How Elegant the Elephant: Poems About Animals and Insects, written by Mary Ann Hoberman and illustrated by Marla Frazee. Little, Brown and Company, Hachette, 2025. $27.99 ages 4 and up

 

"Zebra Stripes

Zebra stripes
In black and white 
From right to left 
and left to right. 

Zebra stripes
In white and black 
From back to front 
and front to back."        

Mary Ann Hoberman is a poet whose work I greatly admire. Her death in 2023, at 92, was a sad loss to the world of children's literature. Ms. Hoberman had an infectious spirit that inspired many young children to find joy in words. This posthumous collection of 60 poems gathered from her extensive body of work is completely focused on animals and insects. She chose her favorites and then added 8 new poems for this partnership with Marla Frazee, a former collaborator. 

As I read the book from start to finish, I found myself remembering a few old favorites and wanting to share more and more of them here. They are full of her spirit, offering riddles and quick-witted looks at some of her favorite animals. Ms. Frazee opts to place each poem in a hotel settling. It makes the reader think that these poems were written to be presented in just such a place. They are listed alphabetically by title and shown on spreads that allow readers to see how happy the animals and insects Ms. Hoberman so loved are while being with friends. They present a cohesive whole for the lively assortment of creatures. 

"Dragonfly

You get what you eat with your feet when you hunt
While you fly which is why your six feet are up front
Like a net. You like meat like mosquitos to eat 
Which you see with your eyes and you seize with your feet. 
Dragonfly."

A lot of research was done in order to write this poetry. There are many scientific facts assimilated for young readers. Then, there is the fun Ms. Hoberman infused into the writing she did for her audience. Kids who are lucky enough to share this book will surely find their very own favorites. The art pays homage to a friend and collaborator. Ms. Frazee fills spreads with details that will have readers hooting with laughter and smiling with pleasure for the scenes created. Done using black Verithin pencil and watercolor, the artwork encourages careful observation and conversation. Be sure to take a close look at So Many Kinds of Animals if you want to see a yoga class in action, then turn the page and check out the donkey's follow-up assignment. 

"Ants

I like to watch the ants at work
When I am out at play. 
I like to see them run about 
And carry crumbs away. 

And when I plug an anthill door
To keep them in their den, 
I like to see them find a way 
To get outside again."

On the small hill where the girls take off their shoes, written by Jairo Buitrago and illustrated by Linda Wolfsgruber. Translated by Elisa Amado. Aldana Libros, Greystone Kids. 2024. $24.95 ages 9 and up

 

"And later a man built a stone castle. 

After a while it fell down and 
an oak tree grew among its 
ruins, and a baby bird flew out 
of its nest for the first time." 

I have read this thoughtful new book three times over the past few days. Each time I read it, I like it more. What an inventive premise for a book about the history of a hill through the ages! It is on this hill where today girls use it to take off their shoes. What about before today? 

Well, we are told (and shown) that at one time a dinosaur stood on said hill and watched a falling star. Each ongoing turn of the page shows other events that happened from one age to another. A herd of bison died there under all the snow of the Ice Age. A man built a stone castle that eventually fell into ruin, and the hill became home to a tall oak tree that gave shelter to a nest full of birds. 

"All this happened here ...
on this small hill. And on that 
stone which was once part of 
that castle, where now the girls 
sit to watch the sun go down ... "

Have you ever stopped to consider one small part of your community, or spot in nature nearby, and its long history? I know that I never have. All that happening in one small place over many ages ... and we are only able to see the here and now. It's pretty amazing, isn't it? 

I honor books that ask readers to think deeply and talk about such things. It is an illustrated book sure to appeal to a somewhat older audience, and surely open to discussion and consideration of the passing of time. 

Text is simple and telling. Time passes in collage art created by Linda Wolfsgruber in varied hues that show the people through the ages who made a place for themselves there. The hill never changes; what happens there certainly does. I think it will make young readers think about the history in their own communities. 

On Our Way! What a Day! Written by JaNay Brown-Wood and illustrated by Tamisha Anthony. Nancy Paulsen Books, Penguin Random House.2025. $24.99 ages 3 and up

 

"Made our way! 
Made our way! 
To celebrate Gram's special day. 

Sure wish we had a gift to share. 
We couldn't find one anywhere."

It's Gram's birthday and her six grandkids are filled with excitement. Phil, Iris, Ivy, Billy, Minty, and Lynette range in age from 4 to 11. As they prepare for their visit, they have a concern for the gift they will give. There's nothing at home; they will have to look for something as they walk to her house. It takes some special observation skills and personal preferences to find a special item to impress their grandmother. 

Phil finds a pine cone to love that has a scritchy-scratchy sound. Once they board the bus, they watch three quarters slide across the floor. Billy grabs those coins, loving their jingly-jangly noise. A sign at Miss Molly's Art Boutique offering free pencils delights Iris with their tippy-tappy tones. On they go, with eyes open for something else Gram might like. 

Minty chooses a megaphone from a parade marching past; Ivy discovers smooth stones in a park stream; Lynette spies a perfect branch falling from a nearby tree. Everyone has something they love that they are quite sure Gram won't want. What else can they do? They are almost at Gram's front door. 

In they go! All those things that bring happiness with all the sounds they make - and a song for their grandmother that makes her smile from ear to ear. It's a perfect celebration. 

"Gram does like the things we found, 
but mostly she LOVES having us around.

"HAPPY BIRTHDAY, GRAM!"

This lively book is filled with musicality! The repetitive, poetic tone of the text and Ms. Anthony's digital illustrations offer clues throughout that speaks to the love they all have for it. Posters, jazz records, instruments, whistling, a parade band, and music notes that float freely on every spread give the story its toe-tapping vibe. What fun! 

Just a Banana ... Or is It? Written and illustrated by Barney Saltzberg. Workman, Hachette. 2025. $20.99 ages 3 and up

 

"Just a banana. 

Wait ... 

this is a banana."

Barney Saltzberg does a terrific job of getting young readers to think outside the box. He encourages them to look at the world through their imagination. First up. the narrator introduces them to a perfectly-shaped yellow banana. That happens before the first flap is lifted to show a horizontal banana placed on a smiling face that has that banana for its mouth. It works. What happens next? 

Open the second of ten flaps to find a yellow lizard with googly eyes, a big smile and four webbed feet. Always returning to the first image presented of a plain banana as the pages are turned, the author morphs them into a canoe, a mouse in search of cheese, a fishbowl fish awaiting its daily food ... and so on to the great delight of readers. 

Both the flaps and the positioning of the banana on the pages continually change, offering some very funny responses to the questions asked and observations made. Those kids who love jokes and using their imagination to consider variety in scenarios will be pumped to read this one again and again. They will certainly be encouraged to try their hand at other interpretations of what a banana is.

Could it be that a banana is 'just a banana' ... or not? Look under the final flap to see what you think. 

