Bompa's Intertidal Adventure, written by David Suzuki and Sarika Cullis-Suzuki with Tanya Lloyd Kyi. Illustrations by Qin Leng. Greystone Kids, 2026. $24.95 ages 4 qnd up

"It doesn't stay a secret for long. Kaoru
can't wait. "We're going to the intertidal 
zone!"

By the time they park their bikes, they're 
out of breath. But Nakina tugs at Bompa's 
sleeves.

"Why are we in such a hurry?" he pants. 

"Did you forget? Nakina asks. "Low tide 
is RIGHT NOW!"

It's the last day of summer and twins Nakina and Kaoru are patiently waiting for an adventure with their Bompa. Their grandfather is a scientist and they love to learn from him. Finally, Bompa arrives on his new e-bike, and the three are off to explore another special place. On this final day, they have made the plan; so far, it's been a secret. 

They are taking Bompa to the intertidal zone, and they are pumped to show him low tide! They are walking on the bottom of the ocean, after all. They know they will find interesting things; maybe they will have to stay longer with their grandfather to study them. First up is a snail shell, which suddenly moves on. It turns out that the shell is inhabited by a hermit crab. It has adapted to find itself a new home. 

Bompa explains that adaptation happens when animals 'grow and change over time, so they perfectly suit their environments'. The three are soon off again; this time they find a tide pool where limpets and sculpins, and even a plainfin midshipman hides. There is so much to learn. Luckily, the children are equipped with a magnifying glass, a notebook, and a keen curiosity for exploration. Bompa's explanations for what they are seeing provide the answers they need as they continue their exploration. 

Bompa helps them understand the impact of climate change that comes with loss of habitat and pollution. Kaoru listens intently and suggests that the twins might be able to inspire change when they return to school. As much as the twins have changed up until now, Bompa says they will continue to make a difference throughout their lifetime. It is a very encouraging end to their final expedition with Bompa.  

This is the second book in the Nature Adventures with Bompa series, featuring David Suzuki and his grandchildren. Back matter includes a list of ways people can protect the intertidal zone, a Shoreline Search and Find puzzle using illustrations from the story, further Intertidal Facts, and a close-up look at a baby crab, limpets, a sculpin, and a holdfast seaweed.                                                             

                                                                                        

We Used to Be Friends, written by Marcy Campbell and illustrated by Aimee Sicuro. Candlewick Press, Penguin Random House. 2026. $24.99 ages 4 and up

 

"Sometimes when I feel this way, I make 
myself even sadder. It's like my brain wants
to pile up every sad thing on top of each 
other at once. 

It reminds me of when I have a mosquito bite,
and Dad says to quit scratching, but I can't. 

It feels good. 

Until it doesn't."

Losing a friend for whatever reason, or reasons, is never easy. Yet, it happens. The two girls whose story is told here, were best friends for a long time. They had fights sometimes; then made up, or forgot to be mad at each other. When the fighting got really bad, the friendship ended. It happens. 

It's hard to get over the mad the narrator feels; and she's also sad. Once, they had fun together. Now, she plays with other kids, and avoids looking for her friend when she passes her house. Her dad tries to reassure her when he says that friendships occasionally end. Now, the two choose different activities, while still seeing each other at school. 

"I don't know if we will be 
best friends again. 

Or sometimes friends.

Or not friends at all."

I would love to be there for the conversations that this book inspires. It offers a different take on friendships, and how they work or don't. For those kids who have experienced the loss of a friend under similar circumstances, this book allows them to think more deeply about what happened and to talk about their feelings. Shifting emotions are captured in mixed-media art that explores the changes friendship can bring. It may make some kids feel less alone.                                                                                            

The Brunch Shift, written by Adrienne Thurman and illustrated by Mags Deroma. Random House Studio, Penguin Random House. 2026. $24.99 ages 4 and up

"When it's finally time for Mama's break, 
I'm ready for one, too. 
Mama scans the hall ... 
Checks behind her back ... 
"The coast is clear," she whispers.
"We've got to catch these art 
thieves before they strike again."
I nod. "Everything could be a clue.""

Saturdays begin just as the sun is coming up. Our young narrator and her mother wait for the bus that will take them to the restaurant where her mother works the brunch shift. Mama can't afford to miss the work. The wait for the bus is worth it when Mama offers a daring mission. They must protect a dragon from a smelly prince! 

Once their mission is complete, they are off to Mama's work and a very busy day. Mr. Wong doesn't mind the girl's presence so long as she is not in the way. All day, she pretends to be invisible. When Mr. Wong makes sure she gets a stack of pancakes; when she and her mama take a break to track art thieves; or when Mr. Wong calls Mama back to her work, the child's day is long. Each and every task is made easier with her mama's imaginary adventures. At last, it's time to close the diner and head for home. 

A race worthy of an Olympic medal gets them to their bus on time. Two transfers, some rocket fuel for energy, and an expressed wish to have a Saturday like other kids results in one more special surprise from Mama's bag of tricks. Ms. DeRoma's mixed-media images offer fantasy and reality as the two spend their Saturday together. Using light and color to let readers know just how long the day is - from sunrise to sunset - she also inspires empathy for those who work long hours to make life better for their children. 
                                                                                 

Bathtime for Snow Monkeys, written by Maggie Tokuda-Hall and illustrated by Yas Imamura. Candlewick Press, Penguin Random House. 2026. $26.99 ages 4 and up

 

"Little red faces
Peer out from brown, furry heads
Huddled together. 

They come to relax.
For clean fur and toasty soaks.
To be close to friends."

There was a time when I worked in elementary schools doing poetry workshops in classrooms. It was an opportunity to have kids experience the scope of poetry being published for them, and for them to try their hand at writing their own ideas in a variety of ways. One time, while talking with a grade four teacher, I did my best to divest her of the idea that the easiest kind of poetry for her students to try was haiku. In fact, in my mind then and still today, haiku is not easy at all. Traditionally, it is a poetic form with strict rules: 5-7-5 syllables per line, three lines, a distinct focus on nature, serenity, and brief moments. That is a lot to ask of a 9 or 10-year-old. That is not to say one shouldn't introduce children to the form; to expect them to replicate it is asking too much, I think. Others may disagree. 

