Worm on the Job, written by Maureen Fergus and illustrated by Paul G. Hammond. Kids Can Press, 2026. $21.99 ages 4 and up

"Then he splatted against the 
front door of the convention 
center. Plopping to the ground,
he hastily stretched across the 
door frame. 

Seconds later, as the thief
was trying to make his 
escape, he tripped over 
Worm and went sprawling."

How often have you told yourself that you cannot do that. Or, have you heard your kids and students say the same thing? Confidence and persistence in the face of fear and uncertainty can make all the difference in the world. So, once Worm has finished reading every book in the library, he gives up his job as head librarian and makes the decision to take a new path. Lifeguarding is not for him; nor is deep-sea fishing. While washing windows, he grows concerned with the attention being paid to him by nearby pigeons. 

His hopes are raised when he notices the convention center is looking for a brave security guard to protect the incredible inventions being shown at the newest gathering of inventors. Many are interested in employment; none look anything like Worm. The manager is not impressed with Worm's appearance and says so. Worm's anger gets the best of him as he describes but one of the attributes that make him perfect for the job. 

""Can you survive being cut in half,
eat your own weight in soil every day, 
and turn kitchen scraps into valuable 
fertilizer?" asked Worm."

Worm gets his chance to prove his mettle; he does his job to the best of his ability.  Coming face-to-face with the dastardly criminal he is to be on the lookout for, Worm uses every trick in the book to take the crook down and hand him over to the police. What impressive work he has done; it wins him thankful praise. But ... by now, Worm has another goal to pursue. NASA won't be sorry to have such a capable and determined new astronaut recruit. Worm has every confidence in himself! 

So many details to consider in Paul G. Hammond's digital, humorous artwork. It perfectly accompanies this creative and very 'punny" story.                                                                                    

Hogbert, written and illustrated by Briony May Smith. Candlewick Press, Penguin Random House. 2025. $24.99 ages 3 and up

"Hogbert lifted his nose in the air
and took a big sniff. No wolf? 
He smelled leaves, sunny puddles, 
and in the distance ... 

a herd of deer?"

On their first foray into the forest with their mother, six boar piglets are offered important advice; they are told to steer clear of the Big Bad Wolf and to stick together as they forage for truffles and other treats on the forest floor. With his snout to the ground, Hogbert does just that. To his surprise, when he lifts his head from the prolonged search, he is all alone. 

Hearing a 'rustling' nearby, he remembers his mother's warning about the BBW. Before he has time to panic, Red, a small squirrel, pops down from the branches of a fir tree, on the lookout for nutritious food. Hogbert shares his worry about the wolf and explains that he is lost. At this point, young readers have another reminder of a familiar fairy tale, when the squirrel explains that her granny is not well and would love some of the food from the tasty treat trail Hogbert is following. 

The two wander on, good company for one another. A 'rumbling and grumbling' noise has both worrying once again about the presence of the BBW. Instead, they find a snoring fawn under a tree's branches. The tiny doe realizes she is also lost; she can use their help to find her family. They move on together, following the trail and enjoying each other's company until they discover a cave housing two tiny bunnies. One is the maker of the trail. A lonesome and too-close howl has all shaking with fear and moving deeper into the safety of the cave. With Hogbert's sense of smell, they find their way out at the spot right next to the tall tree Red remembered ... the assigned meeting place for finding family when all seems lost. 

And they lived happily ever after ... we can only hope. 

The warm and charming art will keep young listeners busy with observations during the reading. I especially loved the spread of a mama wolf howling for her little one above them, while Hogbert and his followers make their way through the cave below ground. This tale works and will be much appreciated at story time. Discussions concerning the many references to fairy tale lore will require that readers are familiar with the fairy tales themselves. 

An aside: did you happen to notice the 'frog prince' on a lily pad as the new friends pass a pond in the rain?           

Extreme Birdwatching: Measuring Change on a Galapagos Island, written by Loree Griffin Burns and illustrated by Jamie Green. mit Kids Press, Candlewick. Penguin Random House. $23.50 ages 8 and up

"What exactly do finches do all day?

The answer depends on what time of year it is. 
In the rainy season, the island comes alive 
with plants and insects, making it suddenly a 
rather excellent place to raise baby finches. 
So adult fortis and scandens get busy with the
hard work of doing that. They find mates, 
build nests, lay eggs, and then feed and care
for the baby finches that hatch from those 
eggs."

We have just begun to welcome the birds back. I have even seen a robin or two. An Alberta clipper, set to dump an unwanted amount of snow on us, is in the forecast. That may have those birds wondering what they are doing here ... as we so often do ourselves at this in-between time of year. Birdwatchers will continue to keep their eyes to the sky in coming days, in hopes returning birds will find places of refuge to wait out the storm and once again enjoy warm sunshine and spring temperatures. 

For Rosemary and Peter Grant, birdwatching is an entirely different kind of pursuit. The two spent decades researching the birds that make their home on the Island of Daphne in the Galapagos Islands. The thing about Daphne is that it is the top of an ancient volcano that is very hard to access if you want to study the thousands of finches that make their home there. Looking down on the inside of Daphne, there are no sandy beaches, and no humans live there. 