Everything You Know About Sharks is WRONG! Written by Dr. Nick Crumpton and illustrated by Gavin Scott. Nosy Crow, Penguin Random House. 2023. $25.99 ages 10 and up

"Many sharks eat animals that have eaten a lot of 
other animals that absorb poisonous mercury from 
the oceans. Mercury is incredibly dangerous to humans
if eaten - and it turns out most of the sharks killed for 
shark fin soup carry a lot of mercury in their bodies. 

So not only does shark fin soup absolutely not do
anything for humans medically, it's likely that this
dish can actually make people less well by eating it."

No matter how many myths I will try to dispel after reading this book, my friend Sandi will refuse to believe me. She has an unrelenting terror of anything shark. If she were to go on a cruise or swim in the ocean, she is sure a shark would smell her fear and she would be a goner. Funny how, no matter the science, some people just can't deal with the truth. 

In previous books, Dr. Nick Crumpton did his best to set the record straight concerning dinosaurs and minibeasts. Next up is Bugs, due for release in March. Sharks might be the world's least favorite creatures; many false facts have been reported and believed about them. Dr. Nick is here to prove people wrong. For kids who have an abiding interest in sharks, there is much here to intrigue and inform them. 

On double-page spreads that are brilliantly illustrated by Gavin Scott, and in a conversational tone, the author reveals real evidence concerning these much-maligned ocean creatures. We know they are predatory, right? How many people do they kill? We have heard all the gruesome stories. Here are some facts from 2021: 

Sharks killed 11 people (worldwide); cows killed 22 people (USA); bees, wasps, and hornets killed 62 people (USA); snakes killed 50,000 people (worldwide); and viruses and bacteria carried by mosquitoes killed 1 million people (worldwide). Gives some perspective, doesn't it? The truth is that humans kill 100 million sharks and rays every year, leaving a number of shark species at risk. For those who care about the future of sharks, there are things that can be done. 

From spread to spread, Dr. Crumpton addresses such things as size, teeth, habitat, smell, reproduction, movement, usefulness, survival, lack of enemies, food, and breathing. There are hundreds of facts shared throughout the text that will surprise readers. So many are stamped WRONG! before he provides accuracy of fact. Gavin Scott fills each spread with the energy and allure of the ocean habitat, and the remarkable diversity to be found in these amazing apex predators. The realism found in his many scientific paintings holds real appeal for fans. 

The glossary and index included in back matter are helpful for interested readers. 

                                                                                             

Parrotfish Has a Superpower, written by Jill Esbaum and illustrated by Bob Shea. Putnam, Penguin Random House. 2024. $24.99 ages 4 and up

" - but we sleep in different places where 
we feel safe. In crevices, under the sand, 
or inside a sleeve-like mucus sac. 

We make the sacs ourselves, and they're 
stinky, so no predators - 

Stinky mucus sac? 
GAK. Who'd want a mouthful of that?

Exactly."

Kids will appreciate that Jill Esbaum continues to research creatures with superpowers that are unfamiliar to most readers. First, it was the stinkbird. Now, it's the parrotfish. Learning facts about it leads to another fascinating and funny book. 

Parrotfish live in tropical waters, along with hammerhead sharks and other ocean dwellers. Luckily, the hammerhead is not one of its predators. While they fear lemon sharks, moray eels, and reef sharks, they have no such aversion to the hammerhead. For this story, the hammerhead is reluctant to believe that such a small fish can actually have a superpower.

While the parrotfish is happy to talk about it, the shark constantly interrupts his story. In trying to convince Hammerhead of its very special ability, Parrotfish provides plenty of other information about itself. It sleeps in secret spaces; has 1000 tight little teeth at the front of its mouth and some in its throat; it eats algae and polyps. Wait! None of those is its superpower. 

Finally coming to the water's surface, Parrotfish shares what makes it so special. 

"Oh, the ocean helped. Its waters break down rocks and shells. 
But most of that beeeeautiful beach is made of ... 

PARROTFISH POOP!!!"

Hammerhead is contrite. Like most readers, he knew nothing about Parrotfish's superpower, and didn't believe him at the beginning. Now that he knows, a loud warning to a passing reef shark cements the new relationship for both. 

Bob Shea creates bright, expressive digital artwork that is sure to appeal to the intended audience. Backgrounds provide a welcome habitat for the book's characters. A true and false guessing game concludes. 
                                                                       

Frozen in Time: What Ice Cores Can Tell Us About Climate Change, written by Carmella Van Vleet. Holiday House. Penguin Random House, 2024. $17.99 ages 12 and up

 

"Climate change affects just about everything
on the planet. It even affects where people live. 
As countries face droughts, floods, rising 
temperatures, and rising sea levels, parts of 
the world are quickly becoming uninhabitable. 
This is especially true in places in the Third 
Pole, where even small changes in climate 
can have big affects and governments don't 
have the resources to deal with the needs of 
large populations." 

Do you know about the Third Pole? I did not. This book informs that it "is home to the Tibetan Plateau and to the Himalayan, Pamir-Hindu Kush, and Tien Shan mountain ranges. It gets that nickname because it holds the third-largest amount of ice, after the North and South Poles. This is only one of the facts I learned reading this book about ice cores and the information they provide for scientists studying climate change. 

Paleoclimatologists cut deep into ice layers in remote areas of the world for purposes of analysis and preservation. It is not an easy job. By doing so, they learn what these cores tell about patterns from past climate change. They are frozen time capsules. Ms. Van Vleet provides all the facts concerning the gear they need, the methods they use, and the many dangers they face. Once they have excavated the cores needed, they must keep them viable as they move from the cold to warmer areas.  

Following a lot of intricate work that takes time and effort, they work to discover what the ice cores have to tell them about the past, and perhaps find clues to the future. She discusses natural climate periods, while explaining that what is happening now is not usual in any way. 

Divided into four parts, she begins with snow which needs cold temperatures and moisture in the air to form. A growing amount of it in one place weighs a great deal. There is much to learn through math puzzles to solve, information boxes, useful diagrams and archival photos. As this first part ends, the author offers a list of cool vocabulary that corresponds to its presentation. She also encourages readers to take action to see how the science works by providing clear directions for making an ice core. 

The following three sections follow a similar pattern and discuss Where Do We Find Ice Cores?, How Do Scientists Retrieve Ice Cores?, and What Can Ice Cores Tell Us About Climate Change? Photographs, diagrams, charts and maps are useful at every turn. Back matter includes sources, videos, interviews, photo credits, and an index. 

“It’s all pretty cool,” she tells her readers. 

This book will engage and inform middle graders with an interest in learning more about climate change and the paleoclimatologists whose work is showcased here. It is both historical and contemporary in its findings. The writing and careful organization ensure it is a great resource for readers. 

It is a recent addition to the Books for a Better Earth series which inspire readers to become active, knowledgeable participants in caring for the planet they live on. 

