Fly Away Home, written by Betty Quan and illustrated by Akin Duzakin. Groundwood, 2026. $21.99 ages 3 and up

 

"Little bird, little bird
Time to fly home
A troubling of hummingbirds
Brings news of beyond

Little bird, little bird
Time to fly home
A mischief of magpies
Clouds over the sun"

This book reads like a nursery rhyme while also introducing young readers to the idea of migrations that include people. For a small white bird, the text repeats lines that provide a collective noun (some real, some invented) for goldfinches, flamingos, hummingbirds, and magpies as they prepare for the journeys they will make. When the little one is joined by two larger birds, a young girl and her mother are shown to join a line of people making their way along a single path. 

Through day and night, the birds and migrants move forward. All travelers are wearing packs on their backs, holding hands, and looking weary and defeated. As the skies fill with dragonflies, sunshine and butterflies, the walk continues. When they reach water, boats fill with people while the three birds float upon the back of turtles, all headed toward a land where caribou roam and offer further rest and transport for the birds.

Attacked by crows, the birds seek shelter. Still, the line of people moves ever onward. While the birds find protection and sanctuary with nightingales, bobolinks, cuckoos, doves, larks and robins, the human travelers find their place with people who welcome them along the way and provide a new home where they can rest and find safety. In a final spread, the little girl and tiny bird make each other's acquaintance on the balcony of the girl's new home. Lovely, with a touch of hope at a time of unprecedented migration. 

Time to Leave, Laverne! Written by Lana Button and illustrated by Yong Ling Kang. Owlkids, 2026. $22.95 ages 4 and up

 

"Mom and Dad showed Laverne lots of things
that helped them with their own sad, and mad, 
and disappointed feelings. 

At home, she could master them all. 
         But when she was out ... 

nothing seemed to 
calm Laverne's thunderstorms."

The red endpapers offer a clue to some of the emotions shared in this book about a very young girl who has not yet learned to control her temper tantrums. Readers will quickly learn that Laverne can be a ray of sunshine when she arrives at the library for storytime. She greets all with a smile, and joins right in. She is attentive, happy to be there, and responsive to the experience. The scene changes dramatically when she is told that the time has come to leave. 

Mom and Dad do their best to help stem the outburst, reminding Laverne that throwing things is unacceptable, while deep breathing might give her a chance to calm down. Laverne hears nothing because of the noise she is making. At home, where life is comfortable and she has her stuffies to soothe her, she settles. A trip to the park has the same outcome when time's up; also, in a restaurant or at a birthday party. Laverne rages uncontrollably. 

Her parents offer outlets, those things they try when they are upset. To no avail. It is exhausting for all. When a rainstorm keeps them home, Laverne uses her time to imagine various scenarios where she and her stuffies brave a number of storms. It gives her an idea to share with her interested and attentive parents - it's a solution that works most of the time. 

Ms. Kang fills her appealing spreads with many details and frequent changes in perspective. Readers will feel the emotions felt by Laverne as she deals with the joys and sorrows of everyday visits to common destinations. Moving from full-page spreads to panels and close-up facial expressions holds attention at every turn of the page and offers a chance for discussion between reader and listener. Bravo, Laverne!
                                                                               

Leo and Ralph, by Peter Carnavas.Groundwood, 2026. $16.99 ages 8 and up

 

"As they drove home, he made sure not to 
imagine anything. No UFOs, no aliens
bouncing on rooftops, no clouds above the
town. And when he went to bed that night, 
he spied nothing strange or exciting in the 
sky. Just a crowd of ordinary stars."

There is so much to love about Leo's story. He is a young boy whose lack of understanding for the world around him causes worry for his parents. Leo finds it very difficult to make a friend. His interest in outer space, aliens, and bugs (among other things) alienate him from his  kindergarten classmates. So when Ralph, a yellow horned alien from Ralphora (one of Jupiter's moons), shows up at his window one might, life changes for the little boy. This imaginary friend provides warmth, understanding, and comfort that allows Leo freedom from the worry of meeting and making other friends. 

The two are inseparable; they talk for hours, design new alien games, talk backwards, and hide under the stairs at recess time. Leo's parents and sister are patient, allowing a wide berth for their son as he adjusts to this new friendship and relies on Ralph for social understanding and companionship. As Leo is about to enter Year 4 at school, his mother accepts a position at a small country school that means a move, and an agreement that it is time for Leo to say goodbye to his imaginary friend in hopes that he is now old enough to make connections at this new school. 

It is a terrifying time for Leo. Ralph promises he will find Leo again if he is unable to make a new friend in his first week. Leo counts on that. Ralph secretly returns. Slowly but surely (and with Ralph's advice and guidance), Leo begins to make friends with Gus, another loner like himself. Building that friendship with warmth and caution fills the heart with wonder and admiration, and leads to changes in life that shine with hope for the days to come. 

Please read it, and then share it with someone you love. Better yet, read it together. It's so worth it! 

The Inquisitive Raven, written by Richard Wagamese and illustrated by Bridget George. D&M Kids, 2025. $24.95 ages 8 and up

"But if he could hold his wings motionless
in the sky and hang suspended above them 
all perhaps the other animals of the forest
would respect him. If he could soar like 
Migizi maybe they would regard him like
her. Surely there couldn't be all that much 
of a trick to it. After all, they were both
birds with wings and feathers. Surely with
a little pluck and practice a raven could 
soar like an eagle. So Rueben began to 
learn to soar."

This is the second book in the Storybook Collection by Richard Wagamese. It is a beautiful book, with stunning illustrations by Bridget George, that further introduces younger readers to his Ojibwe storytelling prowess. 

Rueben is a most inquisitive and engaging character who is considered nosy by many of his forest friends. Always amazed by the world around him, he is keen to learn about the wonders of that world.  
There are many stories from others about his curiosity and his ways of offering uncalled-for advice. Grampa Raven is encouraging in his support of Rueben and willing to answer questions he might have. When Rueben sees Migizi, an eagle with a wondrous ability to soar, his grandfather tells him that Migizi has many gifts.

