The Hotel Balzaar: A Norendy Tale, written by Kate DiCamillo and illustrated by Julia Sarda. Candlewick Press, Penguin Random House. 2024. $23.99 ages 8 and up

 

"The world was utterly silent. 
Below them, in the attic room of the Hotel 
Balzaar, the perfume bottle mermaid sat on 
the dresser, smiling. The enormous slippers
were neatly aligned beside the bed, waiting, 
and somewhere within the Hotel Balzaar, 
Marta knew, her mother worked - cleaning 
and cleaning, her long, dark hair pinned 
beneath her cap."

Marta and her mother have not heard from her military father in a very long time; his absence has meant that the two are now living in the attic room at the Hotel Balzaar where her mother is a cleaner. Marta is allowed to explore the hotel; her mother's instruction is to be inconspicuous. She is not to garner any attention from guests or staff. Marta has a daily routine that allows her release from her lonely existence in the attic. 

When an elderly countess arrives and notices Marta, asking that the young girl come to her room to hear her stories, Marta cannot contain her curiosity. The countess, and her parrot Blitzkoff, are friendly to Marta. They are also strange and very mysterious. The countess has seven stories (although she disappears before sharing the seventh) to tell the young girl, and begins on the second day of her residency. 

The stories, as they continue, both fascinate and baffle Marta. They make connections and inspire Marta to think more deeply about their meaning. Some are related to her father. Marta is sure he will return, but unsure how he will ever find them. She is often reassured by the tales the countess shares with her. It is quite a magical time. 

Julia Sarda's black-and-white illustrations are a striking addition to the storytelling, adding detail and meaning to this second book in the Norendy series. The themes of love and loss, confidence and concern, and worry and faith are evident as Marta attaches meaning to the stories being told. 

Ms. DiCamillo celebrates storytelling in such remarkable ways. I am ever in awe of her formidable talent. 

"I want you to know that war destroys everything, always,” Marta’s father tells her in his letter. “If anyone tries to explain it to you otherwise, in some other way, in words of nobility or valor, do not believe them.”