Whenever I think back to that day, I am reminded of the brilliance of haiku and how it can focus attention on meaningful language. That is all to say: sharing this incredible book about a troop of nihonzaru (Japanese macaques) from the snowy Nagano mountains in Japan is a truly worthy pursuit. I would not have wanted to miss it. A hot spring is the ultimate location for a calm and quiet soak. Enveloped in the steam that rises around them, the monkeys are content ... until one tiny monkey splashes and wants to play. The others cannot wait for the little one to settle again, and leave them all to their grooming. 

"Come, baby monkey, 
Time to be mindful and hush. 
Enjoy the stillness."

Ms. Imamura's illustrations, created with gouache and pastel crayons, are textured and colored to enhance mood and setting. The warm glow of the mountains as the monkeys make their way to the steamy pool; then cool blues as the snow falls and they settle into its peace and warmth. Art provides a perfect setting for this ode to all being together. 

It is a soothing magical world, and a unique introduction to haiku. 
                                                                                          

I Am Indigenous, written by Anne Tenning, with art by numerous artists. Orca Book Publishers, 2026. $21.95 ages 5 and up

"I am connected to my 

Tribe, Nation, 

Community, Homeland, 

Traditional Territory, 

reserve or reservation. 

And though we come from different lands, 
I have Indigenous relatives all over the 
world! We are all unique, but we also have
so much in common."

In this poem written for Indigenous children by Anne Tenning, the author wants her readers to know that their Indigenous identity is worthy of celebration. Though the text is concise, it proves very appealing to the children meant to hear its strong message. Each child belongs and is invited to share in the pride deserving of their cultural experiences. 

It reassures children their value is honored, no matter their heritage, their language, their families, or their own experiences. Pages of text and art face each other; a new Indigenous illustrator brings their unique talent to the interpretation of the poem's verses. Ms.Tenning's inspiration came from young Indigenous students who shared their reluctance to identify themselves because they lacked confidence in what they did and did not know about their history and culture. 

The 13 Indigenous artists whose works are a brilliant addition to the positive and inspiring words are each mentioned in back matter with a photograph, a clear description of the artist themselves, and a personal statement concerning their art for this project. What diversity they represent in the people they are and the works they have created! 

"I know a lot about who I am, 
And there is much I still want to learn. 

What I do know is

I belong. 

I matter. 

I am loved. 

I am unique."                                                                                          

Stubby, written by Sydra Mallery and illustrated by John Hare. Greenwillow Books, Harper. 2026. $25.99 ages 6 and up

 

"Thankfully, the sparkly unicorn nail polish 
hands of Barbara Ann Brown chose me.

She threw the ten of us into her cart, along 
with two notebooks, one purple folder, and
an eraser shaped like a pig. 

On the first day of school, Barbara Ann 
put on her new outfit. The other pencils,
the pig, and I danced around in her 
pencil box."

Stubby the pencil tells his own story in this autobiography that begins in a forest. Stubby starts as a giant cedar tree there. He is home to birds and bugs; helps feed bunnies and mice; provides midnight snacks for passing foxes; and even feeds a mama bear and her cubs when they are hungry. It is a fulfilling life. That life takes a big turn when huge machines arrive and go to the work of felling the forest trees. 

Every step of the process is explained. Once completely ready for transport to the timber yard, Stubby is off. Further preparation is required there before he can be hauled to the next factory. Upon arrival, many machines and a conveyor belt complete the work that turn Stubby into a pencil. Boxed with nine friends, his journey continues to a store selling back to school supplies. There he stands waiting to be picked up. Finally, he is chosen by Barbara Ann Brown and taken with her to the first day of school. 

His life in the classroom is fraught with endless change. From one desk to another, one task to the next, the days pass in all the ways pencils are used and abused in their lifetime. Once relegated to the Sharp Pencils bucket, Stubby moves from one person to the next, constantly sharpened until he fears for his future.

Everything changes when he is chosen by 'you' and becomes the pencil he knows he was meant to be. 

John Hare's artwork is created with hand-drawn pencil that is digitally colored, and uses panels to great effect while allowing readers to witness the full life that transforms tree to pencil. The target audience will find much to hold their attention as they pore over this life story so effectively documented as both information and adventure.                                                                                     

                                                                                        

Landing in a New Pond, written by Marisa Ramel and illustrated by Jennifer Doehring. Charlesbridge, Penguin Random House. 2026. $21.99 ages 4 and up

 

"One day Mama holds my hand and says, 
"Soon the ducks will move, like we did.
They'll fly south for the winter to stay warm."

Then who will I play with?

The ducks can't leave. I make a plan. 
If I feed them enough, they won't go."

Moving requires resilience and patience; for this young boy and his family, it is quite a sad time. What makes him happy are the forty-one friends he now has. They are very different from the friends he left behind; they quack, waddle, and nibble on grasses. He's a good friend. He feeds them, offers extra for those who are hurt, and checks on them carefully every time the family visits the pond. His little sister is not helpful. 

There is not much he doesn't do to ensure the birds are healthy and happy. His sister wants to help, but she is pretty little to be responsible. All in all, it is a happy situation and life is good. When his mother explains that the ducks will soon need to fly south to a warmer place, the boy is consumed with the need to have them stay. Gathering plenty of food, he is hopeful. His mother's warning falls on deaf ears. With the sudden onset of freezing winter weather, the boy rushes to the park. He's too late. Sadness washes over him.  

""Moving is hard." Mama says softly. 
"For ducks, 
for kids, 
even for grown-ups.""

With the realization that his ducks are still together, he looks to his sister to help him pass the long days of winter. They pretend to be ducks, act like his old friends did, and wait together for spring when they will see the ducks again. 

An author's note explains that her story is based on the family's move from New York City to Colorado during COVID, and parallels their experiences. She adds a further note ... the dos and don'ts for feeding ducks in your neighborhood. Detailed digital drawings capture emotions, setting, and seasonal changes.
                                                                                         

Time Is Wild: The Life Cycles of Animals and YOU. Written by Erin Silver and illustrated by Samantha Dixon. Orca Book Publishers, 2026. $21.95 ages 6 and up

"A mother elephant gives birth every five 
years, to one baby at a time. Most moms 
have up to five babies in their lifetime. 

Elephant babies drink their mother's milk
for about two years. They suck their own 
trunks, just like a human baby might suck 
its thumb."

Orca continues to do a tremendous job of publishing nonfiction books that have real appeal to a wide range of readers. This very engaging and informative one compares animals and humans, by detailing the passage of time concerning stages of life. Each two-page spread explores differences and habits based on these topics: pregnancy, sleeping, breastfeeding, learning to walk, eating, bathing, pooping, dressing/undressing, losing teeth, moving, growing up, leaving home, and finally, dying. 

