Goodnight, Bruce, written and illustrated by Ryan T. Higgins. Disney/Hyperion, Penguin Random House. 2026. $26.99 ages 3 and up

 

"We don't have time for this. 

Honk ... 

What do you mean NOW 
you remember you don't 
have an Aunt Gladys?!

Go upstairs! 
It's time for bed!"

Ryan T. Higgins knows curmudgeons, and he knows kids! By creating Bruce, the crochety bear who becomes a very unlikely mother to four goslings and three mice in earlier stories, he has given us a character who provides unlimited love and kindness for his charges. He doesn't always do it with patience, as is evident in the furrowed brow and grumpy exterior. 

In the newest release from this very popular series, Bruce faces another dilemma that comes with raising a family ... bedtime. While the young ones watch a movie in a darkened room, Bruce decides it's time for bed. What about the Friday-night monster movie, they want to know. Bruce is adamant; it's time for bed. No arguments. If you have children, you will know how that goes. They have reasonable requests before following orders: watch to one specific scene (that comes near the end of the movie), finish their bowls of popcorn, and clean up the mess made earlier.  

Then, it's put away the ice cream, finish a letter to an imaginary aunt, find Stuffy Bear (who was left at the park), teeth brushing, and finally: 

"You can't tell us when 
to go to bed now. See?
We're too old!

Also, we are out of 
toothpaste." 

What about a glass of milk for one, then every single one of them? Could it be warm? You do know that the bathroom break is next. Finally, they are ready to settle for a story; but, not that one. Who falls asleep first? 

The text is written in full dialogue, which offers it up as terrific shared reading or reader's theater in a classroom. The artwork is familiar and welcome for fans, and full of Bruce's surliness and his charges' innocence at every turn. The setting remains a cozy cottage in the woods. It is another charming readaloud. This is a story I will enjoy reading again and again, as will happen when you share it. I would suggest not reading it at bedtime, wouldn't you? 

The Big Journey, written by Michael Rosen and illustrated by Daniel Egneus. Bloomsbury Children's Books, Raincoast. 2026. $24.99 ages 4 and up

"At first, Little Bear was very sad.

But then he remembered the flower. 

It smelled of the mountains, 
it smelled of the air, 
it smelled of the rivers. 

And he knew that he was bringing
part of the Old Place with him." 

As they feel the winds blow in the smell of change, Big Bear tells Little Bear that a long journey is ahead of them. He stresses the journey will be a big, BIG one. Little Bear has questions; Big Bear does his best to answer them. They will need to find a place where there is more to eat. Little Bear is reluctant. He wants to know where they are going, while he also worries that he might forget the Old Place once they leave. 

He wants to talk with Old Owl. Little Bear shares his worries about remembering. Old Owl suggests finding something that will last for a very long time. He next visits Old Badger, who suggests that when Little Bear gets tired from the traveling, he can think of something that makes him happy. A song sung by Big Bear could be the perfect thing to put a smile on Little Bear's face. Still, he has questions for Old Bear, who will not be making the journey with them. Little Bear says he will return, if Old Bear waits for him. A promise is made. 

Now armed with answers to his questions, their journey can begin. It is long, and sad, and very tiring. Remembering that song helps when he is so tired. On and on the two walk ... until they are lost! Now he recalls what Old Bear said about following footprints to help him find his way. They walk through forests and snow, and over mountains until they arrive at the New Place, there to find food, water and new friends. How wonderful is that? 

The beauty of the natural forest setting that is background to their journey will be of great interest to young readers. There is much to see as the seasons change and the long journey begins and ends. It is a story of hope, resilience, and learning to adapt to change written well and illustrated with great care. 

https://www.instagram.com/reel/DVOKb9IjeCP/?utm_source=ig_web_button_share_sheet

Monster Mender, written by Christine Baldacchino and illustrated by Ilona Iske. Groundwood, 2026. $21.99 ages 5 and up

 

"Dot took armfuls of fresh new
ingredients back to her cottage. 
The prickliest peels from the prickliest
fruit in the swampiest swamp. The 
shimmering bark of silver trees from 
the highest mountaintop. And the softest
flower petals from a garden three valleys
down and two lakes over."

Dot is a small, but capable, doctor for her mythic patients. She awakens early each morning to provide care for a dragon, a chimera, a gryphon, and a kraken, to name a few. She travels far and wide to visit with them when she is needed. Their ills are many: Dot is a conscientious and kind caregiver. 

