The older child is narrator and participant. The three work together at the science, the patience, the joy of watching the dough rise only to be poked, folded, rolled and shaped until it is round and a ready-to-bake loaf. 

The dough is left to rest as the children settle in for their own rest. Dreams of all different types of breads they have made surface. 

"I dream of boules, batards, 
                and baguettes. 
Buns and braids and bagels. 
Crescents and crowns and chapati. 
             Bread is art."

In the morning the loaf goes in the oven, and the trio wait to see what it will be. Is it always perfect ... not a chance. Its aroma fills the air and tiny noses with warmth and the comforting smell of their very own loaf of delicious deflated bread. Does it matter? It does not! It is a wondrous meal for their morning: proof positive that BREAD IS LOVE! Now, to wait until next weekend when they will do it all over again. 

The story told is full of love of a family spending time together, and the benefits they reap from a shared experience. It engages the senses and the satisfaction that comes from traditions. 

The illustrations are full of luminous color and appeal with many details that give the setting a cozy and welcome feel. Readers will mimic the expressions and reactions as the two children work, wait, and help at every stage of the breadmaking process. An author's note and a bread recipe are appended in back matter.                                                                                     

The Sweater: A Story of Community, written by Larissa Theule and illustrated by Teagan White. Viking, Penguin Random Houuse, 2026. $24.99 ages 3 and up

 

"Folks knew what to do. They remembered
when they were new and the things they 
had gone through. 

They gave what they could."

As Holly the raccoon heads out for her morning hike, she takes note of her many neighbors as they begin their day. The arrival of a tiny bird, with downed head and closed eyes captures her attention. She recognizes his sadness and his need for a safe space; she watches as he settles into the unused home of a woodpecker. Holly is happy to see him settled. 

She makes the decision to visit with her neighbors and let them know about the tiny stranger. As she visits, they share memories of what it was like for them when they were new to the woodland. Each offers what they can for the bird's comfort. Their gestures are kind, giving things of importance to them. Once she knows the bird is fine, Holly goes back home. 

The night turns cold; Holly knits on. The arrival of winter is swift and concerning. In the morning, Holly is happy to see the bird seems a bir better. Holly is concerned that the house he has found is not very sound. Their gift will keep him warm, and the community comes together to ensure he will be safe through the cold winter days before they return to the protection of their own homes. The winter is very cold, and long. The animals stay inside where they are safe, but they miss each other. Bird is anxious to share his gratitude with everyone. One morning when the day is not so windy and cold, Bird offers what he has to his new friends.

"His song. 

It was the clearest, sweetest song 
his friends had ever heard. 

Like a thread of sunshine, it looped around
their hearts and knit them together. 
And they knew they were not alone."

 The story is heartfelt and soothing; the artwork is gentle and calming. It is a perfect tale to share on a cold, wintry night before bed. 

Philomena and the Big Bad Mimi, written by Genevieve Jannelle and illustrated by Jasmine Mirra Turcotte. Kids Can Press, 2026. $23.99 ages 4 and up

"And finally, there was what happened during 
gym class on Wednesday. I was happy we were
playing soccer because I went to soccer camp
last summer. 

But as soon as the teams were formed, Mimi 
came out and attached herself to me. To my 
belly button, to be exact. 

I wanted everyone to watch ME with my 
cool soccer moves. Listen to ME ... "

Looking closely at the cover of this book before we begin allows readers a chance to think about the creature that seems to have attached itself to a young girl. They may surmise her name is Philomena; it makes one wonder exactly what a big bad Mimi is. 

At school, no one wants to play with Philomena. She is quick to pretend it doesn't matter; it does. Being alone at recess is no fun. She explains that what happened wasn't her fault; it is the big, bad Mimi who is to blame. Mimi takes her place on Philomena. It happens when the teacher wonders how students spent their weekend. As another child begins to answer, Mimi takes control of the conversation and does not let up. Aha ... Mimi is Philomena's ego! 

Mimi attaches herself to Philomena's belly button, leaving the girl only able to think about one thing: ME. ME. ME It's a real problem. It happens with friends, her brother, on the soccer field. What's to be done? Talking with Ms. Melanie helps, when she introduces Philomena to another creature who is called the Yoo-yoo. All that's needed when Mimi causes trouble is for Philomena to call for help from the Yoo-yoo. Whenever Mimi threatens to make an appearance while Philomena is speaking, the girl adds "And YOU?" to the conversation. The Yoo-yoo is right there to lend support. With help, Philomena comes to understand that others have something to say as well. 

A lesson that works for all. The ability to listen is a lifetime skill that is hard to come by these days.

                                                                                     

Bartleby, words and pictures by Matt Phelan. Farrar Straus Giroux, Macmillan. Rainccoast, 2026. $25.99 ages 3 and up

"During music time, everyone plays
the giant xylophone. 