Now, all Rueben wants to do is learn to soar. He dedicates his time, his patience, and his endless persistence to that end. After many tries and much practice, Rueben is ready to show the others what he can do. His attempt goes awry, and he plummets to the ground. Concerned that the others will not see his accomplishment with the same respect they have for Migizi, he needs his grandfather's reassurance that he has many of his own gifts. Rueben does not see them.                                                                             

"Migizi does. When she soars she sees the world. Her keen eye catches everything. She knows how 
powerful wonder and curiosity are. She knows how great a thing it is to be part of a community, and to take the time to investigate the things and the beings around you. She knows how special it is to be able to celebrate knowledge and to be willing to share it. She sees you do all of that and she carries deep respect for you."

Wise old grandfather ... so proud and respectful of his grandson and all he has accomplished. With a light heart, Rueben soon flies off to continue his studies of the world around him, always discovering something new. 

Thanks to Richard Wagamese and his wise storytelling, readers learn that they must look at themselves to see what they do best. 
                                                                                     

Dogtown, written by Katherine Applegate and Gennifer Choldenko. Illustrated by Wallace West. Feiwel and Friends, Macmillan. Raincoast. 2024. $11.99 ages 8 and up .

 

"No one would miss me. Dogtown was a pretty
big place and I was always moving around. 
Mouse nodded. He didn't look happy about
the plan, but he agreed. 
Metal Head just sat there, watching. When 
I told him we were coming along, his tail 
began to wag, something I had not seen 
before."

This book, now conveniently published in paperback, came highly recommended by my younger granddaughter who loved it. You know kids and dogs! Chance is the narrator of this story about her life in a dog shelter named Dogtown. There are challenges to endure and frequent wishes for the home life she once had. She does her best to make life as good as it can be, always aware that any dog in the shelter can be added to The List (the next one to go as they have been there too long). 

She's a perfect guide for readers as she introduces other shelter dogs, and one tiny, friendly mouse. Chance is seen as Management's lucky charm, and given free rein to wander the facility without being placed in a cage. That allows her to leave some of her kibble for Mouse and her family, to prevent starvation. Life is acceptable. Metal Head, an e-dog, bonds with Quinn when the boy comes to Dogtown to read with the dogs there. Chance's opinion of Metal Head as heartless and unfeeling begins to change as she watches the two read together. Metal Head's desire to break out and find its way back home lead to the two (and friend Mouse) making their escape when the opportunity presents itself. 

Before they make their break, Chance shares her story of how she lost her leg, her mistreatment by a dogsitter when her family was away, and her arrival at the shelter. Turns out both are hoping for that belonging place that once had been theirs. The story turns from life in the shelter to a series of adventures as they help Metal Head attempt to return to his past life. 

Chance’s narrative offers flashbacks, vignettes about fellow shelter pets, and keen observation. There is laughter and opportunity to think seriously about some of the predicaments. Wallace West creates emotional and energetic grayscale artwork to enhance the story ... dogs for kids to fall in love with and care about. Back matter offers advice on helping out with shelter dogs. 

Coming soon is my review of a second book in the Dogtown series. Those who become big fans of the two will be happy to know there is a new one in the works for publication in September! 

 "Your heart is a muscle…It grows stronger the more you use it." 

https://youtu.be/-6RdO7TIyPY?si=AFlP6MXghFRFYazG

10 Shocking Facts About Capybaras, written and illustrated by Melanie Watt. Scholastic, 2026. $19.99 ages 4 and up

 

"FACT 6:

Capybaras can all asleep 
in the water. 

ZZZzzzz            ZZZzzz

We're clever!
Only our noses 
    stick out!"

Did you know that the capybara is the biggest rodent in the world? If you did, you might want to know even more than that. Melanie Watt shares 10 things you may or may not have known. Each one is of interest to those readers who want to know more about these cutie pies. Some of what is learned will be a surprise ... or a shock! 

They really are quite big; their presence is much more imposing than their cousins, the guinea pig. In fact, they can weight up to 174 pounds. The second thing to know about them is that their teeth never stop growing; they make good use of that fact by chewing all day to help keep teeth at a normal length. They need to live near water; that is why their scientific name means 'water hog'. 

The list goes on covering all ten facts on double-page spreads with cartoon-like illustrations that offer context for the information provided. They are cute and chill communicators, until the fact is shared that they eat plants and grass that are hard to digest. At this point, the capybara narrator does its best to avoid the final shocking bit of info. Final numbered and unexpected extra facts add a dose of humor that will have young readers guffawing at the animal's reticence to share anything else. 

They do not eat pizza; they cannot order pizza; they do not talk on the phone to place an order for pizza; their webbed feet prevent them from texting. There is only one reason for the capybara not wanting readers to know what they do eat to help their digestion. An inquisitive monkey finds a nonfiction book that exposes the truth. 

This final discovery is truly shocking ... and now we all know! 

Gifts from the Garbage Truck: A True Story About the Things We (Don't) Throw Away. Written by Andrew Larsen. Foreword by Nelson Molina. Pictures by Oriol Vidal. sourcebooks, Raincoast. $2024. $25.99 ages 6 and up

 

"On Christmas morning, Nelson had a gift
for each of his siblings. 

Each gift had been found and fixed.

Each had a story. 

Each was special in its own way."

As happens so often when I find a new picture book biography, I learn about a person new to me. It is always a lovely surprise to discover how they have made a difference in the world. Meeting Nelson Molina fills me with love and appreciation for the work he has done and the lives he has touched with that work. 

Nelson introduces himself in the forward to this wonderful picture book about a man who grew up with very little and learned the importance of the little things the family did have. His mother's wise guidance taught him not to discard anything that could be used again. Taking that lesson to heart in his job as a sanitation worker in The Barrio in New York City for 34 years, Nelson spent much of his time working on creating a museum called Treasures in the Trash; it houses forty-five thousand items he found in the garbage, all cleaned, repaired, and arranged for visitors to see. There is, indeed, beauty in what many consider useless junk. He asks readers to look for 'the value in everything'.  

Andrew Larsen shares Nelson's remarkable story from his early years as a collector. He found wood scraps on his way to school, took them home and his mother taught him to make birdhouses - expert advice from a true recycler. Nelson collected stamps, and displayed them in ways that interested others: by color, theme, faraway places. Anything he found that could be rescued, he rescued it. He knew there would be someone out there who would love and appreciate it. 