Veena and the Red Roti: A Story of Hope During Partition. Written by Namita Moolani Mehra and illustrated by Beena Mistry. Kids Can Press, 2024. $21.99 ages 4 and up

 

"By late afternoon, they arrived at a camp -
a dreary row of former army barracks, now 
a place for migrant families to shelter. 
Veena rolled down her sleeves to cover her 
bangles. They didn't belong in this dusty chaos."

Veena loves the kitchen. It is where the women in her life cook and chat. Veena watches these beloved women as they make their roti; as she does, she is learning how to make her own. Much practice results in tasty bread. All around her, people talk and play, gossip, and bring life to her home. 

When word breaks about a NEW India, there is much talk about how their home country will change. Wanting to be free from British rule, India faces partition. Their country becomes India and Pakistan - two countries now, divided by religion. 

There is great fear for Veena's community; her family decides to leave immediately. Soon, a train carries them to a refugee camp, where they long to find the food and rest they need. The roti shared tastes nothing like the roti she is accustomed to eating. Life changes immeasurably. 

"Some nights when Veena closed her eyes, the 
murmurs of the little ones and soothing chatter
of mothers reminded her of home. 
But they had no home."

Life in the refugee camp is so sad. It leads Veena to the camp kitchen where she offers to help. When asked what she can do, she suggests making perfect roti! The ingredients are nothing like what she had at home; Veena makes the best of it! While still longing for home, being in the kitchen makes her (and the rest of the women) feel better to be doing something they love for others. After her Baba finds a job, the family leaves the camp for a new home in Delhi - a place where Veena can make as much roti as she wants to make. 

I have never read a book for children about partition. There may be others. It is important for them to learn history through books that put readers at the center of the action. By seeing what happens to Veena and her family, they come to empathize and understand a dark and difficult chapter in her life through the eyes of a child their age. 

Back matter includes a glossary of terms not likely familiar to young readers, an author's note about her grandparents and their journey in 1947 during The Partition, historical context for what happened, and a map to show how the country was divided.

Sundays Are For Feasts, written by Leila Boukarim and illustrated by Ruaida Mannaa. Groundwood, 2025. $21.99 ages 4 and up

 

"I don't know what to add next. 

A little something for color?

A bit of this for flavor? 

A dash of that can't be bad, can it? 

I scoop, smoooth, and make my 
hummus pretty - a pinch of 
parsley, a sprinkle of sumac, a golden 
ring of olive oil. " 

Yasmine loves her summers in Lebanon where her grandparents live. She especially loves Sundays when the family gets together to share food and celebrate being together. On this Sunday, Jiddo (Grandpa) tasks Yasmine with making the hummus for their meal. Yasmine is nervous; she has never made hummus on her own. She also worries that her Ammo Farouk will not like it all. He complains often about foods. 

In the kitchen, she asks her father to take on the task. He is sure she can do it on her own. Yasmine has watched her father make his hummus. She waits for the chickpeas to cook, and practices her Arabic in hopes of pleasing her uncle. Her father watches while Yasmine does her best to remember all she has been taught. Finally, the hummus is ready. With a few last-minute additions, Yasmine is ready to taste it. 

Will it please Ammo Farouk? The family is encouraging; it is too late to make any changes. As they gather for the meal, Yasmine cannot help but worry. Will her hummus live up to her uncle's expectations. All she can do is wait and see! 

Sahtein!

Back matter includes a glossary of Arabic terms, a recipe for hummus, and an author's note that describes her own remembrances of days spent in Lebanon.                                                                           

Dive, Dive Into the Night Sea, written and illustrated by Thea Lu. Candlewick Studio, Candlewick Press. Penguin Random House. 2024. $25.99 ages 6 and up

 

"Swim to the coral reef.
They must be hiding here! 

Small fish such as round batfish and triggerfish
find safe places to rest at night in the holes, caves, 
and cracks of coral reefs. A reef is like an underwater
hotel where they can hide from nocturnal predators 
such as moray eels, which sleep during the day and 
hunt at night."

I was invited to visit with a group of fourth and fifth grade students today, and it was a wonderful to be there. They have been looking at picture books for their own Mock Caldecott this month. It is obvious that they are learning a lot about illustration, about book publishing, and about the importance of sharing illustrated books with middle years students. They were totally invested in sharing their ideas and hearing what I had to say about the variety in illustrator strategies used to complement the stories they are loving. 

Their teacher has talked to them about the costs of publication, and how that might change how a book is presented. They know that changes away from what is typical can be at a much greater cost. Looking at this atmospheric and attention-grabbing new book by Thea Lu offered a chance for some discussion. Bravo to Candlewick Press for honoring this book in that way. 

The first thing to notice is that the book is bound on the horizontal - a not-often-used perspective. The cover shows a boat floating on the water's surface, while the water below is filled with creatures that reminded students of sea monsters. A closer look shows a person standing at the edge of the boat and ready to dive into the dark waters. Lu's first-person narration of the scuba diver's adventure assures the reader a front row seat for the action.  

While the main text is uncomplicated and easy to understand, older readers will find that the fold-out flaps offer further, more specific material (in smaller font) to enhance the learning. The artwork is brilliant, which is why we were taking a close look at the book. The changing perspectives as the diver descends into the depths show what's happening above, below and all around them. The moonlight is reflected on the surface, while it is the diver's headlamp that allows readers to really see the creatures that dwell in this shadowy habitat. There is a real sense of being there as the diver explores and makes discoveries below the surface. Calm waters, yet filling her spreads with movement, Ms. Lu has a gift for creating wonder in her mixed media illustrations. Her color palette matches the mood of her story beautifully. 

The last image definitely ups the discussion as the book ends. 

The Last Stand, written by Antwan Eady and illustrated by Jarrett & Jerome Pumphrey. Alfred A. Knopf, Penguin Random House. 2024. $24.99 ages 4 and up

"The star-speckled sky, 
black as only a town without streetlights could be, 
leads us home. 

Papa's driveway is dusty and bumpy. 
But every bump, slowing us down as
if to welcome us home, tells me a story too." 

When the ALA announces the winner of the 2025 Caldecott Medal on Monday next week, I will be waiting anxiously to hear their news. It is my hope that The Last Stand will be among those books chosen - as the winner, or as one of the coveted Honor books. It definitely deserves notice. 

I have used Peter Reynolds' observation in previous blog posts: "great children's books are wisdom dipped in words and art". The craft of making a picture book that speaks to, teaches, and lives in our collective memory is quite the amazing feat. When we share these books at home, in school, or at the library, we offer an experience for children to help them understand how the world works and the connections they can make with their community. 

This stunning book tells the story of a boy and his Papa (grandfather) and their farm stand. It is the only one left at the market, and it a story steeped in black history. They live in a rural community and provide food for their neighbors. The grandson recognizes the importance of their work as they harvest vegetables and gather eggs to sell to their regular customers. They are also kind enough to make deliveries to those who cannot make their way to the market, despite their fatigue after a long day of work. 