All goes well until a Sea Serpent stops by. The Serpent explains that he is sad ... so very sad. Some days he doesn't want to show himself above the ocean and on other days, he wants to fly into the clouds where he cannot be seen. It's hard for him to know for sure what he really wants; it is always so different. Dot carefully looks him over. She sees no evidence of illness. The Serpent explains again that he is very sad. Serpent looks fine. 

Dot knows she is a good mender. She takes on the task of fixing him. She wants to make something that will cure the sadness. Nothing works. After numerous attempts to make him feel better, Dot realizes that he likes her company. They spend time together, quietly. When asked if he wants to go with her to see Jackalope, he refuses. As the two spend time together during mender visits, Sea Serpent becomes more comfortable and occasionally shows affection for Dot. Dot worries that she is not very good at her job, and tells him so. 

Sea Serpent explains: 

"It's when you sit and have tea and 
bread with me. And we talk about silly
and not-so-silly things," he said. 

"And it's when you ask me how I'm feeling 
today. And today I feel like telling you that 
you're the best monster mender a monster
like me could have.""

Amen! It's the little things that don't seem so little, even to a huge Sea Serpent. 

Do you make someone feel like that? 

Hummingbird's Big Trip, written and illustrated by G. Brian Karas. Random House Studio, Penguin Random House. 2026. $24.99 ages 4 and up

 

"Naptime is over and I'm hungry!
I stop by all my favorite places
for lunch. I have a long list and 
remember them all. 

All that flapping, flying, and 
feeding. 
Time for bed."

A tiny hummingbird shares its own story. Its summer has been filled with flight, flora, and enjoyment. As the season turns toward cooler weather and shorter days, it recognizes that the time for the long journey is fast approaching; that knowledge gives the poor wee bird a real sense of dread over what's to come. If you are one of those people who prefers to ignore what needs to be done when the anticipation for a task is worrisome, you will feel real empathy for him.

There is much to be done before the journey can be taken; all thoughts of that lead to avoidance. The exact date is unknown. Many lonely days will be faced on his own as hummingbirds do not fly in groups. Each one flies alone, mile after solitary mile. Every thought is wrought with questions about staying focused, food, exhaustion, and finding its winter home. His friends try to be helpful, offering wise advice and reminders that he does the same worrying every year. They know he will be okay. Days pass slowly, offering time to continue fretting. At last, the day comes. He takes to the sky with strength and knowledge. For many full and exhausting days, he flies. Does he really know the way? Will he arrive at his destination? Yes, he will! 

In familiar artwork that is detailed and emotional, G. Brian Karas offers his readers a story of worry, resilience, and science. As the story is told, young readers will take in information about the bird's yearly journey that is determined by seasonal changes. An endnote supplies further facts.

"I never seem to get lost.
I’m always able to fly the whole distance by myself ... I can do this!"                                                                              

Flowers for Mama, written and illustrated by Deborah Freedman. Viking, Penguin Random House. 2026. $24.99 ages 3 and up

 

"Ooh ... Making sounded 
beautiful to Tulip. 

So, she picked up her orange 
and made a slow O, just like 
Mama had taught her.
Tulip added C shapes - "

It will soon be Mama's special day ... too soon! Oleander is having a time trying to make a decision about a gift he can make that will truly celebrate his brilliant mama. The other three kittens have ideas, but none seem to be just right. Would flowers work? All they can find are weeds that are prickly and unappealing. Oleander is busy with a package of seeds. When asked for help, he suggests that they make flowers of their own to give to Mama. 

Tulip likes that idea. She begins with orange and does her best to draw some lovely flowers. As Tulip adds more of Mama's favorite colors, Oleander only has brown. Herbie uses his saved-up bits and scraps, working tirelessly to collage something wonderful. Oleander makes wet dirt from his brown. Blossom's imagination runs away with her and she pens a song. Oleander's seeds in brown dirt are not very inspiring. Everyone is excited, wanting to see Oleander's flowers since it was all his idea. Nothing is happening there. 

When the kittens wake Mama to show the flowers they have made for her, Mama couldn't be more delighted. Poor Oleander ... so sad that his flower is late. His mother's love wraps around him as she explains that flowers take their own time. Besides, she already loves his ... and all the others. 