The design is concise and familiar. The verso (left) side introduces one animal in an enlightening paragraph. The recto (right) side offers THAT'S WILD! bulleted facts that feature additional material sure to surprise readers. At the edge of the recto side there is a comparison chart for the topic that includes the featured animal, a human, and two others. Illustrations are colorful, contextual, and pleasing. There is much to learn as readers consider the passage of time and the changes that happen. The book provides an invitation for readers to think about how the lives of animals compare to their own. 

New learning has me wanting to share with you some interesting facts. I will keep it to this list: a baby giraffe is born feet first and drops 5 feet to the ground at birth; alligators can go up to 3 years without eating; cats spend 13-16 hours a day sleeping; geese poop every 12 minutes; a peregrine falcon can spot small prey from up to 2 miles away; anacondas never stop growing; and one ocean quahog named Ming lived to be 507 years old! There is so much more for readers to share, and they will love passing new knowledge along to others. 

A useful glossary is appended. 
                                                                                  

STEVE, into the great unknown. Written and illustrated by Kelly Collier. Kids Can Press, 2026. $18.99 ages 4 and up

 

"OMG!
OMG!
OMG! 

Deep breaths. Don't panic, 
Bob. After all, you packed
some emergency supplies 
just in case. 

Okay. I've got some trail 
mix. A flashlight. First aid
kit. Field Guide. Walkie-
talkies ... 

C'mon, Bob. 
Surely you are overreacting."

Young fans will be thrilled to welcome Steve back! This terrific graphic novel starring Steve the Horse is much beloved by early readers wanting their own series of books to enjoy, while also tickling their funny bone. In this fourth book, Steve is tired of the incessant boredom. No matter what his friend Bob suggests to alleviate the ennui, Steve has a reason for not making any change. After doing his best to help, Bob heads off to read The Adventures of Bluebird.  

The title sparks an idea in Steve, who is now determined to seek his own adventure; he's ready to find a new land. Bob is very concerned about Steve's inexperience and lack of planning for this exciting new endeavor. Although Steve is raring to go, Bob takes time to prepare for their upcoming excursion. Once needed supplies have been gathered, Bob is ready and full of enthusiasm. Steve is showing signs of reluctance as the walk is long, before finally finding a place to stop for the night. 

Bob asks Steve to unpack the provisions Steve has been carrying all day; only then does he learn that Steve has abandoned the heavy pack 'hours ago'. All of their food and water is gone! Bob is furious that Steve is so nonchalant about the whole thing. As rain pours down, Bob is pleased to have carried an emergency tent - only meant for one. As he watches Steve whimper and cry, he finally invites him in for some shelter and an earnest conversation. Bob leaves Steve in charge of their campsite as he searches for a shortcut home. 

What are the odds that Steve will follow Bob's instructions? Final spreads are filled with the gentle humor we have come to expect from this exceptional series. What a pair of friends Bob and Steve prove, once again, to be. 

CAT NAP, written and illustrated by Brian Lies. Greenwillow Books, Harper. 2025. $24.99 ages 3 and up

"No mouse here. Kitten is confused. 

"Are you stuck?" Kitten asks. 
The tortoise blinks. 
"We're all bound by something." 

Kitten nips the string. 
"Now you're not." 
"Arigato." The tortoise nods. "Thank you."

Tortoise slips into a rip, 
and Kitten is alone." 

A wee and sleepy kitten basks in fading sunlight on the back of a sofa. Other details of this opening spread reveal a poster for an exhibit of EGYPTIAN ANTIQUITIES to be shown at the METROPOLITAN MUSEUM OF ART from May 18 - June 24, 2006. A book about the art of the world lies open on the sofa seat where a young reader left it. 

A soft scritch awakens the kitten to the sight of a tiny mouse nearby. The chase is on, with the kitten leaping through the poster's edge. The mouse skitters away with the kitten in hot pursuit, much to the delight of close-at-hand rats. Off they all go at a run, destroying the equilibrium of the Egyptian background scene. Along the way, Kitten meets up with displayed artifacts that come to life wanting to play or help. Kitten has no time to stop as the chase moves forward. 

When Kitten stops to help a bound turtle, he loses sight of the mouse. Kitten realizes at that moment he is lost. Poor thing; scared and alone until he hears a friendly voice. A kind monk offers instruction, reminding Kitten to listen to a familiar sound. That sound leads him on a welcome return to where he began his fabulous journey. 

"And like a whisper of wind, Kitten is home -
back in the shadow-filled room." 

Breathtaking! This engaging and truly unique journey invites young readers to explore a fascinating museum of art that spans time and history. So much is included in a distinctly original style by master artist Brian Lies. In back matter, Mr. Lies includes information about how each of the illustrations was created. He explains the challenge of making each piece of art look like the original ones. His list of media used is extensive as are the techniques (both time-tested and brand new) that brought this wonderful book to publication for young readers. He encourages readers to find their own path to making things that they love. That happens with desire, and with practice for exploring their own ideas over time. There are also notes on the original artworks featured in the book.
                                                                                  

Cow and Sow, written by Matthew Farina and illustrated by Doug Salati. tundra, Penguin Random House. 2026. $26.99 ages 3 and up

 

"Twirling turned into spinning. 

Hops grew into jumps.

Steps whirled into footwork. 

Unsteadiness gave way to flair. 

Days of skating passed at Shallow Pond. 

Before long, everyone had invented a 
special trick or two of their own."

Winter seems endless to Cow and Sow, who spend long days playing board games inside their home. Boring, and unproductive is how they feel about what is happening. Their interest has waned, and they are hungry for adventure. One chilly, cloudy afternoon, they go for a walk that leads them to the frozen pond at the edge of town. As Cow bends down to taste some winter wheat, she falls and lands on the ice. In trying to help, Sow loses her balance as well. 

They have never been on ice, and find its slippery surface quite enjoyable. Holding on to each other, they are able to stay upright while making their way across the pond. In quick time, they are can skim the surface without help, until they have to find a way to stop. The fallen snow offers a soft landing. The following day, their friends are happy to join in the merriment. Cow and Sow provide all needed instruction. With time to improve, the animals begin to find their own moves. Each is spending the days developing tricks while finding joy in this new adventure. 