The Grants have been visiting the island since the 1970s, and have done amazing research time after time. Nine short chapters, written brilliantly by Loree Griffin Burns, discuss their work from the very first visits. They have carefully studied the two kinds of finches who make their home on Daphne, and nowhere else in the world. It is thoroughly absorbing description of the finches, the lives they live there, the food they eat and how that has impacted the changes they have undergone, and what happened when an unexpected drought forced adaptation in their beaks. There is also a clear discussion in one of the final chapters of natural selection, and finally how their research helps guide today's scientists as they further explore natural selection today. Though the Grants have been retired since 2012, their work on Daphne lives on.

Back matter includes an author's note, a glossary, several lists of resources for those who want to learn more, a list of source notes, and a bibliography. Very impressive and perfect for the stated target audience. 

Hold, written by Randy Ribay and illustrated by Zeke Pena. Kokila, Penguin Random House. 2026. $24.99 ages 4 and up

 

"HOLD, PLEASE.

       "HOLD?"

HOLD."

What a concept! I will be forever amazed at the ideas talented writers think to share with readers. The game that happens between father and toddler in this very funny book is not the first time that such a thing has happened. Randy Ribay makes it feel absolutely original, and therefore captivating. 

The two are obviously preparing to go somewhere: both are wearing coats and shoes; the father is readying a backpack; the child is shadow-watching. A water bottle lies on the floor nearby. The backpack flap flies open spilling needed items on the floor. The father hands the bottle over with a HOLD, PLEASE request. The child does so, adding a further request to hold a stuffed sloth, appropriately named Speedy. Clearly a touch exasperated, the dad agrees while also dealing with other items. Next up is Dino, and so it goes until a leery cat is added to the pile. You can hear the giggles, can't you? 

Once outside the requests continue ... a tree, rain, a plane flying high above them. There are even more. Back into the house they go where Dad finds a plane, a truck and a baby to be held tightly. Overwhelmed, the child can no longer control the ever-growing tower. Dad resets the tower and asks about readiness to leave. The heartwarming answer is to throw it all aside with a singular wish to hold Daddy! Only now are the two ready for their adventure together. 

Zeke Pena's mixed-media artwork is a perfect match for the charm that shines in the eyes of the characters. Attention is fully focused on the two as they negotiate getting out the door, with or without a menagerie of companions. The colors are bold, the expressions telling, and the joy shared make for a lasting memory and a very happy ending.                                                                                   

The Polar Bear and the Ballerina, written and illustrated by Eric Velasquez. Holiday House, Penguin Random House. 2025. $24.99 ages 5 and up

 

"POLAR BEAR
Ursus maritimus

Polar bears are the largest bears on 
Earth. They live in the Arctic in a harsh
environment for which they've developed
many specialized skills. Adult polar
bears can track scents up to twenty 
miles away. They are excellent 
swimmers and dancers."

This is a story about New York, ballet, friendship, fantasy, kindness and a love of the arts. It is almost entirely wordless, and begins with a gorgeous gatefold. What an invitation to readers! A young ballerina dances in front of the polar bear exhibit at Central Park Zoo. Open it up to a promotional photo shoot of young dancers, (the most notable of the five wearing a flowing red scarf), showing their ballet skills while musicians play on one side of the spread and ballet staff watch over the girls from the other side. The polar bear is a fascinated observer from behind the glass. 

The girl with the scarf and the bear are equally interested in each other. As the girl changes shoes and prepares to leave, the polar patiently watches her every move. As she departs, the scarf slips to the ground. When the enclosure clears, the bear makes its way over the fence, and finds the scarf. Off it goes to return it to the scarf's owner. A trek through the city causes disruptions and constant chronicling from people and their phones. 

Entrance to Lincoln Center is prohibited for polar bears. Hearing a loud roar, the young dancer comes to the bear's rescue. She takes her scarf from the bear, and offers a seat for the performance. The bear is an enchanted attendee. In the end, the ballerina gifts the scarf, and the bear takes its leave to return to the zoo where it dreams of the two dancing together. No words needed. 

The four colors of oil paint chosen to tell this emotional wordless story are spectacular. Front endpapers provide 'fun facts' about the polar bear while, at the back, readers can read a short article about the soloist in this year's production of The Polar Bear and the Ballerina. BRAVO!
                                                                                         

I WILL NOT WLAK TO SCHOOL, written by Naseem Hrab and illustrated by Kelly Collier. Kids Can Press, 2026. $21.99 ages 4 and up

"Hop
Hop
Hop 

Why are you hopping? 

I told you already - 
I will not WALK
to school today.

Well, can you take 
bigger jumps?
We're already 
running late.

I do not want to 
take big jumps - "

Monday starts a new week of school; Monster is not all interested in walking there. Bird encourages him, making sure he knows that it is Pancake Day. Monster is adamant that he will not WALK to school. He admits that he loves school; he simply hates the commute. Bird continues to press his friend to get ready to go, so as not to miss the pancakes. Bird promises whatever toppings will make Monster happy. 