Deborah Freedman's welcome description of the art she created to tell this heartfelt and endearing tale is inspirational. Her explanation that she did a lot of experimentation as she worked helps readers see that there are many different ways to explore their own creativity. She describes how each of the kittens used their own artistic leanings to find the perfect gift for Mama.                                                                                  

Rumpelstiltskin, retold by Mac Barnett and illustrated by Carson Ellis. Orchard Books, Scholastic. 2026. $27.99 ages 5 and up

"Once upon a time, 
a girl grew up in the woods, 
climbing trees and whittling sticks and 
catching tadpoles with her bare hands. 

Her father, a poor miller, was a nice enough guy,
but he had a big mouth. He told wild stories
and bragged all the time."

That girl ends up being the main character in one of her father's elaborate stories. When he meets the king by chance one day, the miller tells him that his daughter can spin straw into gold. What king would not want to grow his wealth? The rest of the story, for the most part, follows the path of the original fairy tale. 

Of course, she cannot do such a thing. While she sits alone in a room full of straw bemoaning the promise of certain death if she fails to complete the task, a tiny man pops up through an unseen door. She quickly shares her tale of woe. The little man explains that he is up to the task, but will need to be paid for his trouble. She promises her necklace. 

The same thing happens the next night; she gives him her ring. On the third night, the king promises marriage; the little man demands her first born child. Terrified and unsure of her future, she agrees. When she marries the king and has that child, the tiny man comes looking for his reward. Upon seeing her tears, he gives her one last chance: if she can guess his name in three days, he will forget they made such a deal. It is an almost impossible task, as one would expect. Twice she fails. Her love for the outdoors is her saving grace. While walking with her son on the dark final evening, she happens across the tiny man singing and dancing around a fire; his song reveals his name. At his next visit, when the queen reveals what she has learned, he stomps himself into a puff of smoke and disappears forever. 

This is an old story told through many childhoods. I love that Mac Barnett has given it a contemporary vibe that will make it very appealing to today's readers. It is chatty in its presentation with a subdued humor. Shared alongside his earlier The Three Billy Goats Gruff (Orchard, 2022), it is promising to think that the many children who have never heard an old fairy tale will have a chance to hear these new ones. Bring on more, please! 

Ms. Ellis enhances the storytelling with her gouache color palette and the castle setting. The wall tapestries and the floor patterns give it a historical feel. Listeners will very much enjoy the meandering lists of names created for the queen as she tries her best to come up with Rumpelstiltskin. 

https://youtu.be/bIozA8_AdW8?si=-3wmgrpiq4_eJeZw

We Can Hear Without Ears: And Other Things You Didn't Know We Plants Could Do, written by Lisa Westberg Peters and illustrated by Danielle Ridolfi. Astra Young Readers, Penguin Random House. 2026. $25.99 ages 8 and up

 

"You think we plants do nothing -
just stand around all day with our
roots stuck in the ground. 

We’re like green lampposts, right?
Well! We’d like to set a few things straight."

It should be obvious to each one of us that we could not survive without plants. The conversation given over to the friendly, though at times a touch brusque, plant narrators here has much to teach readers about the role that plants play in life on the planet. Plants and people need many of the same things, starting with food. People are mostly able to get around to get the food needed, while plants like tulips have to make their own. They start with water from below ground, carbon dioxide from the air, and the sun's energy; all help to create the sugar they need to grow. It makes plants renewable energy machines ... quite the 'superpower', 

This conversational text provides easy to understand information for young readers. Added facts are placed on each double-page spread in a smaller font to further allow for more learning. If water is hard to find, plants use tricky business to find what they need. Like us, they need water to survive and they have many different ways to ensure they find it. Readers are then shown ways that plants know to defend themselves from their enemies and communicate one to the other. 

"Plants have even more senses than animals do. 
They need to be sensitive to their world because they 
can't run away if they are under stress. But plants don't
concentrate their senses in one place like a nose or an ear.
Their sensory parts are spread out all over their bodies -
leaves, stems, flowers and roots. If a deer nips off a leaf, or
a gopher chews on a root, it's not so bad. The plant has more." 

The mix of accurate facts and humorous material makes for a very engaging read while also providing new learning for many. The author advises that we must all be more attentive to the world around us and do our best to use more renewable energy if we want to live in a better world as we move into the future. Mixed-media artwork adds much appeal in colorful and detailed collages that cross multiple landscapes, and the brilliant plant life that lives alongside we humans who depend on it for our existence. 