           I PREFER NOT TO.

Then everyone sings a silly song. 

           Bartleby says, 

                I PREFER NOT TO." 

Bartleby, a dapper white bear all dressed in red, says one thing a LOT: I PREFER NOT TO. He says it with little emotion, and is never impolite. He just states his case. His teacher, Ms. Melville, always offer an invitation to her students, including Bartleby. Bartleby remains reluctant whether it is sharing time, or music, play time, or games. 

When it is time for art, Ms. Melville invites all to draw a picture of themselves. She adds a special instruction that they 'show me who you are!' Only then does Bartleby step inside the circle to ask his teacher a quiet question and for some special paper. She agrees. Everyone gets to work, including Bartleby. When all artists have finished their work, Bartleby collects each portrait, and arranges them on the frame he has created.  

"Everyone loves Bartleby's display." 

As the day comes to an end, his classmates ask if Bartleby would like to play with them tomorrow. 

"I WOULD 
LIKE TO."

From the beginning of his story, Bartleby chooses to stand apart from the others in his class. While his classmates are enthusiastic participants, Bartleby would rather be an observer. Until that art class when he chooses to do something in his own way, and his teacher provides support for him to be himself. 

Bartleby's red draws attention at every turn; and his standing apart as he considers requests and questions keeps him true to his own feelings. Matt Phelan's ability to create an accepting and inclusive place for all children makes this an exceptional book to read aloud.

                                                                                   

Is This ... SPRING? Written and illustrated by Helen Yoon. Candlewick Press, Penguin Random House. 2026. $19.99 ages 3 and up

"Why is this happening? 

Why?

Spring is so special. 

How can I live now?"

When you live where I live, at the moment you may have a love-hate relationship with spring. Yesterday was sunny and the temperature was 18C; today the wind is whipping and our high for the day is -7C. What did we do to the weather gods overnight? 

I was feeling exactly as this sweet and excited pup was feeling yesterday. In first person voice, all the 'feels' are shared. Bright flowers, clear skies, the wonder of romping from place to place, and the joy inherent in celebrating its arrival. Wait ... dipping a nose into those wonderful flowers results in a series of huge and unstoppable sneezes and finally the realization that they are an allergic reaction. What's a pup to do? 

A concerned owner has a hopeful solution: a cloth mask and goggles! While no longer able to smell all the spring smells so loved, both prevent constant sneezes. 

"I STILL LOVE SPRING!"

This is the third time for this sweet canine to deal with concepts that are new. First Winter (2023) and then Easter (2024), now Spring. The deliriously happy approach in the first two is echoed in this entry to the series. Words and pictures together are essential to the storytelling, and to the delight young children will feel in sharing all three books. 
                                                                       

Goldfinches, writing by Mary Oliver and art by Melissa Sweet. Viking, Penguin Random House. 2026. $24.99 ages 5 and up

 

"One more thing
I want to mention 
before the pages
actually begin.
Writing poems
for me but not
necessarily for 
others, is a way 
of offering
praise to the 
world.

            - Mary Oliver"

This poem is but one example of Ms. Oliver's love for the natural world. It is the first shared in a book for children. In it she pays tribute to goldfinches, thistles, and their relationship, each to the other. While exploring open fields, a woman and her dog (presumably Mary) relish the beauty of their surroundings. There are goldfinches in the trees, and a marsh where brilliant pink thistles grow with wild abandon. It is said the finches are waiting for the long days of midsummer when the thistle head is filled with black seeds.  

Only then do the birds 'drop from the sky' to gather the silver down that explodes from those thistle seeds. How else to line their nests? Others join the woman and her dog to watch as the finches build a home for their carefully laid eggs. It happens every year. Once hatched, those tiny new birds fill their protective basket as parent birds provide food and safety. The woman sits against a tree with her dog, a pencil and her notebook, sketching and adding words that might someday become a new poem of praise to the world. 

What a perfect pairing to have the incredibly gifted artist Melissa Sweet illustrate Ms. Oliver's words. She does so in the most beautiful way; using watercolor, gouache, pencil, vintage and handmade papers, mixed media collage, thistle down, and a bird's nests. The compositions are skillfully placed on each page to ensure careful observation that invites all readers to stop and pay attention, as Ms. Oliver would want us to do the same anytime we spend time in nature. The text is clearly placed within uncluttered space for her words to shine. The palette of rich yellows and pinks is inherent in the goldfinch feathers and the richness of the thistle pods.  

It has the feel of the notebook an avid observer of nature's wonders would keep. The collages are lovely in every way; they showing setting, color, scientific information, nest building, a bird's life cycle, and the joy found in exploring nature. 

"Have you ever been so happy in your life?"