When he grew up, he became a trash collector in the neighborhood he loved. It was hard work. There were times when his interest was piqued by one of the bags he was collecting. Upon inspection, he always found something that could be saved. That led to his decision to begin to make a display at work for others to see. Every item was special to Nelson and he found a place for each. 

As the display grew, it told the story of the neighborhood and the people who lived there. Close to the Museum of Modern Art, it is seen today by thousands of people from around the world when they visit New York City. 

"It's an invitation to think differently
about the things we throw away. 

It's Nelson Molina's gift to us all." 

Two final pages are given to the 4 RS, upcycling, ways to use what many consider throwaways, and photos of Nelson and his museum of treasures. 

Another hero discovered thanks to Andrew Larsen. I love it! Don't miss it.                                                                                      

https://youtu.be/2OIeptFMiCY?si=w6Ssgo19uRM6xfn_

Two Artists, Grandad and Me, written and illustrated by Charnelle Pinkney Barlow. Doubleday Books for Young Readers, Penguin Random House. 2026. $24.99 ages 5 and up

 

"Grandad's world is watercolor. 
Bright globs squeezed onto a tray. 
The colors have funny, magical names, 

like Cadmium Red (perfect for Little Red's riding hood).

Ultramarine Blue (like the juice from crushed 
blueberries).

and Winsor Violet ("It gives other layers depth,"
he says)."

Jazz notes filter through the house as a young girl visits her grandad. He is painting and the sounds of the jazz he loves provide inspiration for his work. All spaces in his studio reflect his passion for the art he creates. Upon seeing his granddaughter, he shares a special gift. 

"He flashes me a sunshine smile."

As he works, she spends time with characters from her Grandad's stories: a lion and a mouse, a little red hen, three foolish goats. What delight is found in poring over the pages while she also enjoys the music that is a part of the experience. They talk about colors while Grandad offers artistic advice and then watches as she tries, then tries again. Always patient, he explains that things have not always gone well for him either. 

After gifting her a sketchbook, she needs guidance for choosing what to draw. The two draw together what they can see in front of them - he assures it is the work of an artist, something she has never been called before today. 

"I like the sound of it.

             I have so many stories to tell.'

After her grandad hangs one of her works next to his on the wall, they make their way upstairs, memories and music dancing in their heads. 

One cannot help but admire the artistic talent passed from one generation to the next in the Pinkney family. Sharing this book brings readers into the 'world of watercolor' that was Jerry Pinkney's and learning about his patience in tutoring Charnelle is an absolute blessing. Her mixed-media art is filled with her own artistic view of the world that was theirs and is now hers. 

In an afterword, she describes memories from her childhood and includes archival photos from the family album. This is a lovely tribute to a much-loved grandparent. Serious work, indeed.                                                                                           

https://www.instagram.com/reel/DT-kuFIDSuS/?utm_source=ig_web_copy_link

Planting Sunshine, written by Andree Poulin and illustrated by Enzo. Groundwood Books, 2026. $19.99 ages 10 and up

"Theo falls silent. 
He realizes 
there's nothing
            he can do 
              to stop the war. 

Powerlessness 
towers over him 
            a tall wall 
               of bricks
blocking every path forward. 

He realizes 
          the hardest part
              is knowing 
there's nothing 
         you can do."
           

 "Do wars begin because too many people can’t say ‘I’m sorry?"

For kids who can watch what is going on around the world on their television sets, there is a rising concern for what is happening to others. Theo knows that the likelihood of a war where he lives is minimal; the toll wars are taking around the world make no sense to him. He cannot understand the root cause for the many deaths and the total devastation in those countries. 

He asks his father why there are wars; he can give no satisfactory answer to Theo's question. It doesn't seem to make a difference to his friends at school. Mrs. Lena his neighbor shares his worries as war rages in her homeland. The longer the war goes on, the more Theo feels anger and great sadness. Meeting Lily and seeing what she is doing to protest war gives him some peace. This is such an honest look at one very sensitive young man who has to finally come to terms with the fact that he can do nothing to stop any war.; no one he knows can do that. 

A hopeful ending for Theo has him working with his dad and Lily to sell Mrs. Lena's delicious perogies to raise funds for the survivors. This small difference helps to assuage his anxiety. This novel in verse is so eloquent in its storytelling, giving Theo a voice when the reality of war makes no sense to him. The writing shows middle grade readers how war is hurting so many, due only to hate and horror. Illustrations by Enzo are compelling in their honesty as well, showing war in reality as well as the war fought in Theo's imagination. 

"I know these sunflowers
these marked stones
these perogies 
        won't silence the cannons. 
               But they're a way 
                       a small way 
               to start building 
                            peace,"
     

Valuable back matter discusses war, its causes and the rules not followed, how it affects children, and offers thoughts on how to build peace. 

If This Were the World, written by Stephen Barr and illustrated by AG Ford. Neal Porter Books, Holiday House, Penguin Random House. 2026. $24.99 ages 4 and up

 

"Then they played even harder. 
The world was tough. 
The world was fast. 
The world was fun for everyone. 

Until one of the kids from the 
next grade walked up. 

I want your dodgeball."

It's the 138th day of school, and the recess bell rang once more. To their dismay, the children in Ms. Lee's class realised that they had played every single playground game they knew. What would they do now? For every suggestion made, someone reminded them that it had already been part of another recess on another day. All the while, they are on the equipment, in the sandbox, or hanging upside down. 

It only takes one child to get others thinking outside the box and coming up with ideas that no one had earlier considered. This time it was Omeed and he held up an orange. He had a question about it: 

"What if THIS ... 

                were the world?"

Everyone stood still and quiet as they considered what he had just said. Right there and then, a new game began. Ideas were eagerly shared, opinions offered, until sharing it left them without that world. Perhaps, they needed something bigger. What about a dodgeball? When a bigger kid wanted it, they needed to find something easier to share. 

A sudden turn to the vertical offers a very large tree to be the new world. Now, that had plenty of possibilities, until a branch broke and sent many crashing to the ground. Time to find something better for their play; the ideas came fast and furious. None were acceptable. 

"Is there anything else we can use?

Something big.

Something easy to share. 

Something we won't forget about."