We are all connected. 

We All Belong, written and illiustrated by Gianna Marino. Philomel, Penguin Random House. 2026. $24.99 ages 3 and up

 

"Then Deer saw someone else. 

"That slender nose is similar to mine," said Deer. 
                   "It must be another deer!"

Fox looked at all the animals. 
"I am a fox," said Fox. 
"We are all similar 
in some ways.""

Ms. Marino's story of acceptance and understanding begins with a lonely mule. Mule no one around, until he hears a chittering sound. Noticing the ears poking out of the ground, Mule wonders if it might be another mule. Rabbit pops up to assure Mule though the ears are similar, these definitely belong to a rabbit. When Rabbit hears a new sound, she notes that the teeth look familiar. Beaver debunks her claim by announcing that he is not a rabbit, but a beaver. 

From one animal to the next, six animals are quick to note the similarities shared one to another. After Beaver, then Duck, Deer, and Fox. While chatting about the ways in which they are similar, a further animal provides a distraction for Mule. 

""WHO IS THAT?" said Mule."

A double-page spread introduces a large, brown, furry animal unknown to the rest. What they do know about the new arrival is the ears, teeth, feet, tail, and slender nose are decidedly different from their own. Bear agrees she is different from everyone, and wanders off to find someone like her. Mule quickly stops her to explain that, although the rest have one similar trait, there are many things about them that are not the same at all. 

As they study Bear carefully, they find many things to like: round ears, fluffy fur, big paws, and big eyes. In fact, they quite love Bear. They may look different from one another; they know they 'all belong'. 

This makes for a wonderful readaloud and is perfect for starting conversations with kids of all ages. The charming artwork is a lovely complement to the story's tone and offers lots of details for little ones to observe and enjoy. 
                                                                                        

Where I Grew, written by Jashar Awan and illustrated by Rahele Jomepour Bell. Norton Young Readers, Penguin Random House. 2026. $24.99 ages 4 and up

 

"To reach this land

In search of the 
   perfect place 

To put down 
        our roots 

And call home."

Oh, the setting is so gorgeous. Endpapers are filled with a detailed look at the forest, its flora and fauna. Bright colors accompany forest greens to invite readers to turn the page to see what is next. A hook, hung with a soft cap and a tote bag suggest outdoor adventure. The title page shows the owner with a satchel, all alone on a gray day.

The opening page returns readers to the forest, and two people venturing in where animals leap and birds sing. The older of the two, presumably a grandparent, is wearing the hat and carrying the tote bag, while a young girl holds his arm. She explains 'we come from all over'. As they walk on, there is joy in their being together in the beauty of their natural surroundings.

As they explore their environment, she tells how people got to the place they are now. In the past, they needed transport, and help to arrive safely in search of a new home. This is where she grew daily, through the seasons, and the years that have passed. She is proud to talk about community, her neighbors and their growing families, and wonders what the future holds for all. 

"As for me, 

This is where 
       I grew.

This is 
where I 
will stay. 

This is 
my home."

Ms. Jomepour Bell’s wondrous illustrations reveal the slow passage of time. Observant listeners will take note of the many details, including the pink beret and glasses the now adult has been wearing since childhood and her grandfather's tote bag that she carries so closely. 
                                                                              

The Mountain That Wouldn't Move, written and illustrated by Sandra Dumais. Owlkids, 2026. $22.95 ages 4 and up

 

"So the animals climbed, 
one atop another. On shoulders, 
on snouts, on antlers. 

        They pushed, 
     they pushed, 
they pushed. 

 But the mountain stood still."

Bear is not happy living in the shadow of a mountain. The shadow's color changes Bear's mood. Bear loves warm colors; that never happens with the mountain in Bear's way. It makes Bear very grumpy; the mountain is oblivious. Bear wants the shadow to go. The other animals are accepting of their lot. Bear will not let it go, calling a meeting to encourage the other forest animals to join with her in eliminating the shadow that causes issues for all. 

Moving the mountain is the only solution. All animals are ready to push the mountain to the left; then to the right. When nothing comes of their hard work, the other animals go back to acceptance. Bear, by now, is beside herself to get the mountain moved. The thought of it consumes her. 

"I will see a sunset if it's
the last thing I do!"

No matter what she tries, nothing works. It is time to give up. Thanks to her many friends, their climbing ability, and their love for their friend, Bear's most fervent wish comes true, leaving Bear to recognize the true benefit of living in the mountain's shadow. 