When Sow is ready to show her new and very impressive move, she holds sway with the crowd. Cow is not as easily impressed. She refuses to let Sow take credit for the jump that was first hers. A real kerfuffle ensues. Before long, the arguing is louder than the sound of the ice cracking beneath them. Cow plunges into the cold water, and a rescue is quickly organized by Sow. Luckily, Cow is saved and the entire crew builds a fire at the edge of the pond in celebration. 

The disagreement is solved when the two finally consent to a favorable name for their signature move. Sure to be make readers giggle, I will leave it to you to make the discovery for yourself. 

The storytelling is filled with charm, and a great deal of fun for readers. The artwork, drawn in pencil and gouache and colored digitally, oozes emotion at every turn while also giving readers a close and careful look at a friendship that is meaningful and only slightly confrontational. Kids are going to love it. 
                                                                                     

The Girl Who Loves Trees, written by Nancy Cooper and illustrated by Hawlii Pichette. Owlkids, 2026. $22.95 ages 4 and up

 

"By now, the sun is high in the sky. 
I look way up and see the turkey 
vultures circling. And I hear 
chickadees chirping as they flit 
from tree to tree. 
"Cheeseburger! Cheeseburger!
Cheeseburger!" calls Grampa." 

A visit with her grandfather on the reserve, and a chance to spend time together in nature makes for a very exciting weekend for a young girl. Their time together begins with a dinner of baked beans, Grampa's favorite. After a good night's sleep, the two welcome a new day with tobacco, and their grateful thanks. After Grampa, it's his granddaughter's turn to say her prayer of gratitude. 

"Meegwetch, Creator, for giving me my grampa and my 
family. And thank you for all the trees." 

They hold the tobacco for a moment, and then place it on the ground near a tree. The young one loves all trees and thinks of herself as 'a tree protector'. They return home with a task in mind; to prepare for a community feast. They will offer cedar to the drummers, causing the girl to worry. Grampa assures her that she need not worry. As they share knowledge of cedar trees, they head off to the forest for a visit to Grampa's cabin. The girl is pleased to let him know what she knows about the trees she so loves. 

Their time together is shared in clear language that offers young readers a chance to understand the connections the two have to the natural world that surrounds them and offers them peace. They note the trees, the birds, and the stream that are all integral parts of the forest. Grampa shares stories from his childhood to help his granddaughter understand why the trees are so important to their people. As she helps cut cedar branches for the celebration, she again offers her gift of thanks. 

Final pages hold an explanation for the learning that has taken place, and the connections made between humans and nature. Albert Dumont is described as the inspiration for Ms. Cooper's depiction of Grampa, and offers reasons why. There is also a short list of words to know as the story is read: Creator, Meegwetch, Nokomis and Tree Spirit. 

Scritch Scratch: An Itchy Witchy Halloween Tale, written by Teri Sloat and illustrated by Zuzana Cupova. Random House, Penguin Random House. 2026. $20.99 ages 4 and up

 

"The steps are creaking
on the porch. 
The doorknob's rattling 
back and forth! 

She's out there
mumbling up her spell. 
Her cauldron's bubbling - 
what a smell!"

I rarely post holiday books. The only reason I can give is that budgets are tight and the need to be sure you are getting the best books for the money is paramount. In that case, it might be better spent on books that reach beyond one day a year. That being said, when a book like Scritch Scratch comes along, you don't want kids to miss the joy inherent in the telling.

Three terrified kids hear a sound they do not recognize, and worry that it is the witch who makes her home in the pumpkin patch. Inside they run, lock the door and hope that her spell comes nowhere near them. The sound happens again, and they are sure they see the witch's shadow 'swooping past'. Her doings are scary and unexpected, of course. 

"She's catching snails
and slugs to use
to cast a spell on 
me and you - "

By choosing perfect hiding places and waiting in silence, they avoid a confrontation. Soon enough, they see her shape on the face of the moon and their worry dissipates. No scritch! No scratch! They are safe. Or are they? 

Black ink and watercolor art offers a witch whose presence grows with the imaginings expressed by the terrified three. The only color (brilliant orange), beyond the contrast of light and shadow, is shown in the moon, the children's hair and cheeks, a lit match, spider legs, the witch's eye and the background for a tense scene inside the house. It definitely ups the drama. I love the rhyming storytelling that has all the 'feels' for Halloween. What a terrific read aloud it is! 

The Hockey Song, by Stompin' Tom Connors and pictures by Gary Clement. Greystone Kids, 2026. $14.95 ages 4 and up

"SECOND PERIOD! 

Where the players dash, 
with skates aflash, 
the home team 
trails behind. 

But they grab the puck, 
and go bursting up, 
and they're down across 
the line."

This book was originally published in 2016 as a hardcover. I did not see it then, and I again am grateful to Sydney for sending it to me in this board book format. It is inspired by our Canadian love for hockey, and written by Stompin' Tom Connors. It is routinely heard when crowds gather to watch a hockey game played anywhere in Canada. 

Gary Clement says that his "intention in illustrating this book was to basically ignore the references to professional hockey and instead focus on the game as a true, all-inclusive and very Canadian community activity". That he does, in spades. The game starts with two players on an outside city rink ... a father and son? In no time at all, two more players join, then two more, and on it goes until there are 11, with two waiting outside the boards. Spectators continue to arrive, waiting for a chance to join the contest. 

First period is done; second period is called. All the while, the words of the song play on pages filled with action and great enjoyment. In one spread, as all players race toward readers, the excitement and energy grow until a perspective change shows what the game looks like from above. When tied, a host of players face each other as play then moves into the third period. It's the last game in the playoffs! One final flick of the wrist and the game is won - just before every single player, young and old, men and women, girls and boys, finds a place together on the rink's surface for a final photo! 

“Oh! The good ol’ hockey game,
is the best game you can name.” 

There is so much to see and appreciate as readers pore over the pages that show a community coming together over the love of a national pastime. 

Once you listen to this, you will not be able to get it out of your head. 

https://youtu.be/v8zeB7b1uFY?si=Tcyf9o2YWpvi7IbC       

                                                                                 

                    

carrots make me suspicious, written and illustrated by Robin Mitchell Cranfield. Greystone Kids, 2026. $24.95 ages 3 and up

"My father likes to eat carrots sliced into
thick rings with a sprinkle of salt. He pops
them into his mouth: pop pop pop. 

My mother prefers carrots sliced 
into sticks. She dips them in dips:
dip dab dip. 

But I don't and I won't dip dab
dip or pop pop pop. 

That is just not my style."