Nabiha thought carefully and came up with the perfect solution ... one that worked for everyone!                                                                                  

A Snow Day for Amos McGee, written by Philip C. Stead and illustrated for Erin E. Stead. Roaring Brook Press, Macmillan. Raincoast, 2025. $27.99 ages 4 and up

 

"Amos put on his warm coat, warm hat, 
scarf and mittens. 
He pulled on his great big waterproof
boots ... 

and stepped outside into the crisp, 
chilly air, 

Amos waited for the number five bus."

With a fairly significant storm in our forecast, I got thinking about Amos McGee and how much I have missed him. We met him first in A Sick Day for Amos McGee (Roaring Brook, 2010), and then again in Amos McGee Misses the Bus (Roaring Book, 2021). We learned what a kind and caring zookeeper he was to the animals in his care, and how much they returned the love he showered upon them. In this new book, we come to understand how he loves snow! Every morning as winter approached, he eagerly awaited news that snow was on its way. 

Tired after days of wind and rain, Amos was appreciative of the news one early morning. He bundled up, heading for the number five bus that would take him to the zoo. (Observant readers will take notice of the two bunnies standing at his side.) As Amos worked on his knitting, other animals accompanied him in the warm comfort of the bus. Once they reached their destination, they all followed along as he made his way to the zoo's gate where he put a newly-knitted scarf on a monkey's neck. 

Making his rounds and checking on his many friends, Amos assured they were given what they needed to keep them warm on this first snowy day of the season: a pom-pom hat for the elephant, an afghan for the tortoise, thick socks for a penguin, a new scarf for the rhinoceros, and a colorful sweater for the owl. 

""I am so glad I finished my knitting in time," said Amos. 
The animals felt well prepared for the coming weather."

As Amos tended to his many chores, the animals waited in anticipation of the coming event. The clouds rolled in ... and then were gone. Finally, in the middle of the night, the snow fell. In the morning, the ground was covered with a lovely white blanket. It was for the animals to get to work and make a path to Amos's house, where they could enjoy all the many splendid joys of this new and most welcome season. After a long and tiring day, and before going inside for steamy hot chocolate, they took to a nearby hill for a sledding adventure together.  

Oh, please! Let's read it again!                                                                                

https://youtu.be/Ggv2KAGEYRk?si=IG5-u8VrMdNQQDdg

The Sustainable School: A Journey Through Time and Energy. Written by Erica Fyvie and illustrated by Scot Ritchie. Kids Can Press, 2025. $19.99 ages 9 and up

"The woodstove keeps our class very warm in the winter.
At lunchtime, we can buy a hot lunch for a penny, but 
most of us bring our own lunch in a metal pail. Sometimes
we bring a carrot or potato to school and the midday 
helpers cook a stew in the school kitchen for us to share."

Many surprises await those middle graders who read this book about Birch Elementary and its sixth- grade class that is learning about sustainability. A sudden halt in the construction happening outside their classroom windows leads to them being offered a time capsule from 1900 that the workers have unearthed. The sixth graders from that year had buried it to be found 100 years later. As they examine its contents, they read letters that describe their school at that time. 

Mr. Maron organizes the class into four different teams to consider what life was like then and might be like in coming years. They will work together to create a science fair project, the final assignment for the school year. Each team is given a topic to research by reading letters from the past before looking to the future to investigate and imagine coming changes to electricity, plumbing, buildings, and transportation. The book's structure then follows the teams as they consider what they are reading from the past and considering questions and ideas for the future. 

Time capsule information boxes discuss The Global Seed Vault (Future Fair), The Terracotta Warriors (Electricity), The Wreck of the Titanic (Plumbing), Voyager Golden Records (Buildings) and Scott's Hut (Transportation). Double page spreads for each begin with a focus question, followed a prediction concerning the future, the good news from today, the challenges ahead and a concluding statement. Finally, Mr. Maron's class of 2025 produce their own time capsule for the class of 2125.

Highly informative and sure to intrigue those who read it, this book will have middle grade students keen on thinking about the future and what it holds, based on the learning they do in their classroom. Cartoon style artwork is very appealing. Sepia tones show what life was like in the past, offering today's readers a chance to take a careful look at the differences and similarities from one time to the other. In the end, the students are introduced, instructions are given for creating a 'your very own time capsule', a glossary, a list of resources and an index are added.  

It's an excellent mentor text for any classroom interested in a project concerning energy and a greener and more sustainable future.                                                                                             

Galaxy Mapper: The Luminous Discoveries of Astrophysicist Helene Courtois. Writtten by Allie Summers and illustrated by Sian James. mit Kids Press, Candlewick, Penguin Random House. 2025. $24.99 ages 9 and up

 

"On a road trip in Canada, Helene and her friends drove
to the end of the map just to see what was there. They
found aurora borealis - the northern lights - splashing
like colorful ocean waves across the sky. Why are the 
waves sometimes green and other times red and violet? 

Helene observed. 
           Helene questioned. 
                     Helene had ideas. 

And, in the evenings, the moon was waiting for her."

This is another excellent picture book biography that has helped me learn about something brand new to me. I had no idea I even wanted to know; it does help me see and understand how someone born with an inquisitive scientific brain is born with the curiosity needed to learn how to map galaxies. 

Born in France in a town surrounded by the Alps and having a teacher she adored, Helene Courtois was eager to explore the fields and forests that were part of her home with Miss Colette who encouraged observation, questions, and ideas. Her parents were equally interested in nature and encouraged their young daughter to use a trail map while exploring her mountain surroundings. 

Later in life, Helene and her friends travelled in Canada, using a new kind of map provided by her parents: a road map. More observations, more questions, and a continued interest in what lay beyond the moon, she moved on to university which offered a chance to study medicine. Her upbringing and earlier experiences led her switch her studies to astrophysics. The lone woman in most of her classes, she willed herself to follow in the footsteps of other successful female scientists. 

Continuing to learn as she always had, Helene found a new, undying love for the galaxies she was able to see through her first professional telescope. Her fate was sealed. She turned her attention to mapping galaxies and other structures in the universe. Her experiences filled her with wonder, and her studies led to numerous discoveries. Leading a team of cosmologists, she traveled the world learning more and more. Together, they discovered a supercluster (which includes the Milky Way) that they named Laniakea in honor of those who had come before them. Helene had finally discovered what was beyond the moon; a question she had been asking since her childhood. 