                                                                                     

Unfunny Bunny, by Kenan Thompson with Bryan Tucker and art by Tony Neal. Feiwel and Friends, Macmillan. Raincoast, 2026. $25.99 ages 5 and up

"Hedgehog shrugs. "Telling jokes isn't as easy 
as it looks. I think you're onto something. It just 
takes practice!"

That gives Bunny an idea. 
"Maybe we could work on them together?"

Bunny and Hedgehog sit down 
and start writing jokes."

The first day of school happens tomorrow for Bunny. Excitement is rising. Before leaving, he works to determine which bunny he wants his new classmates to meet. Cool? Sporty? Neither appeal. Donning a red suit and tie, with fancy high-top red sneakers, he decides to be a Funny Bunny. Telling his jokes to all who will listen does not go well. His classmates are obviously unimpressed with his humor. Bunny is frantic to hear them laugh. 

When it doesn't happen, he gets angry and starts yelling out even more jokes. The result is a new nickname; they agree they think he is an UNfunny bunny. Oh, dear! Hedgehog comes to his rescue with a compliment and an idea. Perhaps the two can work together to write new jokes. With practice and encouragement, the two find common ground and begin to make progress.  They laugh together with their families as they share what they are writing. 

When Bunny is ready, he tries again; then eagerly awaits his classmates' response. It works! His talent for sharing his jokes, while learning to be a grand friend make his life so much better. Young kids love to laugh at jokes, not always good ones. They will find much humor when this book is shared, as they learn about being a good friend as well. 

Two pages of extra jokes to learn only adds to the fun! 
                                                                             

Turtle Slept In, written and illustrated by Jacob Grant. Viking, Penguin Random House. 2026. $24.99 ages 3 and up

"Bird looked at the crumbling 
pile of sand and shook her head. 
"We should walk around," she said. 

Turtle had already dashed in. 

"Slow down!" said Bird. "If we're not careful,
the whole pile will fall. 

But nothing could slow Turtle down."

Readers will quickly empathize with the single tiny turtle who awakens late in the morning she and her many siblings were meant to make their trip to open water. A sandpiper who sits nearby explains that the rest left for the water at night. That is when turtles are supposed to hatch. No problem for the latecomer, she will meet them in the sea! 

Easier said than done, explains the bird. It's a long way to the sea, and the beach is a dangerous place: hot, too many people, beach balls, sand castles, and not for one tiny turtle on her own. Turtle won't be stopped. She will follow the tracks of her siblings as she makes their way across the beach. The bird offers accompaniment. Turtle is keen on new adventure and fun. Despite the bird's good advice, Turtle is having none of it. Independent and determined, she chooses the course she will take. 

As they get closer Turtle is suddenly aware just how big the sea is. Turtle begins to pull back. By now, Bird is sure they can make it. There are many distractions for Turtle as she does her best to avoid getting closer to the wide expanse of blue ocean that is right in front of them. 

""The sea is so very big," said Turtle. "REAL B IG. 
How will I ever find my brothers and sisters in 
something so big?""

Bird continues to encourage Turtle. It's a tough decision to make ... soon Turtle is in the water and waving goodbye. Turtle is alone for the first time ... or is she? 

Using oil pastel monoprints and colored pencil, Jacob Grant creates a beach setting that is perfect and adventure-filled for Turtle, while less so for Bird. As the two say their goodbyes, readers will feel a little hiccup of sadness watching Bird stand alone on the beach while Turtle plunges into the sea that will lead her back to her family. 

“If you want to stay, there will always be room by my nest.
But after the wild beach trip you made it through today,
I know you will find your way.”                                                                                       

 

Fresh Delicious: Poems From the Farmer's Market. Written by Irene Latham and illustrated by Mique Moriuchi. Astra Young Readers, Penguin Random House. 2026. $13.99 ages 4 and up

 

"They burst 
like flavor-filled 
fireworks
in waffles 
and muffins. 

But the best 
thing about 
blueberries
is the way 
they change

your lips
and teeth
and tongue 
from regular 
to purple-blue."

Readers will love sharing these celebratory poems about foods found in farmers' markets. The book was originally published in hardcover in 2016, and has recently been reissued as a paperback. Lucky for us that it is still in print; there is much appeal in the poetry and in the collage and acrylic illustrations. The fact that the characters attending the market are animals makes it a win-win for young readers. 