I am indebted to Sydney at Greystone Kids for sending along a box of books that I am very excited to share with you. First up in this one about a rabbit who does not eat carrots for a mix of valid (to him) reasons. 

His parents encourage him to eat them because they are good for him, and they are sweet and crunchy. Rabbit likes quiet foods, and cannot be convinced to give them a try. He would rather eat the yummy dip than the carrots for dipping. When a party has nothing but carrots for food, he would rather be at home. While he may, at times, be curious about them, he keeps those feelings inside. He would rather know what they are like before ever trying them. His mother suggests an investigation. A notebook is provided for careful observation. Carrots are orange; do they taste like an orange? No, and not all carrots are orange. They are triangles; but not all carrots are triangular. 

It's time for further research. Rabbit learns something about gardening (and rosemary) from a neighbor. He discovers they are a root, but do not taste like root beer. Needing more data, he checks out a library book about carrots and learns a great deal concerning preparation, shape, and even finds some appealing recipes. One is for cinnamon carrot soup which is a big hit. Just don't suggest lettuce for dessert. 

"Lettuce makes me suspicious." 

Brilliant! 

The text captures a child's feelings about trying something new. The artwork is childlike, and perfectly matches the rabbit's narration. The color palette is dominated by orange images, in keeping with the rabbit's full attention to this unfamiliar taste. The parents show great respect and understanding for their child's reticence, encouraging without pushing, and offering ways to explore learning more. 

Who Knows the Way to Mr. Grimly's Classroom? Written by Chris Priestley and illustrated by Mariachiara Di Giorgio. Candlewick Press, Penguin Random House. 2026. $26.99 ages 6 and up

 

"But Grace did not see anyone along the way.
It just got darker and darker and more and 
more cobwebby. 

"This school is so big," said Grace, 
and her voice echoed down the corridor:
"So ... so ... so ... big ... big ... big ... "

Just then, a wooden door creaked open and
a pale figure stepped slowly forward. 

Grace gasped."

This is another truly exceptional book to read to your kids at home, or for a classroom read. Grace loves to volunteer for any task suggested by her teacher, Miss Flytrap. Asked to return a book to Mr. Grimly, Miss Flytrap wants reassurance that Grace does know the way. Grace is sure! Or is she? 

It's Grace's first week at her new school; a school that is decidedly stranger than her last. Grace does not know the way, and she has no idea who Mr. Grimly is. Having this information sets up listeners for an eerie walk through the school, always on the lookout for surprises along the way. Prepared to ask for help, Grace begins her journey. 

There is no one in the hallways. Finally, a door opens revealing Miss Endpaper, the librarian. She is happy to give instructions which Grace is not sure are all that helpful. Miss Endpaper is back to her work before Grace moves on. Now concerned that she will fail her assignment, Grace worries aloud, only to be heard by a woman in the shadows. Mrs. Nightshade, the head teacher, offers a more complicated answer to her query. 

Outside Grace goes and across the playground to an extremely high tower. The steps are steep and Grace, once again, worries aloud about finding Mr. Grimly's classroom. A bat offers help, and a zip line is marked by a finger pointing the way. Grace lands in a kitchen filled with delectable sights and smells. Mrs. Macaroon, the school cook, gives her final instructions. 

"You're almost there.
You just have to go through that door, 
down three flights of stairs, 
up two more flights of stairs, 
turn left, 
turn right, 
then left again, 
and there you are."

Finally meeting Mr. Grimly, Grace is faced with another dilemma. Her response to it is absolutely perfect!

Though lengthy, this is a book of wonder that I would first read without benefit of illustrations. It is told with a suspenseful tone, and hints of both mystery and humor. I would love to hear what listeners think once done, after asking what they have imagined throughout the reading. And then ... read it again with the breathtaking watercolor, gouache, and colored pencil artwork of Mariachiara Di Giorgio. Her meticulous images use light and shadow with perfection as Grace makes her increasingly complicated and daring journey in search of Mr. Grimly and his classroom. 
                                                                                 

Still Friends, written by Troy Wilson and illustrated by Mike Deas. Orca, 2026. $21.95 ages 4 and up

"No matter how wet he was. No matter how
dirty. No matter how stinky. 

No matter the crowd. No matter the load. 

                                       No matter what. 

She was always there for a quiet moment.

And always there to listen."

A visit to the local park with his person leads a young beagle to a meeting with a new friend. He sits at her feet and admires her quiet nature. She doesn't move; she doesn't talk. She is nothing like his owner whose constant care makes him feel grateful: a long walk, treats, warm greetings each morning, and compliments. He ignores this new friend, just as she ignores him. There is no chatter between them. There are even times when he chooses not to look at her. 

Despite the inability to be real friends, he notices her from season to season. She is always there when he returns to the park. She provides a happy space for leaning, jumping on, and even taking a nap on her head.  She doesn't mind if he smells. She lets children climb all over her. Best of all, she is always there to hear what he has to say. She does not make rules she expects him to follow the way his owner does. In the end, he realizes that the three of them - owner, dog, statue - are not perfect. In their own ways, however, they are just right for one another.  

Children are sure to fall for this charming pup whose attitude toward a new friend is genuine, despite their differences. Observant readers will find joy in the many exceptional details Mike Deas uses to add context. The story is simply told, and engaging. It's great fun to read.                                                                             

I Wonder If I'm Growing, written by Raffi and illustrated by Jon Klassen. tundra, Penguin Random House. 2026. $26.99 ages 3 and up

"My mom says 

eat your sandwich

it will make you grow up tall"

What??? It's Jon Klassen again, and I am delighted to share this new book with you. I am often teased about my lack of knowledge when it comes to the music of the 80s. The way I explain it is to say that we had young kids then, and were listening to Sharon, Lois, and Bram, Raffi, and Fred Penner. This favorite song from Raffi will be added to my growing pile of new books for 'our' April baby. 

It is not unusual for little ones to wonder if they are growing. They can't see it, while their parents assure them that they are changing every day. In this song, Raffi offers reassurance that growth is happening in a song that speaks to the passage of time, and the knowledge that the child can do things now that he could not do in the past. The repetitive text encourages those sharing the book to sing it first together, and then alone as the words become more familiar. 

Jon Klassen's visual interpretation of these words is classic. Views of the wondering child show him from one page to the next looking pretty much the same. Readers can only see his eyes and the top of his head as he explains that he is being told he is growing, but sees little evidence of it. On the day he can reach the bathroom taps for the very first time, he is very pleased with himself and willing to admit that his mother is right ... he is growing! As the scenes repeat and he can finally see more of his face, he no longer worries. As happens when Jon Klassen interprets text through the eyes of a child, he is dead on with his illustrations. It's perfectly paced to show the passage of time that drags on for little ones. 