Papa is getting older. It is harder for him to do the work; his grandson is prepared to follow in his grandfather's footsteps. His dedication to the task has him gathering everything on his own, using his bicycle and a wagon to take it all to market, set up and be ready for customers, just as his grandfather has always done. It is heartwarming to have his customers bringing special gifts of food for his grandfather to help with his healing. That's the premise for this story of family love, mentorship, and caring for community. It also offers hope that a new generation will continue the important work of those who came before them. 

Turning to the illustrations: the Pumphrey brothers continue to amaze with their hand-made stamping illustrative artistry. They fully complement Mr. Eady's words by creating scenes of communal relationships, and the hard work farmers do to provide for their neighbors. Using signage, bumper stickers, and the plight of the market that once was, they convey the idea that social and financial change has impacted the community in big ways. These details will have readers returning more than once to understand the full meaning of what has happened. Don't miss the case cover. It is brilliant!

An author's note is both moving and insightful. He explains that this story is a letter of love to a way of life that is dying, and an apology to those who lost their land and their livelihood to racism and discrimination. 

 "This is my way of saying 'I see you.' " 

Beautiful Junk, written by Melissa Assaly and illustrated by Samantha Lucy Haslam. Fitzhenry & Whiteside. 2024. $23.95 ages 4 and up

"On Tuesday Nana comes by for 
dinner. "I think I spotted some 
plants in the big pile of junk," 
she says. 

She walks over to investigate 
and finds three!"

In this companion book to The Imperfect Garden, Rowan is on a neighborhood walk with his mom. He likes the color blue and takes note of blue cars and a blue jay as they stroll along. He is surprised to see that his neighbors are bringing things from their house outside on this Saturday morning. His mom suggests that the family must be moving, and won't need those things at their new place. 

Rowan wonders what will happen to the stuff they are leaving behind them. Once again, his mom surmises that it must be going to the dump. It is a lot to throw out, Rowan reasons. As he watches from the window, he notices that Mr. Chan is having a look at the trash, and takes a chair with him knowing he can fix it. 

That sparks a memory in Rowan for something that happened at school: they had been talking about landfills and the overcrowding there. The class discussed reducing, reusing and recycling. Rowan notices others stopping for a look, and taking something they could use. Even his nana has a look at the plants that are there, and she decides to save them from being tossed in the garbage. 

"Well, don't you know ... some people might 
think these are ready for the dump, but they 
are now a treasure to me," she says. 

Could Nana be right?" 

Rowan continues to watch the pile getting smaller. Finally, he asks his mom if they can have a look. He's very happy to find some toys to take home with him. The next time the two are out for their  Saturday walk, they add to their list of what they should be watching for ... treasure! 

Simply told in a way that will encourage discussion in young readers, this is a book that speaks to the old adage: one person's trash is another's treasure. 

The Day We Got Lost, written and illustrated by Faith Pray. Little, Brown and Company. Hachette, 2024. $24.99 ages 4 and up

 

"I spilled juice all over Willa, banging
my seat and making Oni yowl. 

Mom snapped, "Smudge, can't you 
be good?" 

"Absolutely I will NOT." I snapped 
back as the car wound up and around 
dizzy roads like a spool ... 

until we stopped."

It's a chaotic start to their day at Smudge's house. Mom is calling out from the upstairs bedroom for everyone to settle down, while Grandpa reads the paper, Willa hollers from her high chair about spilled cereal, Smudge lays waste to his bed and bedroom, and even the pets cannot get along. Thank goodness there is a plan for an outing to Sunshine Park. Or is that a good thing? 

On the way, the chaos continues. Smudge has no intention of trying to make things better. Once they arrive, Grandpa corrals the dog, while Mom gets Willa from her car seat and hauls out the picnic baskets. Smudge is off to climb the nearest tree. Along the trail, Smudge has a tug-of-war with a stick and his dog while everyone else makes their way to Sunshine Peak Lookout. 

Trying to get a photo, Mom asks for help with smiles. Not going to happen. Smudge does everything possible to be disagreeable. 

""Stick with your pack ... 
Seriously, Smudge! 
Do NOT get lost!" Mom yelled." 

Smudge runs on ahead of the family. A lone adventure leads to too much quiet, and a fear of the many surrounding forest sounds. Finally found when the rest catch up, it is now Mom who is not sure where they are. Smudge worries about the result his misbehavior. Being together is a good thing, especially if you are lost together, his mom assures. It turns out that Smudge has been paying attention to Grandpa's observations all along, and he comes to the rescue of a family in need of being found. 

This is a loving family that might just remind readers of their own. Using watercolor and colored pencil, Ms. Pray offers a clear look at the beauty of nature and the relationships that are family.

Mama in the Moon, written by Doreen Cronin and illustrated by Brian Cronin. Rocky Pond Books, Penguin Random House. 2024. $24.99 ages 4 and up

"Baby 
watched 
as 
Mama
made 
her 
way
down
the 
front 
of 
the 
moon." 

What babies don't love snuggling with their mamas? Baby Sloth is the same as other babies; he loves spending as much time as he can with his Mama. They live high in the trees, as sloths do. They cuddle together as the moon shines brightly on them. They stay as close as they can all night long. 

When Baby topples from the tree unexpectedly, he is frightened. Not hurt, just missing his Mama and wondering where she is in the darkness that surrounds him. Mama is always reassuring as Baby calls to her. She tells him she is on her way; it is a long way down. As she descends, Baby remains concerned for her presence. When encouraged to look more closely, he can finally see her in the light of the moon. Now, he can keep an eye on her. 

Their conversation remains constant and reassuring as time passes and Mama gets closer and closer. In an effort to distract her baby, she encourages him to smell the flowers nearby and to listen for the worms and moths. His concern remains, but he is not quite so anxious. The beauty of the night, pointed out by his loving mother, calms him. 

For much of the story, young readers cannot see Mama, in the same way that Baby cannot see her. Brian Cronin uses black and blue to great success, then follows with explosions of color and action as Mama calmly makes her way from treetop to the ground as only a sloth can do ... slowly, but surely.                                                                                

 

Narwhal: Unicorn of the Sea, written by Candace Fleming and illustrated by Deena So'oteh. Anne Schwartz, Penguin Random House. 2024. $24.99 ages 6 and up

 

"You are a narwhal --

                        shy,

                                 swift,

                                          small (for a whale).

Scientists call you unicorn of the Arctic ... "

I am ever astounded by the depth of research Candace Fleming does; her shrewd storytelling that brings to life those animals that spark an interest in her; and the way she engages readers in wanting to learn more. 

Using a present tense second person voice for this book, she places her young readers smack dab in the middle of the ocean depths that are home to the narwhal. The young narwhal is known for its shyness, its size, and its ability to move very quickly. Oh, and for its tusk, of course. 

" ... a single

               twisting 

                         rod of ivory
that sprouts from your upper left jaw. 
It began growing where you were a year-old calf. 
Now, nine years later, you are full grown, 
and so is your tusk. 