Most of the poems are written in free verse, showing fruits and vegetables in ways that may not have surfaced in other writing. They identify the foods as submarines, facial features, protection, playthings and more. Ms. Moriuchi's artwork is bright, detailed and placed on effective backgrounds to perfectly match the tone and descriptions in each of the poems. 

The animals, whether sellers or buyers, are clearly at home at the market. They welcome one another, choose what they need with care, and offer new ways of looking at the foods they are purchasing. A rabbit uses a lettuce leaf for protection from falling rain; three monkeys show the color-changing effects of ingesting blueberries; a hippo and giraffe, garbed as pirates, find treasure in a chest of fresh eggs; and a pig and a skunk savor the fuzziness of a peach.   

As the market comes to a close for another day, the buyers happily head for home with baskets, bags, and hands full of 'fresh delicious'! To add to the appeal, Ms. Latham closes her book with six esasy recipes for using the fruits and vegetables purchased. 

Now I See the Spring, written by Mac Barnett and illustrated by Jon Klassen. tundra, Penguin Random House. 2026. $12.99 ages 2 and up

 

"the sky

the wise old cat

something red"

I have advice that I think will stand you in good stead when looking for books to add to your family's library, to give to a new baby, or to suggest to book-loving friends. If the book is a collaboration between Mac Barnett and Jon Klassen, buy it. You will not be disappointed, I promise. 

Canadian-born Jon Klassen was recently given the Astrid Lindgren Memorial Award by the Swedish Arts Council. Jon, who now makes his family home in California, received almost $750, 000. It is given for contributions to children's and young adult literature. To say, the award is well-deserved is an understatement. The collaborations with Mac Barnett are notable in every sense of the word. Filled with humor that is ever-entertaining and visually compelling artwork, their books are beloved. 

Which brings me to their new seasons series from Tundra books; How I See Spring is but one example. The text is simple, while also thougthtful. Using short lines, Mac Barnett shows how well he understands his audience. His examination of a child's world at a certain time of year ranges from natural phenomena to personal items of great importance. The board book format is perfect for small hands. As each page is turned, Jon Klassen's watercolor and pencil artwork allows a careful look at the text presented. Whether it's buds on the tree, a cat with wise eyes, or a red wagon left in the yard, his rural setting is just right for helping readers consider spring. 

Now, think about the remaining three seasons (available as a complete set) which offer identical text and the meaningful changes that happen as the seasons pass from one to another. Don't miss each season's 'perfect hat'. 

"It's my favorite time of the year."

BRILLIANT!

I Built a Rocket Ship, written by Anna Lazowski and illustrated by Jennica Lounsbury. Kids Can Press, 2026. $21.99 ages 5 and up

"Dad asked what I was doing.
When I told him, he got really quiet.

I get it. 
It's a big idea. 
One time you said people get nervous
around big ideas. 
But not me."

It's very clear from the first page that the story's narrator has a definite plan in mind. She is building a rocket ship with 'cardboard, tape and tinfoil, a cushion, batteries and Bernadette'. Even in the darkness, with flashlight at hand, she continues her work. Bernadette keeps her company. As she builds, she shares memories with an unseen other person. She says she has kept the materials from when the two built a robot. 

Dad is interested in knowing what's going on. While explaining, she notices that her dad is very quiet. She knows it is a big job; that's what makes it worth doing. She lets readers know that the person she is so dearly missing said she would always feel a presence. The child is not sure that is true; her rocket ship will offer the chance to see them again. She continues to add items to the ship that remind her of the one she misses so badly. She is preparing every day.  

"I built it because I made you a promise 
to remember. 
And I do. 
I remember everything."

Dad does his best to temper the anticipation. She won't give up. She thinks she has exactly what she needs; it doesn't seem just right yet. Only one more thing is needed: her loved one's favorite paint color so she can be seen as she rockets upward.  

Sad and lovely, yearning and hopeful, full of grief and love, it is a memorable look at a child's response to the loss of one so loved. Soft, quiet artwork ensures a warm and comforting feeling.                                                                                     

 

Bread Is Love, written by Pooja Makhijani and illustrated by Lavanya Naidu. Roaring Brook Press, Macmillan. Raincoast, 2026. $25.99 ages 4 and up

"We measure ingredients by the gram.
Mama tells me, "Bread is science." 
We mix 
                       FLOUR,
                            WATER,
                                 SALT, 
                                          and STARTER.