Emotional and reassuring, you will want to read it on repeat. 

To help, here's the song from Molly Whuppie:

https://youtu.be/MoHuQ3n5Dmw?si=nanKok4Ct7c6315V

Fritz: A Mushroom Story, written and illustrated by Kelsey Garrity-Riley. tundra, Penguin Random House. 2026. $24.99 ages 3 and up

"Then he and Pip meet up with friends
for a swim in the puddle pond. 

Next up, flower chains in the meadow. 
Then it's time to blow bubbles in the violet patch. 

"I wonder why having fun is so tiring?" thinks Fritz. 

"Who wants to play hide-and-seek?" shouts Pip."

If you have never imagined a mushroom's family and friends, here's your chance to make their acquaintance. A first page banner lets readers know that Fritz is a chanterelle mushroom who has a favorite red cardigan; loves hats, the taste of rose hips, and the sight of the wood anemone. The facing page allows that there are other things Fritz likes to do. His encounters with friends vary from many to one. He also very much likes being by himself. He craves quiet time to do nothing. 

His friend Pip is a fly agaric mushroom, whose favorite flavor is blackberry; who loves loud music; and whose favorite flower is the hepatica. He, like Fritz, likes other things as well. Pip is most happy in a crowd where everyone is paying close attention to him. Fritz sees that Pip is full of fun, and wonders if he should be more like that. Fritz makes the decision to follow in Pip's procession and spend one day as Pip does. It is adventurous, full of friends, and very tiring. 

While playing hide-and-seek, Fritz finds a perfect, quiet spot to be still and all alone. He is not prepared to be found that happens. Pip leaves him to savor what he loves the most before he returns to play, and  finish their day with rosehip ice cream. A perfect ending!  

Might we meet them again in the future? Maybe ...                                                                                   

If You Kiss A Kohkom, written by Tonya Simpson and illustrated by Mando Littlechild. Orca, 2026. $21.95 ages 3 and up

"When the ribbon skirt is done, 
she will want you to try it on!

As you twirl and whirl, she will 
sing her favorite song and ask 
you to dance with her." 

The relationship between Kohkom and her grandchild is special in every way. This book examines a day spent together and the many lovely ways that Kohkom shows her abiding love. Giving Kohkom a kiss results in a warm hug and a spoken truth about the love she has for her grandchild. Stroking her hair results in the joy inherent in brushing, and braiding. Kohkom also offers a listening ear for what the grandchild has to tell her. 

Kohkom's love for decoration shows when she teaches the art of making new earrings to add style for the new hairdo. Wouldn't a ribbon skirt look grand with those earrings? After the grandchild picks the colors that make her heart happy, Kohkom busies herself with another colorful creation. As she works, she shares family stories. When the skirt is done, it's time to dance! Near the end of the day, they make bannock. Gathering ingredients, Kohkom's memory for blending exactly what is needed results in a delicious piece to be served with raspberry jam. YUM!

Elders have a very important role to play in the lives of the young. The culture, traditions and knowledge they offer are passed on with love and in celebration. Mixed-media digital illustrations are filled with the warmth of the bond between grandmother and granddaughter. A list of Cree words shown throughout the reading are included in the final two pages, alongside thumbnail sketches of each.                                                                              

Ah Ma's Home, written by Gillian Sze and illustrated by Leah Hong. Groundwood, 2026. $23.99 ages 4 and up

 

"Leaves drift in the pond, and I wonder what it
would be like to drink from it. But before I can 
dip my fingers in, Ah Ma takes my hand and 
pulls me close. She always knows what I am 
thinking. 

"The water I had was much, much clearer than
this," she points to the pond." 

Aiya, the young girl who narrates this story of her grandmother and the memories she has from growing up in China, is happy that they spend time together. On Saturdays, they walk to the park where they can enjoy the sights and sounds of nature. Aiya runs ahead and scares the geese that Ah Ma loves to watch. Aiya apologizes, then asks what her grandmother finds special about the geese. 

As they talk about the coming winter, Ah Ma shares that she didn't have geese or snow at home in China. Instead, they had a river with fresh, clear, and cold water from the mountains that they could drink. Ah Ma cautions Aiya against drinking the pond water in the park. The two continue to compare special memories from Ah Ma's childhood: rainbow birds, nests in walls of mud, watching baby birds cheep and grow, and nips from lizards that she liked to believe were really tiny dragons. 

Aiya loves to listen to Ah Ma's childhood memories. She wonders if her grandmother misses her home. Yes she does, Ah Ma tells her. In truth, while Ah Ma does miss her old home, her new home is the best place for her to be. She has a good reason for feeling that way. 

"Because home has always been with the people I love."                                                                                   

Leina and the Haunted House, written by Myriam Dahman and Nicolas Digard and illustrated by Julia Sarda. Kids Can Press, 2026. $23.99 ages 7 and up

 

"A thousand questions rushed through Leina's 
mind, but she treated the strange creature like
any other passenger. She punted through the 
storm and delivered him to the opposite bank.

                Without a backward glance, 
                                the toad entered the town."

Halloween will soon be here. If you are looking for a magical, slightly scary, new book to read to your kids or class, I recommend this one. It is an original fairy tale that has many of the elements we expect from such stories: magic, mystery, and a game with a welcome outcome. 

Leina pilots her ferry from the village side of the river to the forest where the villagers cut down trees for firewood and forage for food, despite warnings that the forest is haunted. One of her passengers is a young man named Oren. Leina has feelings for him, and is distraught when he fails to return to the dock to be ferried back to the village. She returns each day in hopes that he will be there when she arrives. 

When she is met by an elegant looking and human-sized toad who wants a ride to the village, she is surprised but accommodating. Mr. Spadefoot returns to the river in a furious state after villagers pelt him with rocks and treat him poorly. Upon arrival at the forest side, the weather turns and Leina is invited to have dinner with the toad. It is a remarkable feast in an equally remarkable place. Since the weather has not improved, Mr. Spadefoot suggests she stay and offers the choice between nineteen opulent bedrooms for the night. His only warning is that she should NOT enter the room with the black door. 