Through poetic, informative text, readers learn about migration (both summer and winter), the narwhal's pod, predators, finding food, the occasional tangle with another male member of the pod where the tusk is used as a weapon, and some of the hazards they face on their long journeys. Males are the ones with the tusks, only a few females sport them. Needing to breathe air from above, they are always on the lookout for leads (cracks in the ice). 

The atmospheric digital art created by debut illustrator, Deena So'oteh, is filled with the wonder of the Arctic landscapes and its ocean depths. Filled with both light and darkness, they allow readers a real feel for the life the narwhals lead. As hunger gets the better of this sleeping narwhal, a gatefold requires a turn to vertical for readers to feel the depth of the dive made for food. In the darkness there, echolocation is used to find the food required to satisfy that hunger. 

Avoiding orcas and polar bears keeps the narwhal busy as they answer the yearly call of two migrations. There are moments of terror as they are suddenly trapped under the ice in a freak storm and must find a way to break through that icy surface, or swim to shallow waters in hopes of being undetected by five orcas passing too close to where they are. 

Although, at present, narwhals are not yet endangered or of concern for the International Union for Ccnservation of Nature, the threat that climate change poses in the Arctic habitat may affect their future. 

What an adventure in learning this is! 

I do love this quote from Ms. Fleming as she discusses some of what her research taught her, and why what she includes in back matter holds such importance for her work. 

Heck, yeah, collapsible ribs! I also love that the tusk is filled with sea lice, and that its purpose remains a mystery. The tusk is obviously not for protection since only males (for the most part) grow them. So, is to look sexy for the lady narwhals? Is it a thermometer? Does it measure salinity? One of the things that really ramps up my curiosity is the fact that we share our world with so many creatures – 170,00 in the case of narwhals – and we still know very little about them. Don’t you find that amazing? I can hardly wrap my head around it. As for what’s in my backmatter… As a nonfiction writer, my job first and foremost is to tell a dramatic, compelling and true story. If I can weave facts into the narrative without interrupting the flow of my telling (and I try my darndest) then I will. But if a fact feels forced, or I can’t wedge it in, I save it for backmatter.                                                                                 

The Christmas Owl, written by Ellen Kalish and Gideon Sterer. Illustrations by Ramona Kaulitzki. Little, Brown and Company, Hachette. 2021. $ 24.99 ages 4 and up

"As Little Owl hid in the shadows, the 
branches pulled tight around her. She 
was trapped! 

Then she heard a roar. 
The tree shook. Spinning 
and swaying, it was lowered
down onto a truck. 

Little Owl was dizzy. 
Is this Christmas?" 

Not only am I late for this Christmas past, but for a few other ones as well. In November 2020, Rocky became the focus of attention for the many people hearing her story. It started in Little Owl's tree in Oneonta, NY. The tree was huge, and she was happy there. Her animal friends had tried to explain Christmas to her when the whole town began to glitter with soft lights. The animals knew it was called Christmas, but had no real understanding of what that meant. 

When Little Owl flew home to her tree the next day, she was surprised to find people surrounding it. They were talking about it being the perfect Christmas tree. Poor Little Owl was further confused. Imagine how much more surprised she was when the tree that was her home was hoisted onto a truck for a long ride into a very busy city. Little Owl did not feel welcome, and she was missing home. 

A kind man with gentle eyes found her there, and transported her to Ellen Kalish at the Ravensbeard Wildlife Center where she was given care, food, and time to recover. Soon, she was ready to fly home. First, she wanted to see her tree and how happy it made the people who gathered to enjoy its beauty. Satisfied, Little Owl made her way home to her friends just in time to celebrate Christmas, quite sure she had a clearer understanding of its meaning. 

Children are sure to empathize with Little Owl's story of fear, friendship, and community. I read about it early in December and asked to see a copy. Thanks to Dominique at Hachette, it arrived in the mail today. It's the true story of a tiny owl, and her realization of what the Christmas spirit means to all. 

Back matter features an author’s note from Ellen Kalish that speaks to her love for animals and the rescue and rehabilitation center that cares for all birds brought to her. There is a photo of Rockefeller (Rocky), as the bird was named, and a short retelling of Rocky's rescue and release. It's worth sharing at any time of the year. 

https://youtu.be/YLqQvzhklhw

Black Star, written by Kwame Alexander. Little, Brown and Company, Hachette. 2024. $24.99 ages 10 and up

"But I don’t really enjoy
the flute
as much as she does,
so after I finish
dusting and mopping
and Willie Green shows up
hollering all loud
through our screen door,

holding
the old broomstick
we use for a bat,|
even though he sometimes
gets on my nerves,
I ask her if I can go outside
because the only thing
I love doing
more than listening
to Nana Kofi’s stories
is playing ball." 
 

This is the second book in The Door of No Return trilogy. In the first book we met Nana Kofi from the Asante Kingdom. The year was 1860, and Kwame Alexader tells the poignant story of Nana and his cousin being taken by slave traders from Africa to America, and their survival after the slave ship crashes and hurls them into the ocean. 

In this book, readers meet Charlene (Charley) Cuffey, Nana's granddaughter. She is 12 years old, and wants to know everything about her Nana's life before leaving his homeland. It is not a story Nana shares easily. The family is now living in Virginia in the early years of the 1920s. Charley is an aspiring pitcher. Although she is talented and wants to eventually play in the Negro League, the prevailing times offer little hope for her future as a ball player. She is, after all, a Black girl facing segregation in her own small hometown. 

Listening to her Nana Kofi's stories, and learning his native language engages her attention and her longing to return with Nana to his homeland when the time comes that he can go home again. The Black Star Line has promised a return for anyone wanting to make the voyage. In the meantime, she hones her skills playing ball with her two best friends, Cool Willie Green and Socks. It is evident through her first-person narration that Charley has some difficulty understanding her place in history. Nana does his best to help her come to grips with what she can and cannot do. 

Kwame Alexander fills the book's page with family, church picnics, and baseball. His skill at poetic storytelling is always compelling, while also exploring the injustice faced by his ancestors. As happened in the first book, this one also ends dramatically, with an impulsive decision that leads to discrimination, fear, great pain, and flight. 

 

 "Too much badness wrapped up in all the goodness that could be."

Readers will hope to hear more of Charley's story in the promised third book. An author's note is compelling and worthy of attention. 

To See An Owl, written and illustrated by Matthew Cordell. Random House Studio, 2025. $24.99 ages 4 and up

 

"Beyond the woods, me and Mama drive
to open prairies to look for short-eared owls. 

We drive to the beach and 
harbor to look for snowy owls. 

We even drive to a cemetery to 
look for screech owls and saw-whet
owls. Mama is not excited about
birding in a cemetery."

My first 2025 picture book, and what a beauty it is! Only another birder could write Janie's story with such love and devotion in her patient and persistent search for the owls she longs to see. I am an admirer of Matthew Cordell's work and am always excited to see his next book. This does not disappoint in any way! 

Janie and her mother are often out birding, and chasing Janie's dream of seeing an owl in the wild. Her mother is an understanding and supportive companion for their many searches. Janie's teacher, Mr. Koji, has been birding for his whole life and offers encouragement by talking about the many birds he has seen. He, too, loves owls and provides tips and tricks for observation. 