A timeline of her life, a glossary of galactic terms, a list of other fiercely intelligent women in astronomy, instructions for a good location to build a professional telescope, and a selected bibliography complete the book.                                                                            

     

Victor and the Giant, written and illustrated by Rafael Yockteng. Translated by Elisa Amado. Aldana Libros, Greystone Kids. 2025. $24.95 ages 4 and up

 

"He jumped on him, but he didn't wake up.

He punched him, but he didn't wake up. 

He begged the creature desperately, 
but the giant still didn't wake up. 

Victor didn't know what else to do. He 
was so tired he sat on the monster's 
enormous nose. 

He could see its huge eyes, an infinite 
forehead, massive eyebrows, wild hair ... 

Nose hairs!"

A close look at the quiet arrival of another day in the peaceful city offers no warning for what is about to happen. As Victor's mother rushes out the door on her way to work, he enjoys breakfast with a cup of hot chocolate. The peace is disrupted when the earth begins to shake. A terrible noise arises before everything becomes eerily quiet. 

It takes one look out the window for Victor to see the total destruction of his city. Buildings, streets, tress, birds, animals ... all have disappeared. His building is the only one still standing. Now, the only thing visible to him is a colossal giant, sound asleep across the mountainside. Victor determines to check it out. The destruction is even more evident as he wanders outside. 

Encountering the giant up close, he tries to wake him. Nothing works, until Victor notices the giant's nose hairs. Using all of his strength, he pulls one out which awakens and terrifies the monster. Victor matches that scream with one of his own. Now that he has the giant's attention, Victor can ask the questions he wants to ask. Turns out the giant was hungry and has no realization that eating everyone and everything in sight is hardly the proper way to handle that hunger. Victor explains. 

After making a plea for understanding, Victor bursts into tears. He misses his mother; the giant wants to help. The solution to the entire problem is a lovely surprise for readers who watch closely as things are returned to what they had been, and reunites mother and son. Will the city be able to help when the giant's hunger rears its ugly head the next time? One can only hope. 

Pencil drawings assembled digitally bring full life to every spread and command attention at every turn. Observant readers will be highly entertained by the tale itself and especially the accompanying scenes created to enhance its power. Perspective holds sway on every spread and will delight young readers with Victor's ability to manage the giant despite the huge difference in their presence on the page.                                                                              

The Peanut Man, written by Carmen Agra Deedy and illustrated by Raul Colon. Peachtree, Penguin Random House. 2025. $25.99 ages 4 and up

"He wore a jaunty hat. His face, as wrinkled
as old tobacco leaves, spread into a toothless
smile.

"Coqui!" he called. 
He knew everyone by name.
And we all knew el manisero,
the Peanut Man. 

Now it was time 
to play our game."

In Old Havana, a peanut man walks the street singing his song for his customers. A young girl rushes to her bedroom window to listen and to smell the mani (peanuts). She is full of excitement as she calls down to Emilio; his pleasure is equally evident. The two are ready to play their game. Coqui sticks her thumbs in her ears, sticks out her tongue, and makes a silly sound before Emilio apes her actions. They love that game, playing it every night. 

When her mother tells her at bedtime one evening that the family is leaving Cuba for the United States, Coqui is confused. Told it is dangerous for her father to speak his truths, the girl wonders if they will ever return. There is no answer for that question. As soon as she hears Emilio on the street beneath her window, she tells him what is happening. He explains that it is a land of 'plenty, liberty ... and beisbol.'

That sparks excitement for a young girl who loves baseball; still, tears flood her face as she must say farewell to her dear friend. It is a long and complicated journey to their new home. The family settles in and makes a new life in Decatur, Georgia. Coqui is always homesick, except for baseball. She and her Papi listen to the games with great anticipation. A birthday surprise results in two tickets to see Hammerin' Hank Aaron with her Papi! On a warm September afternoon, they set out together. 

She doesn't like the stadium smells and wants to go back home to listen. Her father encourages her to persevere, and not miss all the excitement of the game. When she hears the cry of a peanut vendor, Coqui knows it is not Emilio. A warm bag of peanuts in her hands leaves her awash with memory, and leads to a conversation with the peanut man, Big Dee. She gives in to the impulse to teach Big Dee the game she shared with Emilio; Big Dee responds in kind. A warm feeling of home washes over Coqui for the first time since the family moved away from Cuba. 

Lovingly told and illustrated, this family story of immigration and finding a new home is both memorable, and uplifting. Ms. Deedy explains in a poignant afterword how a story she told in her daughter's high school led to her sharing it with another family and their guests. To her great surprise one person in attendance was Henry Aaron. His interest in her and in her story was an amazing encounter, as you might guess! 
                                                                                        

And They Walk On, written by Kevin Maillard and illustrated by Rafael Lopez. Roaring Brook Press, Macmillan. Raincoast, 2025. $25.99 ages 5 and up

 

"Their things are still here
as if they just stepped out: 

jacket by the door,

hair in the brush,

starlight mints by the bed, 

shoes on the floor."

The child whose voice tells this story is confused. His concern is about death and grief. He ponders where loved ones go when they walk on - out of the life he has known with them. There are many places they once loved: the market, the garden, the lake to fish, their other favorite. When they get where they are going, how will they let him know? He knows he will wait because there are things he needs to share. He wants to tell about activities that fill his days, the new accomplishments he has made, the weather. He assumes that walking on is a long journey that might tire them out and lead them back home. 

As he watches his family pack up his grandmother's house, he notes that everything is just as she left it. Spending time in each room, he can feel the love that memories hold for him. He smells the household smells, sees the ordinary sights, touches those things that are so familiar, hears common kitchen sounds and travels back in his memory to times spent with his grandmother. 

"When they walk on , 
          they stay with us 
                    like the glimmer of a distant star."

Everything they have been will always be a part of those they leave behind; those left will always walk on together in their honor. 