Back matter includes the full text of the poem, Ms. Oliver's bird list from 1991, and a valuable author's note. 
                                                                                       

How To Have A Thought: A Walk With Charles Darwin. Written by Nicholas Day and illustrated by Hadley Hooper. Neal Porter Books, Holiday House. Penguin Random House, 2026. $26.99 ages 5 and up

 

"Every living creature, even within the same 
species, is slightly different, Darwin realized. 
A difference that makes it easier to survive 
is a difference that a creature is more likely 
to pass on to its offspring, simply because it
has survived to have offspring. And so that 
slight difference gets preserved. 

Why did the finches have different beaks? 
Because each differently sized beak helped
crack a differently sized nut." 

What an intriguing look at Charles Darwin and his daily walks! His ability to think creatively is set out for readers in a series of actions taken as he begins each one. It starts with a rock. For the reader, it won't be Mr. Darwin's rock; it can be any one that appeals. One could even take a few (or more), or a box, or a jar ... anything will work. Next, a stick is needed. Again, not the one Mr. Darwin carries every day. Your choice. Finally, a loop. Mr. Darwin walked the same one every day. As he walked, he would knock one rock off the pile with his stick, and keep walking the loop over and over again, if he needed the time for thinking. 

There is much to know about Charles Darwin. He lived in England in the 19th century and was a naturalist and scientist. As a young man, he travelled around the world on a ship he called the Beagle. Upon his return to England, he set about studying all he had collected on his journey. There was much to remember and consider. Every day, from then on, he did the same thing. As he walked, he let his mind wander. If it was not much of a concern, it was a one-rock problem, and so on. The most important problem of all was about the trip he had taken, and the wonders he had seen. It lay in knowing all creatures are not exactly the same; there must be a reason for even these slight differences. In a book as creative as Charles Darwin's mind, readers are offered a final piece of advice: 

"Here is how to have a thought: 
Stack your rocks high. 
Hold your stick firm. 
Throw your loop over the land. 

And step." 

Wonderful text, written in a conversational tone with unconventional advice given, sitting alongside dazzling digital illustrations make this a book that suggests readers can be just as creative in their thinking as Charles Darwin was in his. Additional context and insight into Mr. Darwin's life and thoughts are provided in an extensive and welcome author's note.                                                                                            

Worm on the Job, written by Maureen Fergus and illustrated by Paul G. Hammond. Kids Can Press, 2026. $21.99 ages 4 and up

"Then he splatted against the 
front door of the convention 
center. Plopping to the ground,
he hastily stretched across the 
door frame. 

Seconds later, as the thief
was trying to make his 
escape, he tripped over 
Worm and went sprawling."

How often have you told yourself that you cannot do that. Or, have you heard your kids and students say the same thing? Confidence and persistence in the face of fear and uncertainty can make all the difference in the world. So, once Worm has finished reading every book in the library, he gives up his job as head librarian and makes the decision to take a new path. Lifeguarding is not for him; nor is deep-sea fishing. While washing windows, he grows concerned with the attention being paid to him by nearby pigeons. 

His hopes are raised when he notices the convention center is looking for a brave security guard to protect the incredible inventions being shown at the newest gathering of inventors. Many are interested in employment; none look anything like Worm. The manager is not impressed with Worm's appearance and says so. Worm's anger gets the best of him as he describes but one of the attributes that make him perfect for the job. 

""Can you survive being cut in half,
eat your own weight in soil every day, 
and turn kitchen scraps into valuable 
fertilizer?" asked Worm."

Worm gets his chance to prove his mettle; he does his job to the best of his ability.  Coming face-to-face with the dastardly criminal he is to be on the lookout for, Worm uses every trick in the book to take the crook down and hand him over to the police. What impressive work he has done; it wins him thankful praise. But ... by now, Worm has another goal to pursue. NASA won't be sorry to have such a capable and determined new astronaut recruit. Worm has every confidence in himself! 

So many details to consider in Paul G. Hammond's digital, humorous artwork. It perfectly accompanies this creative and very 'punny" story.                                                                                    

Hogbert, written and illustrated by Briony May Smith. Candlewick Press, Penguin Random House. 2025. $24.99 ages 3 and up

"Hogbert lifted his nose in the air
and took a big sniff. No wolf? 
He smelled leaves, sunny puddles, 
and in the distance ... 

a herd of deer?"

On their first foray into the forest with their mother, six boar piglets are offered important advice; they are told to steer clear of the Big Bad Wolf and to stick together as they forage for truffles and other treats on the forest floor. With his snout to the ground, Hogbert does just that. To his surprise, when he lifts his head from the prolonged search, he is all alone. 