Janie keeps a journal to organize what she is learning, and what she knows. She and her mother follow the suggestions that Mr. Koji makes. They look and listen at all times of the day, without success. It takes days, then months. On the day Janie gives a report on all that she has learned, Mr. Koji has some important information to share. 

""In fact, just this winter, I found a pair of great horned owls
roosting in this section of pine trees. They are well hidden and 
very hard to find. But it might be worth a try." As I gather 
up my drawings, I think about those trees. I've searched them 
before. But not since autumn."

I love the easy storytelling, the repetition in some of the phrasing, the encouraging words from a beloved teacher/mentor, the familiar pen-and-ink and watercolor artwork that puts readers in the middle of the natural settings Janie and her mother visit as they keep the dream alive. Kids and adults who love birding, as Janie and Matthew do, will be filled with joy as their story ends.                                                                                           

Aisha's Colors, written and illustrated by Nabila Adani. Candlewick Press, Penguin Random House. 2024. $23.99 ages 3 and up

"While I was lying on the grass, I thought about
my neighbor, Siregar. Last summer he visited an 
aquarium.
An aquarium! 

He saw tropical fish of every color - 
pink fish,
orange fish, 
and teeny-tiny fish
with rainbow scales." 

Readers learn early that Aisha and her family are not world travellers. While many of her friends visit places far from home, her family stays pretty close to where they live in Jakarta. Every summer they travel to Grandma's country home in a village nearby. Aisha longs to make a trip to a new destination. 

She talks about her friend Jennie who is going to see snow this year. How lucky can she be? Talking about snow makes Aisha think of es campur; she asks her parents to stop where they always stop to have their favorite treat. It is 'white and crisp and crunchy', not unlike snow. Back in the car and moving on, she thinks about Dimas who will be staying with his family in a hotel that has a pool! Right outside the car's window, she can see the sparkling blue ocean. So lovely!

Their car breaks down, and they need help to fix it. Aisha and her father rest in a field of green grass at the side of the road to watch the beauty of the bright kites flying above their heads. As she considers all the colors she has seen on their trip to Grandma's house, Aisha chooses white as her favorite. Or maybe blue. 

Realizing that no color holds a candle to seeing Grandma again, Aisha flies out of the car and into her arms. Aisha finally decides on yellow as her favorite as that is the color of her grandmother's soto soup! No need for her to worry about others and their vacations, Aisha loves being where she is right now.  

Mixed media artwork brings to life the Indonesian setting. There is real beauty on the book's pages.                                                                             

One Tiny Treefrog: A Countdown to Survival, by Tony Piedra and Mackenzie Joy. Candlewick Press, Penguin Random House, 2023. $11.99 ages 4 and up

 

"Seven wary tadpoles 
learn to hide. 

Six little tadpoles
peek above the pool."

They begin as 10 tadpoles growing inside their eggs. Only nine wiggle free. Careful observers will note that one has no eye - no life - before the others hatch. They will also note a predator, eying the group as they wiggle about to set themselves free from the leaf they are living on. 

Eight plunge from the leaf into the water below them. One hits the water too hard and falls close to a wolf chiclid fish swimming past. Younger children might be a touch upset as the tadpoles dwindle in number with each turn of the page. As they become fodder for the creatures that inhabit the Costa Rican ecosystem, readers are made fully aware of the watery environment and the chance of survival for tiny tadpoles within such a place. 

The scientific names of each predator accompanies their appearance on successive pages. Each is doing what it does best. It feeds when the opportunity presents itself, as happens in an ecosystem. The illustrations are engaging and fully detailed to help with the learning as the numbers count down to no tadpoles, and only one tiny treefrog surviving from the original clutch of eggs. 

Back matter is extensive, and very helpful for readers wanting to know more about the red-eyed treefrog that stars in this exceptional book. 

"Red-eyed treefrogs do not care for their young, so laying 
many eggs is a survival strategy. The more eggs a mother 
frog lays, the greater the chances that one will beat the odds
to grow into a treefrog."

Alongside informative paragraphs is a list of the Costa Rican species that appeared in the book, faced with a clear image that places each (and a numbered thumbnail sketch) in the rainforest environment. Following that, the author discusses what it takes for one tiny treefrog to survive, in simple facts numbered from ten down to one. An illustrated life cycle, a selected bibliography, and suggestions for further research are included. 
                                                                                  

One Wise Sheep, written by Ulrich Hub and illustrated by Jorg Muhle.Translation by Helena Kirby. Gecko Press, Firefly Books. 2024. $25.99 ages 6 and up

 

""So why aren't you still with the baby?" 
the sheep asks. 
"Sweetfleece, I need a break too." The 
donkey casually clamps a stalk between 
its teeth. "I'm the one who lugged the 
heavily pregnant mother all the way."
"No one should make a long journey
when they're about to give birth," 
the sheep points out." 

I'm sorry this is late ... or, it could be really early for next year at Christmas! It would make for a wonderful family read in the days leading up to it. First, you would want the kids to know the original Christmas story. Or, they would have difficulty understanding the humor, and endless turns the story takes. The comical telling features constant chronological errors that will have astute listeners and readers guffawing at the author's words. 

Seven sheep are frantic when they realize their shepherds have disappeared. As they seek information about what might have happened to their caregivers, they encounter a variety of willing informants. The flock itself is a motley crew: one sheep has its leg in a cast; one has a stuffy nose; one has a retainer housed in a red case tied around its neck; one has a bobble hat; one has an eye-patch; one has its wool parted to one side. They are inexperienced travellers, to boot.   

The sheep learn that the shepherds left after hearing angels singing of good tidings. They choose to follow the brightest star in the sky. The sheep, after hearing from a goat about the birth of a baby, decide they want to know more about this child. Adversity ensues, much of it unaccountably funny. As they travel, they meet up with other animals willing to offer news of the goings-on. Arriving at their destination, they discover that the baby and family have moved on from the manger. To say they are distraught is an understatement; they had finally settled on the perfect gift ... a new song. As they sing the opening words ... si-i-lent niiiight ... they are sure it will be forever remembered at this time of year. 

What an accomplishment! This is a story sure to be loved for its creativity, humor, moments of delight and comfort. Written in German and translated to English, with accompanying artwork that clearly respects the perspective of the sheep who were left behind when their shepherds decided to set out on a journey of their own, it is quite the book. The messages are subtle, the humor welcome, It's a terrific read! 

Next Stop, written and illustrated by Debbie Fong. Random House Graphic. Penguin Random House, 2024. $18.99 ages 10 and up

 

"Hey Dad, it's Pia. I just wanted to let you 
know that the trip is going well. I'm actually 
having a lot of fun. 

It kind of feels like being part of a big 
family. 

I miss you a lot, though, and I can't 
wait to come home ... so we can all 
be together again."