The wet dough sticks to our fingers, 
Mama's apron, my chin."

Oh, what a splendid family story! A mom and her two children working together every week to create a new and special treat for all. The older child is narrator and participant. The three work together at the science, the patience, the joy of watching the dough rise only to be poked, folded, rolled and shaped until it is round and a ready-to-bake loaf. 

The dough is left to rest as the children settle in for their own rest. Dreams of all different types of breads they have made surface. 

"I dream of boules, batards, 
                and baguettes. 
Buns and braids and bagels. 
Crescents and crowns and chapati. 
             Bread is art."

In the morning the loaf goes in the oven, and the trio wait to see what it will be. Is it always perfect ... not a chance. Its aroma fills the air and tiny noses with warmth and the comforting smell of their very own loaf of delicious deflated bread. Does it matter? It does not! It is a wondrous meal for their morning: proof positive that BREAD IS LOVE! Now, to wait until next weekend when they will do it all over again. 

The story told is full of love of a family spending time together, and the benefits they reap from a shared experience. It engages the senses and the satisfaction that comes from traditions. 

The illustrations are full of luminous color and appeal with many details that give the setting a cozy and welcome feel. Readers will mimic the expressions and reactions as the two children work, wait, and help at every stage of the breadmaking process. An author's note and a bread recipe are appended in back matter.                                                                                     

The Sweater: A Story of Community, written by Larissa Theule and illustrated by Teagan White. Viking, Penguin Random Houuse, 2026. $24.99 ages 3 and up

 

"Folks knew what to do. They remembered
when they were new and the things they 
had gone through. 

They gave what they could."

As Holly the raccoon heads out for her morning hike, she takes note of her many neighbors as they begin their day. The arrival of a tiny bird, with downed head and closed eyes captures her attention. She recognizes his sadness and his need for a safe space; she watches as he settles into the unused home of a woodpecker. Holly is happy to see him settled. 

She makes the decision to visit with her neighbors and let them know about the tiny stranger. As she visits, they share memories of what it was like for them when they were new to the woodland. Each offers what they can for the bird's comfort. Their gestures are kind, giving things of importance to them. Once she knows the bird is fine, Holly goes back home. 

The night turns cold; Holly knits on. The arrival of winter is swift and concerning. In the morning, Holly is happy to see the bird seems a bir better. Holly is concerned that the house he has found is not very sound. Their gift will keep him warm, and the community comes together to ensure he will be safe through the cold winter days before they return to the protection of their own homes. The winter is very cold, and long. The animals stay inside where they are safe, but they miss each other. Bird is anxious to share his gratitude with everyone. One morning when the day is not so windy and cold, Bird offers what he has to his new friends.

"His song. 

It was the clearest, sweetest song 
his friends had ever heard. 

Like a thread of sunshine, it looped around
their hearts and knit them together. 
And they knew they were not alone."

 The story is heartfelt and soothing; the artwork is gentle and calming. It is a perfect tale to share on a cold, wintry night before bed. 

Philomena and the Big Bad Mimi, written by Genevieve Jannelle and illustrated by Jasmine Mirra Turcotte. Kids Can Press, 2026. $23.99 ages 4 and up

"And finally, there was what happened during 
gym class on Wednesday. I was happy we were
playing soccer because I went to soccer camp
last summer. 

But as soon as the teams were formed, Mimi 
came out and attached herself to me. To my 
belly button, to be exact. 

I wanted everyone to watch ME with my 
cool soccer moves. Listen to ME ... "

Looking closely at the cover of this book before we begin allows readers a chance to think about the creature that seems to have attached itself to a young girl. They may surmise her name is Philomena; it makes one wonder exactly what a big bad Mimi is. 

At school, no one wants to play with Philomena. She is quick to pretend it doesn't matter; it does. Being alone at recess is no fun. She explains that what happened wasn't her fault; it is the big, bad Mimi who is to blame. Mimi takes her place on Philomena. It happens when the teacher wonders how students spent their weekend. As another child begins to answer, Mimi takes control of the conversation and does not let up. Aha ... Mimi is Philomena's ego! 