When she cannot resist checking it out, she finds cages filled with many different animals all staring at her, and able to share that Mr. Spadefoot has made them what they are. Oren is now a squirrel. When Mr. Spadefoot returns, he is suspicious of Leina's actions. Before retiring for the night, Leina challenges him to a game; he chooses TRUTH OR DARE. Through a series of questions and answers, Leina is able to trick him into revealing his true self and makes a threat he cannot refuse. The caged animals are freed from his spell. Returning to town with all the missing villagers brings a change to the way people treat the forest. Now when they take something, they leave something in thanks for the gifts it offers. 

This is a wonderful read, filled with compelling and intricate digital art that will inspire readers to go back and experience it once again.  

Meet Rosemarie Kuptana, written by Elizabeth MacLeod and illustrated by Mike Deas. Scholastic Canada, 2026. $18.99 ages 10 and up

 

"That summer, Rosemarie was allowed to 
go home. But she had trouble communicating
with her family. After being forced to speak 
English for months, Rosemarie was forgetting
Inuinnaqtun. She felt like a stranger."

I have an enduring attraction to picture book biographies for youth. They have introduced me to people whose lives I did not know, and I am grateful to those who tell their stories in ways that inform both children and adults. The Scholastic Canada Biography series by Elizabeth MacLeod and Mike Deas 
continues to inspire us with stories of Canadians whose contributions have had a lasting impact on readers. Since 2018, when they introduced us to Viola Desmond, there have been 15 books in this informative and fascinating series. I do hope their interest in and curiosity about others will keep the numbers growing. 

For this book, Ms. MacLeod worked directly with Rosemarie Kuptana to be sure her life is accurately presented in this very enlightening record of her many incredible accomplishments. Rosemarie has worn many hats since her birth on the Prince of Wales Strait, Northwest Territories in 1954. She went to residential school in Inuvik when she was eight and lived there for ten years. University in Ottawa called during the 70s, followed by years as an activist for Inuit rights, as well as broadcasting and journalism. 

Her countless efforts to preserve Inuit language and culture included protecting the climate, and speaking for self-government. Her work has taken her around the world and her support for Indigenous people in Canada helped lead to the formation of Nunavut in 1999. Rosemarie is the recipient of both the Queen Elizabeth II Golden and Diamond Jubilee Medals in recognition of her life's work.

Today, federal, provincial and territorial governments acknowledge the right of Aboriginal peoples to govern themselves. Ms. Kuptana has played pivotal roles in cultural and political advances, along with others, to make a difference for all of Canada. Her advocacy is a beacon for others, and has been rewarded with the honor and dignity she so deserves. Canadian school children and all those who read this new book are sure to be impressed by the legacy she is leaving through her hard work and consistent support of her people. 

The writing is accessible, a trait of this popular and well-researched series. The digital artwork is contextual for young readers, giving them an opportunity to see the beauty of the North, the workings of government and the purposeful life of a Canadian whose story is worth celebrating. Well done! 

Different Good, written and illustrated by Thao Lam. Owlkids, 2026. $22.95 ages 4 and up

"It was odd. 

It was strange.

Most peculiar ... 

and perplexing." 

There was a time long ago when a man and a woman lived a very normal and unchanging life. Every day the same until ...

Ahhhhhhhhhhhh

What a surprise for them when a new baby arrived! It turned their world upside down. Small, loud and unlike its parents, it was befuddling to its parents as it grew and changed. It liked to sing, eat leaves, and draw with sticks. What about grunting, eating meat, and playing with rocks? 

Watching that growing child use sticks to create a project that soon crashed to the ground infuriated the father, and attracted the attention of a hungry woolly mammoth. The father quickly retreated while the child struggled to keep up. The father bravely faced the mammoth, as the child hid. Dad made a tasty snack! Seeing this, the child summoned up ingenuity and musical aptitude to distract the mammoth with the enticement of a thrown stick. The snack was forgotten.  

The surprise ending will bring chuckles and a new understanding for being different ... different good! As we have come to expect from Thao Lam, the cut-paper art is remarkable and ingenious, telling this story with little text, admirable drama and spirit. It's a great tale to be read aloud; listeners will love it.

The Only Way To Dance, written by Cristina Quintero and illustrated by Eugenia Mello. tundra, Penguin Random House. 2026. $24.99 ages 3 and up

"You're going to need music.

Your dance might require 
violins, trumpets and a 
guitar or two. 

It might need nothing more than
a simple drum, echoing out of
the very tips of your fingers. 

By telling this story directly to her readers, Ms. Quintero makes it feel very personal and uplifting as she shares the notion that everyone can dance if they find the music that speaks to their very soul. It is a lovely celebration of the world of dance and the value of movement in a child's life. 

A young girl steps out into her community as rain patters down on her umbrella. She and her mother have a destination in mind; the dance studio down the street. She is told that, if she wants to dance, she will first need any kind of beat; a space that suits her; music and sounds; perhaps speakers.

"Dancing could be a tradition that
tells where you come from
or a family ritual that reminds
you of where you belong."

As she makes her way past various studio spaces, she is witness to wide variety in the ways people celebrate dance. When she gets to her own dance class, her exuberance shows in the greeting she offers, and she is READY to dance her way! In this book that follows Ms. Quintero's The Only Way to Make Bread (tundra, 2023), she pays tribute to dance from around the world. Her text encourages readers to discover the joys and benefits ot finding their own path to the kind of dance that speaks to their souls.

Ms. Mello's artwork was drawn by hand on an iPad, and portrays the brilliant color and the glorious movement of each of the dance forms. Using black-and-white to show the child guide as she moves through the studio while watching the many dancers is a lovely touch. Changing perspectives is a wonderful way to ensure careful attention to the beauty and lure of dance for all. 

Backmatter adds cultural context and information for the sixteen dances represented here. There is also a lesson for learning the Columbian cumbia.  Readers will want to return to the start and find each dance described. It's a visual delight from start to finish, and a perfect book for music classes, or a great readaloud anytime. 

A Riddle of Eels, written by Nicholas Day and illustrated by Corey R. Tabor. Random House Studio. Penguin Random House, 2026. $27.99 ages

"It is easy to see how people might disagree
about the terrifying, isolated Komodo dragon, 
it's terrifying! It's isolated! 

rar!

It is less easy to see how people might 
disagree about the eel. 
The eel is not rare. The eel is not 
terrifying. The eel is not isolated.
The eel is all around us.

glub!"