This is an exquisite explanation of grief, sure to assuage hearts that are dealing with the death of a loved one. Rafael Lopez captures the essence of cultural traditions using acrylic, watercolor, and colored pencils assembled digitally to bring beauty, warmth and understanding. He blends the Seminole connections of the author with his own Mexican influences in his spectacular images. Careful observation will result in welcome discoveries. 

Back matter is a valuable addition, including explanatory notes from both creators, and a recipe for Kevin's Grape Dumplings. 

"Maybe they're just running late
and they will call me
from their special place."                                                                                           

The Quiet Hunt: A Poem for Young Foragers, written by Jean E. Pendziwol and illustrated by Risa Hugo. Groudwood Books, 2026. $21.99 ages

"Our ancestors wandered, 
tools in hand - 
         sticks for digging,
         knives for trimming, 
         baskets and slings and 
         bags made of skins -
gathering roots and leaves, 
mushrooms and berries, 
fruits, flowers,
nuts and seeds. 

I read this lovely book when it arrived in the mail, and then I read it again. This morning as I prepare to tell you about it, I have just finished reading it one more time. Each read brings new thoughts and feelings for its message to young children. 

Pairing her graceful words with the elegant colored pencils and watercolor artwork of Risa Hugo, Ms. Pendziwol tells her readers the story of how humans have always been able to forage for food that nourishes. She begins in ancient times when all food came from the wild. She explains how humans spend their time in nature wandering in search of what would sustain them: meat, birds, fish. 

She then describes 'the quiet hunt' which took the people into forests and fields, rivers and creeks, and under the earth to find what else they were looking for: roots and leaves, mushrooms and berries, fruits and seeds. What they foraged had many uses and kept hunger away. Their knowledge of what was safe for consumption was passed from one generation to the next. 

As they hunted, those looking for food left offerings to the wild for the bounty provided. Being in the wild to do their collecting provided them with sustenance for their souls. Today, things are quite different. Those who continue to quietly hunt are steeped in the knowledge passed along to them from those in the know; the people who advise on what is good and safe. The sounds and beauty felt outside on the quiet hunt continue to feed souls. What a celebration of our connection with nature.                                                                               

The Moving Book, written and illustrated by Lisa Brown. Neal Porter Books, Holiday House. Penguin Random House. 2025. $25.99 ages 3 aand up$

 

"Grandpa lived far away, but Nana and Poppa 
were near. 

When Grandpa visited, we all went to a restaurant
where the food came on little carts. 

We could take the bus with Mom and Dad downtown
to visit the museum - the one with the dinosaur. You 
were so afraid. 

We didn't live there very long."

In my long life, I have lived in 7 different places all in the same city; three before 5, three in the early years of our marriage, and the last 53 years in the house I still call home. I hope to be here for the rest of my life. I have fond memories of each one of those moves and the changes they brought to my life.

This story's family has many moves under their belts. The older brother is narrator and is explaining to his little sister that, even if she doesn't remember all of those moves, he does. As he shares his memories of their homes, he also describes the surroundings. A move into a big apartment building with three elevators was perfect for trick-o-treating, a dim sum restaurant was close by, and public transportation took them downtown to the museum where there were dinosaurs. Moving into one of the homes offered new experiences. They each had their own bedroom, and there was a yard to play in with neighborhood children. 

The upcoming move means they will be living with Grandpa. 

"Mom says that we will probably 
stay in this home for a long time, 
but you never know. 

                       It's okay ... 

                            we are good at moving."

In a story filled with charm and humor, Ms. Brown shows in her mixed-media and expressive artwork a different reality at times than the memory being shared. At every turn, readers are treated to scenarios that invite careful looks. It's refreshing to see the variety of homes they inhabit as the years pass, while ending on a hopeful note that this might be their last move. If not, they have experiences that prove being together, no matter where, is home. 

As she did in The Airport Book (Roaring Brook, 2016) and The Hospital Book (Holiday House, 2023), the author uses the same family to tell her story. Imagine having all three together as a reading experience for your family! What a fun trip to the library that would be. What might you discover? 

A Cure for the Hiccups, written by Jennifer E. Smith and illustrated by Brandon James Scott. Random House Studio, Penguin Random House, 2025. $24.99 ages 4 and up

 

"But she is not very good at being patient.
Her grandmother is always telling her to
slow down. To stop. To sit and listen to the
rustle and hum of the trees. To close her 
eyes and feel the warmth of the sun on her 
face. 

To pause. 

To wait. 

To be."

How many people think they have a cure for the hiccups? Max could certainly use a sure-fire trick as she has been hiccupping for far too long. She has given many traditional suggestions a try; nothing is working. Her grandmother offers her best advice. She suggests time and patience. While Max is very good at many different pursuits, patience is not her strong suit. 

Max has much too much to get done. Still, the hiccups she is experiencing are always on her mind. She thinks constantly of all the scenarios that might follow her over a lifetime of hiccupping. All of her worries result in constant imagined scenes that will be the consequences of her predicament. 

"One day, when she becomes president, her hiccups 
will be heard around the world. People will hand her 
glasses of water everywhere she goes. None of it will 
help."

When she finally sits quietly to think on all that she is worrying about, things change. She hears the soft wind, feels the warmth of the sun, takes a deep breath ... takes a pause and waits. When her grandmother asks how she is doing, Max complains that she will never be the same. A second simple question has Max taking a careful assessment of her condition. What? The hiccups are GONE, and will stay that way until the next time. With her new knowledge, she is able to advise her little brother on handling his own hiccups. 

Kids listening to Max's story will giggle as Max goes down the rabbit hole that leads to every imagined scene in her future with the hiccups she cannot control. The digital artwork is full of fun and imagination and is sure to entertain readers. The advice given to slow down and breathe works wonders for each one of us.                                                                                    

While We Wait, written and illustrated by Bee Johnson. Henry Holt and Company, Macmillan. Raincoast. 2025. $24.99 ages 4 and up

"Summer market. 
Row of stalls. 
Pickles. Peaches. 
Overalls. 

Bucket drummer
          makes a beat. 
While we wait,
          we move our feet."

Remember those days when you had errands to run and you needed to take your young children with you? I don't think mine appreciated it anymore than I did. But, that's parenting. Dad has left a 'to do' list for Mom and the kids while he is away. The kids know there will be a lot of waiting. 