After much preparation, they are on their way. Oops! Monster needs his sunglasses, then a bathroom break, then CAPTAIN DONUTFACE, and an armload of other necessities that must accompany the two. Off Monster goes at a hop ... no WALKING. Bigger jumps will propel them faster. How about GINORMOUS JUMPS? Then skipping at lightning speed before stopping to smell the roses. Will they ever get to school in time for pancakes???

As they get closer and Monster becomes more impatient, he pulls out his scooter, which has been in his backpack all along. Zip! Screech! They are at the school's door. The only pancakes visible are plain ones. Turns out that their friends, who are even later than Monster and Bird, have all the toppings needed. What a difficult start to the day. Hopefully, going home will be a much easier venture. 

Digital artwork by Kelly Collier ramps up the action for this funny sojourn into school attendance on Monday mornings. Art also playfully matches the dialogue that drives the story from beginning to end. Fun to read, and a familiar experience for many children, this is a title that will be popular. 

How To Read a Very Serious Book, written by Mireille Messier and illustrated by Kelly Collier. Owlkids, 2026. $22.95 ages 4 and up

"Next, make sure to choose 
a place where other people 
will see you. They will be 
IMPRESSED! Buses, 
libraries, schoolyards, and 
parks are fantastic spots to 
be seen reading a serious 
book."

Readers open the first page to find two children; both engaged with the book each is reading. The covers are a gray tone, without any illustrations to invite a reader in. An unseen narrator is quick to opine that both books look BORING and HO-HUM. Questioning the readers about number of words and text size, the answers given are worthy of a hearty compliment. 

"Well then! You are OBVIOUSLY reading some VERY SERIOUS BOOKS!
You should be proud."

Wanting the readers to show the world the earnest nature of the books being read, the narrator is willing to provide instructions. A stick-on mustache, glasses on the nose tip, and a pencil behind the ear should be remarkably convincing. The place for reading is also important ... a bus, the library, a schoolyard and a park are perfect choices. Be sure the nose is tucked inside, and try to show how invested a person can be in what is being read. Flip to each new page with a sweep of the hand. 

Every child in the park is sure to notice the attention being paid to the reading, and to the laughter and exclamations for what the book is teaching. When the books are done, it's important to think about what has been read: time for a spot of tea to help with that 'pondering'.  Then it's right back to the reading until a pair of rambunctious squirrels create chaos and reveal what the children have hidden inside the boring, gray covers. Their serious enjoyment of the books shown is evident, as is so for the narrator who happily joins them on their picnic blanket. 

Kelly Collier fills the pages with graphic style panels in a book that pokes fun at those who think only serious books are what children should be reading. In fact, the final spread shows that kids should be reading what leaves them keen to read another. 

All the Water on the Earth, written by Rochelle Strauss and illustrated by Madelyn Goodnight. Kids Can Press, 2026.23.99 ages 6 and up

"There's even water in the air you 
breathe ... and in the steam rising 
from your mug of hot cocoa. 

There's water in every plant and 
animal, including you. Because 
people are animals, too. There's 
so much water all around you 
that from space, Earth looks blue."

If you have been watching the TV coverage of the moon mission of Artemis II and are seeing the photos being shared by the flight crew, you will know just how blue Earth looks from space. It is an amazing and beautiful sight. 

In her book One Well (2007), Ms. Strauss spoke to her readers about Earth being the only planet that has liquid water and that is why life is supported here. She helped each of us realize we had the power to conserve and protect that global well. Here we are almost 20 years later and our Earth is in a more precarious state. In this book, that is also a part of the Citizen Kid series from Kids Can, she adapts the message from that book as a reminder to readers today that our planet's water is all the water we have. 

In double-page spreads, accompanied by colorful and contextual digital art created by Madelyn Goodnight, her message remains clear that water is essential to life for all throughout the world today. She encourages young readers to look to all places and parts of their lives where water exists ... even when they cannot see it. In ponds and lakes, running underground below their feet, in every season, and across the world, water is moving constantly and that same water is used by people around the world every single day. The amount of water we have has been the same since the time of the dinosaurs. It's pretty awesome to think that we may 'sipping' the same water dinosaurs 'slurped' so long ago. 

Our survival depends on water ... all living things are the same. That water is not all the same; some is salty and some is fresh. As more and more people populate Earth, more fresh water is used than ever before in Earth's history. Today, not all that water is clean. Some is dangerous to drink; some is scarce. Together, we can help to protect our water. People around the world are working hard to ensure clean water for all. Thanks to all those conservationists who make a difference every day. 

Back matter includes an explanatory author's note that discusses the importance of water, the water cycle, and ways to protect water by learning more aobut it. A Let's Talk column offers questions to consider, alongside a description of the Citizen Kid series. The final page provides a list of books and websites for additional learning. 

It's a serious message, made accessible to its target audience because of its very positive presentation. 

"Because no matter where it's found, and no matter what form it takes, all the water on Earth is ... all the water on Earth."