Mimi attaches herself to Philomena's belly button, leaving the girl only able to think about one thing: ME. ME. ME It's a real problem. It happens with friends, her brother, on the soccer field. What's to be done? Talking with Ms. Melanie helps, when she introduces Philomena to another creature who is called the Yoo-yoo. All that's needed when Mimi causes trouble is for Philomena to call for help from the Yoo-yoo. Whenever Mimi threatens to make an appearance while Philomena is speaking, the girl adds "And YOU?" to the conversation. The Yoo-yoo is right there to lend support. With help, Philomena comes to understand that others have something to say as well. 

A lesson that works for all. The ability to listen is a lifetime skill that is hard to come by these days.

                                                                                     

Bartleby, words and pictures by Matt Phelan. Farrar Straus Giroux, Macmillan. Rainccoast, 2026. $25.99 ages 3 and up

"During music time, everyone plays
the giant xylophone. 

           I PREFER NOT TO.

Then everyone sings a silly song. 

           Bartleby says, 

                I PREFER NOT TO." 

Bartleby, a dapper white bear all dressed in red, says one thing a LOT: I PREFER NOT TO. He says it with little emotion, and is never impolite. He just states his case. His teacher, Ms. Melville, always offer an invitation to her students, including Bartleby. Bartleby remains reluctant whether it is sharing time, or music, play time, or games. 

When it is time for art, Ms. Melville invites all to draw a picture of themselves. She adds a special instruction that they 'show me who you are!' Only then does Bartleby step inside the circle to ask his teacher a quiet question and for some special paper. She agrees. Everyone gets to work, including Bartleby. When all artists have finished their work, Bartleby collects each portrait, and arranges them on the frame he has created.  

"Everyone loves Bartleby's display." 

As the day comes to an end, his classmates ask if Bartleby would like to play with them tomorrow. 

"I WOULD 
LIKE TO."

From the beginning of his story, Bartleby chooses to stand apart from the others in his class. While his classmates are enthusiastic participants, Bartleby would rather be an observer. Until that art class when he chooses to do something in his own way, and his teacher provides support for him to be himself. 

Bartleby's red draws attention at every turn; and his standing apart as he considers requests and questions keeps him true to his own feelings. Matt Phelan's ability to create an accepting and inclusive place for all children makes this an exceptional book to read aloud.

                                                                                   

When You See Us: The Mysterious World of Aquatic Insects, written by Katherine Hocker and illustrated by Svabhu Kohli. Candlewick Press, Penguin Random House. 2026. $24.99 ages 6 and up

 

"We are so small that we can hide under 
grains of sand, and in bedrock crevices, 
            or buried in mud. 

We love the dark. 
You won't see us then."

In an interview with Jena Benton at Simply 7, Katherine Hocker had this to say in answer to one of Jena's questions: 

 "I’ve been teaching and writing about aquatic insects for a long time. One of my favorite moments in my insect field trips comes when I’m with a group of students at the edge of what looks like a boring, muddy pond. We lower a net into the water, swirl it around a bit, then gently transfer the contents to a water-filled tray. Everyone gathers around… and suddenly what looked like a mess of dead leaves and sticks is swarming with amazing critters! It’s a moment of such delight and wonder as the students realize there’s a whole world they never knew about, just below the surface. And then to help them realize that most of those little crawlies will someday leave the water and take flight as familiar winged insects ... that’s the feeling I wanted to share in this book."

And share it she does, in poetic descriptive language that leaves readers with a close-up and personal look at what lives in the ponds, rivers and streams that are a part of their environment. She explains these mayflies, dragonflies, mosquitoes, and other insects spend most of their lives living underwater. She clearly shows the life cycles that begin on boulders, leaves, or even laid right on the water itself. 

Close-up illustrations show the hatching and growing process that results in their eating others or being eaten by predators. All the while, they are moving about the watery habitat that is their home. It is then that humans might catch a glimpse of them. When the time is right, they change again. Finding the perfect place to transform into the flying creatures they will become, they split their skins and find the freedom that is the sky. Readers are far more likely to see them now. Knowing the path they have taken to become what is now obvious, is fascinating and quite a lesson in the world of science.  

In back matter, the author adds further facts about aquatic insects, alongside thumbnail sketches of each of the seven types. She then shares instructions for finding such insects and observing them without harm to them or their surroundings. Instructions are also provided for capturing them temporarily in order to get an even closer look. Finally, she offers resources for learning more. 

Mixed media, digitally finished, illustrations complement the lovely language of the text at every turn. 

"When you see us, 
                  think of what we were 
                          and what we became.

                             Think of what you were
                                         and what you can become."