It's been quite a year since Pia's younger brother, Ben, died by drowning. The family is reeling with grief and have recently made a move to help them begin again in a new location. Pia's mother continues to believe that Pia caused her brother's death. Her dad is doing his best to keep the family together. After speaking with the school librarian and learning about the magical powers of Cessarine Lake, Pia sets her focus on drinking the water there and hoping for better days ahead. 

To make the story work as well as it does, Debbie Fong shifts back and forth with brightly colored pages that follow Pia on her bus trip through the desert; Pia's delight in meeting and making new friendships help alleviate the pain of her life as she has been living it. Flashbacks are done in more somber tones as readers discover what happened with Ben. 

There are certain elements that suggest there might be something magical for those who visit Cessarine Lake. Pia can, thus, remain hopeful for the future. Her father's gift of tickets that allow entrance to attractions along the way help Pia (who travels with a family friend and her daughter) become part of a bigger family of travelers. Her trip allows readers to see the grief she is experiencing, and also the beginning of her healing as it focuses on family, friendships and making connections along the way. 

Memorable and sure to find fans, this is a book that offers hope and may even be read more than one time. 

As Edward Imagined: A Story of Edward Gorey in Three Acts, written by Matthew Burgess and illustrated by Marc Majewski. Alfred A. Knopf, Penguin Random House. 2024. $26.99 ages 6 and up

 

"Even from a young age, Edward had a flair
for doing things his own delightfully peculiar 
way, like painting his toenails green and 
strutting down a fancy street in bare feet --

                            daring to live the life he imagined."

I must admit I have not been a fan of Edward Gorey's work. I cannot tell you why, as I can't explain it to myself. That ended when I read this new book by Matthew Burgess, an author whose work I greatly admire. He brought Mr. Gorey to life for me in this incredible picture book biography that he has written in three acts: childhood and early adulthood (1925-1953) midlife (1953-1983), and advancing years (1983-2000). He paints a picture that will long live in my memory. 

Edward was an early artist, an early reader, and a strong and gifted student. At the same time, he was a boy who marched to the beat of his own heart, and lived his life as he wanted to live it. He owned an alligator as a child, and loved cats his whole life. Life after high school offered various opportunities, including service in the army, before he attended Harvard where he continued to develop as a writer and artist.  

A move to New York led to further work, including art exhibitions and publishing his written works under his own imprint, the Fantod Press. His love of ballet, and attendance at almost every performance for more than twenty years, enhanced his creative nature and unleashed his imagination at every turn. People loved his work; he was given the opportunity to design costumes and sets for Dracula, a smash hit on Broadway. Not interested in the fame it offered, Edward made the decision to leave the city for Cape Cod, and a house by the sea where he lived with his six cats.

"Formerly owned by a sea captain, 
it was a squeaky, creaky, leaky fixer-upper,
but Edward made it home. 

Here, he could write and draw in peace, 
and, of course, enjoy his six cats' acrobatics." 

His life there afforded him many luxuries: collecting and saving, building a personal and extensive library, and continuing to author books and create local theater performances. 

"Edward was content to do his own thing, 
in his own way, in his own time."

Not much better than that! This is a brilliant book, one of my favorites of 2024. I will forever look at Edward Gorey's works with different eyes. 

Marc Majewski, using bold, acrylic colors, brings Edward to clear life through the three 'acts' portrayed here. His attention to detail and ability to represent an iconic and eccentric artist make the book a most memorable read. Through his art, he brings awareness for readers of city life, the breadth of Mr. Gorey's passion for collecting, many of his characters, the work he did for stage productions, and his idyllic life in Cape Cod.

 Back matter includes an informative and personal author’s note, a bibliography, a list of quotations and their sources, a photograph of Edward Gorey with one of his cats, and a chronology of his impressive and singular life. 

The Moon's Journey, written by Beryl Young and illustrated by Sean Huang. Red Deer Press, Fitzhenry & Whiteside. 2024. $23.95 ages 4 and up

"All the next day, Faith watched the sky. 
She didn't want to play with the other children.
She wanted to be alone. 
Faith thought of home. She remembered her jar
of caterpillars. Would the butterflies be out? 
She remembered her cat. Would he be missing 
her?"

Moving from Wales to Canada in the 1950s for new jobs and opportunities was quite a common occurrence. Pier 21 in Halifax welcomed many of these immigrants. Today it houses the Canadian Museum of Immigration and offers immigrant stories for visitors to hear. This is one of those stories, adapted to book form. 

When their father moved to Canada to accept a job as a research scientist, his family followed. It was extremely upsetting for Faith, who had to leave the only home she had known and her pets, for future uncertainty. She was especially worried about leaving the moon behind them. Her older brother Gareth offered to ask their travel ship's captain to tether the moon and haul it along with them. It gave Faith a feeling of peace for the inevitable move. 

The eight days on the ship were difficult at times, especially when clouds kept the moon from shining. In that time, the moon changed from its quarter to full moon phase. While there was time to enjoy the days with other children and explore the ship, the nights were often stormy and filled with clouds. In those times, it was hard to console his little sister, although Gareth remained adamant that the moon was still there. 

Upon arrival in Canada, the three passed through immigration and were extremely excited to see their father once again. Their journey to their new home was tiresome, but ended happily. 

"It was a long drive on the wrong side 
of the road. Faith felt a bit sick when 
they got to the house, but Daddy had 
a new kitten for her."

In the yard that evening, Faith remained worried about the moon. No need. As it rose into the night sky, so full and close, Faith finally knew she was 'home'. 

This story is enhanced by digital artwork by Sean Huang. He captures Faith's emotions, ship life and the family's arrival in a new country in illustrations that complement the story and add context to the feelings experienced by the family as they pack up all they have known to move far away to an unknown future.

Sea Wolves: Keepers of the Rainforest. Written by Megan Benedict and Melanie Crowder, with art by Roy Henry Vickers. Astra Young Readers, Penguin Random House. 2024. $24.99 ages 6 and up

 

"The strong ones know
             they must 
      bring enough 
                    home.

On the distant shore
      wet snouts explore the tide pools
           in full bloom."

In the notes that follow the full text of their book, Megan Benedict and Melanie Crowder speak to their readers: 

"When you think of wolves, what do you see? 

You probably don't imagine beachcombers, tide pool foragers, or wet-eared swimmers paddling between islands. But the sea wolves of western Canada and southeastern Alaska are exactly that. 

These wolves are often smaller and tend to have shorter, coarser, red-tinted fur compared to interior wolves. Though scientists are just beginning to learn about this amazing coastal form of the gray wolf family, Indigenous peoples have long known their unique way of life and respected their roles in the ecosystem."

Throughout their beautiful book, they offer a careful and quiet look at sea wolves as they go about the business of their days. Their lives in the coastal rainforest are observed through paw prints close to the water's edge as they hunt for needed food. The waves will soon wash away the evidence that they have been there. The cool, rainy skies make thick fur wet and salty, which is only impacted even more by the swimming they do in search of food. First clams, then salmon ... they are ready to head back to shore and into the surrounding forest. 