Before they leave the house, they need to be sure to take with them all they will need. While they are doing that, Mom is busy looking for a bag that appears to be lost. The waiting results in a raucous game of tag, and they are off. Their first stop is the market; their mother shops while the girls are entertained by a drummer and a dog. It's a perfect time to practice their dance moves. 

The post office is next. The line is long and slow. A woman in front of them is busy trying to control an unruly toddler, offering the girls a chance to distract with a flower and funny faces. Once they are on their way again, their mother stops to visit with a friend while the girls keep her dog company. A nearby shop attracts attention with its many miscellaneous marvels; it's the perfect place to find the dress that is on their list. 

Finally, it's time to stop for lunch ... another long wait. They are hangry and fall apart. Leaving the diner as the skies open forces them to snuggle up under an awning where they wait until they can cross the street, splashing and stomping as they go. Energy expended, it's time to take a break and read a book at home while Mom prepares soup for supper. After eating, with the 'to do' list done, the girls settle in for the night; Mom falls asleep before finishing her tea. 

The detailed, colorful illustrations offer plenty to see as the story is read. They enhance the rhythmic storytelling with images that offer hints about the children, their family life and the place they call home. Even while completing their errands, and spending a lot of their time waiting, kids can find happy moments that distract from the drudgery. This is a great reminder of that.                                                                            

                                    

https://youtu.be/W1YlZWE3hFc?si=asCiJr7Vd0wOpno5

Bear and Bird: The Secret and Other Stories, by Jarvis. Candlewick Press, Penguin Random House. 2025. $23.50 ages 3 and up

 

"The Secret

It might not surprise you to learn that 
Bear was terrible at keeping secrets. 
Like when he told everybody the 
secret ingredient in Mouse's cheese 
pie (extra cheese).
Or the time when he told everybody 
about Rabbit getting stuck in the toilet. 
And when he told everybody the 
reason why Bird doesn't fly. Well, 
Bird did not like that at all.
Once Bear knew a secret, he found 
it impossible to keep it."

This sixth book of short stories from Jarvis about two best friends is just as warm and amusing as each of the first five. I have loved them all, and am delighted when I get a chance to share them with young readers. While they may not always agree on issues that arise, the two friends do want the other to be happy. It may take time, but they find a way to sort out their troubles, and that leads back to acceptance and understanding. 

The four short stories in this newest book have to do with a list, lasagna, a secret, and a tree. When Bird learns that Bear has nicknames for his other friends, but has not chosen one for Bird, she is upset. In response, Bird decides to write her own list in a letter to Bear, calling him a bunch of rude names meant to be hurtful. She is ready to deliver it when Rabbit scoots by and takes Bird's shopping list to the market. You might be able to guess what happens next with the two lists. The mix-up is enough to make any young reader giggle. When Bird apologizes for her response to her friend, Bear's reasoning for not giving Bird a nickname is heartwarming. 

The following stories deal with likes and dislikes, the importance of keeping secrets most of the time, and how a game of hide-and-seek ends up having friends realize just how happy they are to be together. These tales of friendship are always thoughtful, kind, and charming, despite mix-ups and misunderstandings. 

All six books in this series are perfect for young readers yearning for independence in their reading lives. You can't go wrong adding them to your library shelves. 

Drawing Is ... Your Guide to Scribbled Adventures, by Elizabeth Haidle. tundra, Penguin Random House. 2025. $26.99 ages 9 and up

"Drawing is ... FEELING

Let's dip below the surface now. How can 
drawing hint at what's inside? 

What emotions do these faces express? 
The eyebrows say a lot.

Here's an exercise I've tried. 
Fill a page with circles. Add noses, 
eyes, mouths. Adjust the eyebrow
positions slightly to create different 
expressions."

This is the book I needed when I was a classroom teacher and trying to help my students learn about the strategies illustrators used to help tell the wonderful stories we were reading in the books we shared daily. I do not have an artistic bent, so I was learning along with my students. I was constantly searching for techniques that would inform my teaching. This book would have helped tremendously. 

The author begins with what drawing is NOT. It is NOT a contest, it is NOT right or wrong, it is NOT just for the "talented ones", it is NOT a waste of time, and it is NOT exercise. Rather, it is a way to 'explore, think and feel, experiment and question'. When readers can recognize that, they are ready to get at it. The table of contents offers Ms. Haidle's idea for what drawing is. It is traveling, wondering, focusing, feeling, growing, not-knowing, and magic. 

She explains to those sharing her ideas that what is needed to get started is a dot and a line that takes you somewhere. No need to rush; there are questions to be considered. From there she suggests that aspiring artists proceed forward on scribbled adventures that take into account scale, texture, pattern, and contrast. Her observations and instructions are filled with helping her readers pay attention to the processes they are using, rather than the final product. She encourages at every turn, with no expectations only a willingness to give it a try. It isn't until the last six pages that repeatable exercises are suggested. 

Now, get out a sketchbook and see what happens! 

Across the Ice: How We Saved the Ojibwe Horse, written by Darcy Whitecrow and Heather M. O'Connor. Illustrated by Natasha Donovan. Candlewick Press, Penguin Random House. 2025. $24.99 ages 5 and up

 

"The government didn't like our little wild ponies. 
They called them a nuisance and a health hazard. 
They were going to shoot them. We couldn't let 
that happen. Our ancestors had bred these ponies
for many generations. They were our spirit animals. 
Our friends. They were the last of their kind. We 
had to save them. But how?"

It's a highly anticipated evening for two young members of the Lac La Croix First Nation in northwestern Ontario. They cannot sleep with a house full of relatives all eager for what's about to happen. Nookomis reminds them they must continue to wait. She is persuaded to retell the story of the wild ponies who once shared their land. Those horses were a great help to the people through the winter, and on their trip to summer camps. They would wander free in the summer to birth their foals and always be brought back in the autumn. 

The last time Nookomis saw them, there were only four left. The people determined to save these spirit animals and made careful plans to take them to safety in Minnesota. There was only one way to transport them - across the frozen lake. With time and patience, they were rounded up and taken away. Nookomis had not seen them for forty years. 