Sibert medalist Nicholas Day begins by talking about all the books we read that give us facts that relate to what is familiar to many. He also presents some of what we know about eels; but adds 'the more we study it, the less we know about it.'  He then suggests that it would be helpful if the reader could suddenly become an eel and pass along all that is learned while being one. In that way, this picture book would tell us all we need to know about eels. 

Mr. Day moves on to report that the many who have studied the eel in the past have made statements that they felt were true from their observations. They presented their evidence and it was accepted until someone disproved it with another theory; on it went from one conclusion to the next. 

"All this disagreeing went on for centuries, because eels are both 
fascinating and bewildering, and after a while, everyone 
managed to agree on this: 

Eels are really easy to disagree about." 

It should be easier. People could stand at the mouth of some European and American rivers and watch as a billion eels swam up them. Even being able to touch and hold them did little to help with the learning. Where did they come from? Where were the babies? How did they make those babies if there were any? There were no easy answers. 

After many years and much study, Danish biologist Johannes Schmidt observed that all eels were born in the Sargasso Sea, migrated to the rivers of Europe and North America, and returned at the end of their lives to spawn new eels though he never saw a full-grown eel there. We are sure of those things, and that their migration journey is unimaginable. How do they know where they are going? As we come to the end of this remarkable book, what have we really learned about them? 

For all we do know about today's world, there is so much left to explore and reveal. 

Chatty and accessible for his target audience, Nicholas Day has done his research and presents it with questions in mind and few answers despite all the scientific study. It has humor and lively appeal. Cory Tabor's mixed-media digital artwork places readers in the middle of an eel's world with his agile, undulating forms and historical and contemporary settings. Illustrations are filled with motion and wonder, while adding context for the learning. The endpapers are brilliant and the book's case wrap offers a giggle. A closing note from the author further enlightens the text, while also focusing on the steep decline in eel populations. Sources are included. 

Small-Girl Zora and the Shower of Stories: A Tall Tale Based on the Life and Work of Zora Neale Hurston. Written by Giselle Anatol and illustrated by Raissa Figueroa. Viking, Penguin Random House. 2026. $24.99 ages 4 and up

"By the time all those stories bubbled forth, 
and Jamie and Tea Cake had laughed until 
they cried, Small-Girl Zora wondered if she'd 
be able to lug the watering can all the way 
back home. 

But when she looked inside, it was almost 
as dry as a bone! Only a few drops!"

Small-Girl Zora is not the kind of girl who does what others expect of her. She likes to climb high in trees and 'play tag with the moon' to the consternation of all members of her family. She doesn't wear a hat when she's playing outside on a sunny day; she loses her sandals; and she likes to get messy when she's in the outdoors. She LOVES to tell preposterous stories, with encouragement from her listeners. There are those who do not encourage her plan for changing the world with her stories. Zora does not listen to their complaining. 

She expects to inspire tears of joy and laughter whenever she tells those stories. To that end, she takes a watering can with her to collect the tears and use them to help end the drought that is plaguing her small town. She begins with a rich farm family; they don't want to hear her stories. She persists with a story of a serpent which scares the farmer's wife, wakes the farmer from his nap and leads to Zora leaving their home as quietly as possible. Moving on to the general store, she tells a story of 'magically multiplying eggs' that have kept her full for days. Nothing stops her from embellishing that story with other details until the store owner sends her packing. 

She has so many stories to tell! No one is giving her a chance to make them cry and add their tears to her watering can. Her stories do work on Janie and Tea Cake; they laugh until they cry. The watering can is filling up and getting pretty heavy. When she looks inside, a few drops are all she sees. Sad and dejected, she sits herself down. Janie and Tea Cake offer encouragement as they say her stories wash their troubles away. On the way home, with rain falling gently, she is able to consider that her stories are being shared, bringing smiles of happiness. Suddenly and joyfully, Zora realizes a very important thing. 

"The drought was over! 
Her storytelling had worked!" 

Ms. Anatol's word choice in sharing the exuberance that was Zora Hurston's life is humorous and inspiring for the children who will have the good luck of hearing it. Raissa Gigueroa's artwork creates a setting that takes readers back to Zora's childhood home and the historical setting for her early life. She weaves the reality of Zora's life with the magic of her storytelling in spreads that will capture attention and inspire a closer look. An extensive author's note reveals Zora Neale Hurston's life story and her influences on the author. 

Tom Nancy: The Sheep Who Swapped Brains with a Boy, written by Mac Barnett and illustrated by X. Fang. tundra, Penguin Random House. 2026. $26.99 ages 4 and up

 

"The next morning Tom Nancy went 
back to school. Felix tried to go too. 

"Look at that!' The children pointed 
and giggled. "A sheep followed you 
to school! Just like in a storybook."

Felix tried to tell them he was actually 
a boy, but nobody listened to a sheep."

Kevin lives on a farm with his parents and an assortment of animals that include an arrogant sheep named Tom Nancy. Because Felix looks ready to have a conversation, Tom Nancy speaks to him one day. He has an important question. 

"Do you want to see a marvelous thing?" 

Felix, being Felix, says yes. With Tom Nancy in the lead the two are off to the old barn, where Tom Nancy shows Felix a brain-swapping machine he has built. He explains its workings and suggests they try swapping brains for the day. It's easy to see Felix's vulnerability, and Tom is quick to take advantage. 

BING! 

Tom becomes everything Felix, and Felix is suddenly a wide-eyed innocent sheep. Tom Nancy loves his day as a boy! Everything about it makes him happy. Felix does what sheep do; he spends his day in the pasture chewing grass, which he finds 'interesting.' When Felix is ready to switch back, he is distraught to learn Tom Nancy has no intention of doing so. Tom Nancy takes advantage of every opportunity to keep his new identity, while Felix tries to explain to the other animals what has happened. The other animals are perfectly content with Felix as he now is. They like him that way, and have no warm feelings for Tom Nancy. 

Tom was happy until he has to deal with the realities of school, and the expectations of him concerning homework. He complains to his dad who isn't open to letting him stay home since he hasn't been helping with the chores. With warnings from both principal and father concerning the work he will be expected to do in the future, Tom runs to Felix with a request to switch back. When they get to the barn, Tom Clancy is met with a very big surprise; a comeuppance from Felix and the other animals concerning his future. 

X. Fang drew her eye-catching illustrations with graphite and then added color in Photoshop. She keeps characters center of attention against all backgrounds. Tom Nancy is quite the individual; everything about him is big and outrageous. This is one terrific picture book from the very funny and irreverent Mac Barnett.