Noise from giant machines working nearby has an effect. The wolves gather, calling the rest of the pack home. They gather to welcome and protect new pups, who will one day become the 'sacred keepers of the rainforest' themselves.  

Roy Henry Vickers, renowned First Nations artist, has created digital illustrations for this book that pay respect to the sea wolves he has watched his entire life. Their quiet presence is shown in small silhouette images on every page, making for an interactive read with little ones. They will want to point out each tiny discovery. 

Back matter includes further notes from the authors that offer a wealth of information concerning 'not your average wolf', their activities and families. Mr. Vickers adds anecdotal accounts of meetings with them, and stories told about them.  

Exceptional in both the writing and the art! 

Who's Walking Dawg? Written by Marie Prins and illustrated by Leanne Franson. Red Deer Press. $23.95 ages 4 and up

 

"He followed his nose past 
a cat by a car, 

a bunny in a bush, 

and a toad near the road ... 

... before pausing momentarily, 
next to a clump of weeds. 

Oops, 
no poop bag!" 

I have never had a dog; just the same, I believe that the agreement is made before acquiring one that the dog will be walked without complaint? Am I right? What happens in this doggy tale is not unusual, I would bet. 

Dawg is waiting by the door, in need of a walk. No one is paying attention. Dad is busy making pizza for supper; Mom is working from home; Bro is jamming on his guitar; Sis is talking on her phone. Dawg is becoming frantic to go out. Only Little One pays attention when he scurries out the door. 

On his own, Dawg has lots to keep him busy, including the 'poo' he so badly needed. His nose tells him much about his surroundings and leads him straight to the park for a play. When he finally comes to a stop, he realizes just how hungry he is. While all this is happening, the family discovers that Dawg is nowhere to be found. Luckily, Little One can steer them in the right direction ... outside! As they all search without any luck, Dawg has decided to head for home and sustenance. He is barking outside the front door when the family arrives in a great flurry of worry ... and relief! They know exactly what will make him happy. 

Mixed-media artwork captures the inside and outside life of a much-loved pet. Expressive and detailed, the images will delight those who love dogs and want one of their own. 

Dancing Dumplings for My One and Only, written by Eva Wong Quek. Candlewick Press, Penguin Random House. 2024. $24.99 ages 4 and up

 

"Brrr! It's getting colder now as I watch
russet leaves tumbling down, down, and down. 

My scarf goes around and around my neck
as Mama whispers, "It's time to take Grandma 
home now.""

A young girl watches with her mother as her grandmother practices tai chi in the park, where they are having a picnic. The two practice together, enjoying the time spent. Once home, they settle in to make dumplings. They watch as the dumplings dance in the water, just as Grandma danced in the park ... Slow. Firm. Focused.

It is a favorite activity. Eating them is the best part, of course. As the leaves fall in autumn, their return to the park is much slower. Grandma needs help and good care. When her granddaughter mentions her rumbling tummy, Grandma sadly tells her she won't be making dumplings today. In fact, it's been a while since the last time they made those dancing dumplings. 

Mother and daughter do all they can to keep Grandma comfortable. It is a along wait until she begins to feel better. 

"Then one day, I hear her heart beating 
stronger and louder. 
"You have nothing to worry about," Grandma says."

She's right. Soon they are back in the park watching Grandma practice her tai chi, and enjoying the beauty of spring. When they arrive home, it's up to the child to make dancing dumplings for her one and only. A family ritual continues, helping with the healing that is still needed. 

This story of family love may feel familiar. It is lovingly filled with beauty and detail in digital illustrations that honor Chinese culture and family life. The rich colors provide a wonderful backdrop to the storytelling. An author's note explains the importance of love, family bonds, warm memories and food that her family loves to make together. 

Springtime Storks: A Migration Love Story, written by Carol Joy Munro and illustrated by Chelsea O'Byrne. minerva, Astra Books. Penguin Random House. 2024, $24.99 ages 4 and up

 

"The man scooped me up with gentle hands. 

Together, he and the girl ran with me, 
       farther and farther from Luka, 
         who crouched in the field, 
                 confused, afraid, 
                     feathers ruffling. 
                         I tried to call to him, 
                             but my cry wouldn't come."

The female stork, who narrates this tale, is shot out of the air near a farmer's field.  A fast fall has it landing on soft grass, with her mate in full pursuit. Luka is frantic about Katerina's plight; he is frightened off by the people who come to her rescue. A man picks Katerina up and, in a rush, runs far away from Luka who continues to call out for her. The man is accompanied by a young girl. Both are very concerned about the injured stork. 

Luka is always near, and wary whenever the humans come close. At sunlight, Katerina reminds Luka that he must leave to avoid the numbing cold of winter. She will not be able to join him. Katerina has good care from both child and man. Katerina heals, the seasons change, and the child runs with the stork outside in warmer weather. 

"I stretched my legs
and ran. 
I stretched my wings
and winced. 

Still, I had to try." 

Flights are short. The child helps the stork build her summer nest. As birds return, there is no sign of Luka ... Katerina stops thinking about any long flights, and languishes alone. Then, one day, she hears Luka calling for her! The father and mother become a family of five. Luka teaches the brood to fly. The family flourishes through summer sunshine. As the leaves begin to change color, Katerina knows that Luka must prepare to leave again. Promising to be back (and on time) in the spring, he is off with his new family. 

An author's note shares a version of this same story, especially focusing on the devotion felt by the stork pair. A similar event happened in Croatia; each year the male stork returned, and it was captured on video viewed by many year after year. Illustrations created with chalk pastel, colored pencil and digital pencil allow readers a clear look at setting, seasons, the care selflessly given, and the joys of being together again.  

Hungry for Engineering: Poems to Gnaw On. Written by Kari-Lynn Winters and Lori Sherritt-Fleming, illustrated by Dave Whamond. Fitzhenry & Whiteside, 2024. $23.95 ages 5 and up

 

"Use 

        Less power

               Less time ... 

                    Less force. 

Now I SEE! 
Of course! 

Simple machines make work flow.
Hmmm... simple machines. 
Good to know!"

As a teacher-librarian I was always on the lookout for books that could be used by teachers to complement their curriculum studies for kids. It wasn't always easy to find a book that would entertain while it also educated. This engineering book of poetry would certainly have been a hit with early years (and older) kids. 

The poems included explain some of the ins-and-outs of the field of engineering itself, and how knowing its benefits can improve lives. Introducing simple machines ... what they are and how they work ... will help readers understand their many uses. 

"Wedge, wedge, why the edge? 
         To split two things apart.

Wheel, wheel, what's the deal? 
          To roll a heavy cart. 

Screw, screw, why choose you? 
         To fasten things as one." 

That is the essence for learning about the importance of simple machines when getting jobs done. A marble run, waking a dragon, solar energy, wind power, moving many different materials, and the perennial battle to find the most successful way to drop an egg from a height are each captured in entertaining and enlightening poetry that makes learning fun!