Hearing a 'rustling' nearby, he remembers his mother's warning about the BBW. Before he has time to panic, Red, a small squirrel, pops down from the branches of a fir tree, on the lookout for nutritious food. Hogbert shares his worry about the wolf and explains that he is lost. At this point, young readers have another reminder of a familiar fairy tale, when the squirrel explains that her granny is not well and would love some of the food from the tasty treat trail Hogbert is following. 

The two wander on, good company for one another. A 'rumbling and grumbling' noise has both worrying once again about the presence of the BBW. Instead, they find a snoring fawn under a tree's branches. The tiny doe realizes she is also lost; she can use their help to find her family. They move on together, following the trail and enjoying each other's company until they discover a cave housing two tiny bunnies. One is the maker of the trail. A lonesome and too-close howl has all shaking with fear and moving deeper into the safety of the cave. With Hogbert's sense of smell, they find their way out at the spot right next to the tall tree Red remembered ... the assigned meeting place for finding family when all seems lost. 

And they lived happily ever after ... we can only hope. 

The warm and charming art will keep young listeners busy with observations during the reading. I especially loved the spread of a mama wolf howling for her little one above them, while Hogbert and his followers make their way through the cave below ground. This tale works and will be much appreciated at story time. Discussions concerning the many references to fairy tale lore will require that readers are familiar with the fairy tales themselves. 

An aside: did you happen to notice the 'frog prince' on a lily pad as the new friends pass a pond in the rain?           

I WILL NOT WLAK TO SCHOOL, written by Naseem Hrab and illustrated by Kelly Collier. Kids Can Press, 2026. $21.99 ages 4 and up

"Hop
Hop
Hop 

Why are you hopping? 

I told you already - 
I will not WALK
to school today.

Well, can you take 
bigger jumps?
We're already 
running late.

I do not want to 
take big jumps - "

Monday starts a new week of school; Monster is not all interested in walking there. Bird encourages him, making sure he knows that it is Pancake Day. Monster is adamant that he will not WALK to school. He admits that he loves school; he simply hates the commute. Bird continues to press his friend to get ready to go, so as not to miss the pancakes. Bird promises whatever toppings will make Monster happy. 

After much preparation, they are on their way. Oops! Monster needs his sunglasses, then a bathroom break, then CAPTAIN DONUTFACE, and an armload of other necessities that must accompany the two. Off Monster goes at a hop ... no WALKING. Bigger jumps will propel them faster. How about GINORMOUS JUMPS? Then skipping at lightning speed before stopping to smell the roses. Will they ever get to school in time for pancakes???

As they get closer and Monster becomes more impatient, he pulls out his scooter, which has been in his backpack all along. Zip! Screech! They are at the school's door. The only pancakes visible are plain ones. Turns out that their friends, who are even later than Monster and Bird, have all the toppings needed. What a difficult start to the day. Hopefully, going home will be a much easier venture. 

Digital artwork by Kelly Collier ramps up the action for this funny sojourn into school attendance on Monday mornings. Art also playfully matches the dialogue that drives the story from beginning to end. Fun to read, and a familiar experience for many children, this is a title that will be popular. 

How To Read a Very Serious Book, written by Mireille Messier and illustrated by Kelly Collier. Owlkids, 2026. $22.95 ages 4 and up

"Next, make sure to choose 
a place where other people 
will see you. They will be 
IMPRESSED! Buses, 
libraries, schoolyards, and 
parks are fantastic spots to 
be seen reading a serious 
book."

Readers open the first page to find two children; both engaged with the book each is reading. The covers are a gray tone, without any illustrations to invite a reader in. An unseen narrator is quick to opine that both books look BORING and HO-HUM. Questioning the readers about number of words and text size, the answers given are worthy of a hearty compliment. 

"Well then! You are OBVIOUSLY reading some VERY SERIOUS BOOKS!
You should be proud."

Wanting the readers to show the world the earnest nature of the books being read, the narrator is willing to provide instructions. A stick-on mustache, glasses on the nose tip, and a pencil behind the ear should be remarkably convincing. The place for reading is also important ... a bus, the library, a schoolyard and a park are perfect choices. Be sure the nose is tucked inside, and try to show how invested a person can be in what is being read. Flip to each new page with a sweep of the hand. 

Every child in the park is sure to notice the attention being paid to the reading, and to the laughter and exclamations for what the book is teaching. When the books are done, it's important to think about what has been read: time for a spot of tea to help with that 'pondering'.  Then it's right back to the reading until a pair of rambunctious squirrels create chaos and reveal what the children have hidden inside the boring, gray covers. Their serious enjoyment of the books shown is evident, as is so for the narrator who happily joins them on their picnic blanket. 

Kelly Collier fills the pages with graphic style panels in a book that pokes fun at those who think only serious books are what children should be reading. In fact, the final spread shows that kids should be reading what leaves them keen to read another.