Complications in growing the herd from four to more once again took time and effort. Today they are called Ojibwe horses in honor of the family's ancestors. Tonight, a small herd from Alberta is making the trip to Lac La Croix where they will be reunited with Nookomis and those who once loved and honored them. A new story will be shared in years to come. Emotional and uplifting.                                                                                       

Introducing Sandwina: The Strongest Woman in the World! Written by Vicki Conrad and illustrated by Jeremy Holmes. Calkins Creek, Astra. Penguin Random House. 2024. $24.99 ages 8 and up

 

"When a skinny acrobat named Max stepped 
into the ring, Katie knocked him flat on his back
before he knew what hit him. He looked up, saw
Katie, and all he could say was, "Marry me."
Katie carried him out of the ring and married 
him two years later. Max and Katie, a perfect 
pair, with a brand-new act."

Middle graders will be very interested to meet Katie Brumbach, who came to be known as Sandwina in her professional life. Her story reads like a circus show; the digital mixed-media artwork lives up to the sense of wonder that is often associated with high performance. 

Katie was born in Germany to a family of performers, showing great strength and a penchant for performing at a very young age. She was tireless in her pursuit of fame and a place in the Ringling Big Top Circus. In the meantime, she fascinated audiences with her impressive ability and remarkable feats. She was also appreciated for her femininity at a time when women were not expected to look as she did. 

Her marriage to Max Heyman led to endless touring; eventually they named themselves the Sandwinas. They performed throughout the United States and were finnally seen by John Ringling in Paris. Impressed by her beauty and her strength, he made her p the main attraction of his circus show. As a devoted mother to two sons, Theodore and Alfred, she continued to work at a variety of venues until settling down to open a family restaurant in Queens, New York. 

Backmatter includes archival photos, an author's note, a look at her family life, short notes about other strong women who were circus performers when Katie was, a timeline of her life's events, a selected bibliography, and an illustrator's note. Jeremy Holmes' images are a perfect match to the text, placing Katie in the spotlight at every turn. The chosen colors, the circus-like fonts, the banners and posters are all reflective of the life and times of this amazing woman. 

The One About the Blackbird, written by Melanie Florence and illustrated by Matt James. tundra, Penguin Random House. 2025. $24.99 ages 4 and up

 

"The first thing Jack heard when he woke
up the next morning was his grandfather
strumming his guitar and playing Jack's 
favorite song - the one about the blackbird.
"Can you teach me that?" Jack asked, 
rubbing his eyes and settling down beside 
his grandfather, watching as his fingers 
danced across the guitar strings."

Jack's life has been filled with music. His grandfather, a music aficionado and guitarist, has made sure of that. His grandfather never missed a chance to play yet another record that filled the rooms with glorious sound. His extensive record collection and his ability to play various instruments was wondrous. Jack especially liked it when he played his guitar ... his favorite song on the guitar was 'the one about the blackbird'. Jack wanted to be just like his grandfather, and told him so. 

Worried that his grandfather would think he was too young to learn, Jack was surprised at his awareness of Jack's love for and need to play music. Jack wanted to be taught to play the blackbird song. Before that could happen, his grandfather explained that they would make a slow start. It did not go well; the guitar was much bigger than expected and made noises Jack had never heard. It did not get easier despite his grandfather's encouragement. Jack wanted to give up. 

""If it was easy, everyone would do it,"
his grandfather said kindly. "Keep trying.""

With hard work and patience, Jack got better. They worked day after day. As time passed, Jack got bigger and the guitar got smaller. The time came for Jack to move away from his grandfather and make his way in the world, playing his music for large crowds. When he was homesick, he listened to his grandfather's records. 

During one visit, his grandfather admired Jack's guitar. Jack reminded that it once belonged to him. The tables turned and Jack thought he would now teach his grandfather to play again. Finding it difficult to remember, his grandfather handed the guitar back and asked Jack to play 'the one about the blackbird' for him. 

Matt James' mixed-media artwork is as outstanding as ever. His characters, the setting, and the nostalgic feeling he gives to the flow of Ms. Florence's warm words makes for a real connection between generations and over time. 

How To Hatch: A Gosling's Guide to Breaking Free, written by Sara Holly Ackerman and illustrated by Galia Bernstein. Alfred A.Knopf, Penguin Random House. 2026. $26.99 ages 3 and up

 

"Step Two: PIP!

You're going to bust right through the shell. 
But lets's get a few things straight. 

You can't shatter a shell with 
webbed feet. And your knobby knees
are not nearly sharp enough. 

Your rump? Ridiculous!
That won't get you anywhere. 

Your mighty pipping muscle and your 
trusty egg tooth will get you out."

The text box that holds space on the recto side of this spread provides the following factual information for readers:

Inside the Shell 

The air in the air cell won't last forever. 
The gosling embryo needs air from 
outside the shell to live. The pipping 
muscle and the egg tooth go back to work. 
The beak strikes the shell until it makes a 
light crack or a small hole. 

Using a second-person voice to encourage the embryo of a brand-new gosling to make its way into the world is a brilliant choice for helping young readers understand just exactly how this incredible process works. Then, choosing to include sidebars on every spread as explanation for what is clearly happening at each stage makes it even more brilliant ... and compelling, accessible, and highly entertaining, while also very informative. 

Younger readers will appreciate the language that includes well-chosen descriptive words and verbs to encourage the gosling to do its hard work. The informative explanations for the true science of this life cycle will be appreciated by older listeners who want the facts. Both are sure to be satisfied with the direction the narrative takes from Step One (BREATHE!) through to Step Six (FLOP!). 

"Don't fret about the soggy down, but beware
of chills. Find a toasty spot, and before you 
know it, you'll be as dry as a dandelion puff."

Kids will be captivated from the front endpapers to the back ones. Galia Bernstein's digital images put the geese at the center of attention throughout the telling, offering plenty of white space on every page. If you are at all claustrophobic, you will be cheering from the initial sight of the gosling as it is all tucked up inside its shell. Watching it move, grow, and instinctively know exactly what it needs to do to exit its shell is fascinating. Watching it 'healthy, happy, hatched' offers real satisfaction. Now part of the gaggle, it closely follows its mother and siblings to the lake for a first swim.

A glossary of words for birds follows, as does an author's note for the grown-ups who will share this book, and a list of selected resources. Beautiful! It's sure to be a favorite.