This Is Orange: A Field Trip Through Color, written by Rachel Poliquin and illustrated by Julie Morstad. Candlewick Press, Penguin Random House. 2025. $24.99 ages 6 and up

 

"The Golden Gate Bridge is also painted 
International Orange, although it is a 
different shade. I would call it red. The 
color helps planes and ships see the bridge 
through San Francisco's famous fogs. 

The Tokyo Tower in Japan is painted yet
another, even redder shade of International
Orange. The tower is repainted every seven
years and takes an entire year to paint. 

I don't know why there are three different 
International Oranges."

I have no Halloween books on my shelves this year. But, this new book by Rachel Poliquin seems to fit the bill perfectly for one worthy of your attention today, and every day. The fact that its is about the color ORANGE is icing on the cake, isn't it? 

It is billed as a field trip! A navel orange is first up; it is followed by a mandarin, a kumquat, and a blood orange, though its flesh is red. In charming conversational text, Ms. Poliquin has her readers engaged from the onset. She explains that six hundred years ago there was no word for orange in English. In the Canterbury Tales, Chaucer described it as a colour 'betwixe yelow and reed.'

Orange is described in terms that are historical, cultural, and as part of the natural world. First planted in groves in the Mediterranean, its name came from the Tamil word naru, then narang or narange, and finally orange in English. Orange soon became a color used in artwork when artists used a powdered mineral called realgar and another called crocoite in various pieces of art. 

A full spread designed by the talented and observant Julie Morstad is awash with young artists using shades of brilliant orange in their paintings.  Other works are described before the writer returns her audience to food. This time it is cantaloupe and cheese that get attention for their orange hues. What birds come to mind when you consider orange as a color to describe them? American astronauts wear International Orange survival suits so they can be easily seen following splashdown. Of course there are pumpkins, robes for monks, turmeric spice, orange t-shirts in Canada on September 30 every year to honor Indigenous children taken from their homes to residential schools, monarch butterflies, flowers of all kinds, and flags. 

Following sharing this entertaining and worthwhile book in school classrooms or at home, get out into your world and see what you can add to the list of orange things already presented. 

Norman and the Smell of Adventure, written and illustrated by Ryan T. Higgins. Disney*Hyperion, Penguin Random House. 2025. $25.99 afes 3 and up

 

"Soon, Norman found himself beside 
a little road he'd never seen before. 

He looked to the left. 

The road stretched on. 

He looked to the right."

If you are a fan of Ryan T. Higgins (who isn't), you will happy to meet up with Norman the porcupine in this book about the true meaning of friendship and loyalty. Norman's best friend is a tree named Mildred; they are content to spend their days doing what they both like to do together. Norman swings on one of her branches, reads a book in her upper limbs and even likes to birdwatch from her base.

Norman's restlessness leads him to invite Mildred to head out with him to try something new. Mildred explains that she has other plans. How can that be? A misunderstanding leads to an argument and Norman's threat to head out of his own looking for adventure. Angry, he loads his backpack and is off, with hopes that Mildred will follow. She does not.

Committed and determined, Norman follows an unknown road until he comes across a cactus with a SALE sign. Norman misreads it as Sally and introduces himself. Sally is very quiet; Norman sees that as being wise. Using Sally as a sounding board for the trouble he is having with Mildred, he seeks advice. Without any response from his new friend, Norman decides it is best to move on. He is not at all sure what he wants but takes many paths in pursuit of whatever it might be. A surprise meeting with a wet moose sends his scurrying, taking stock of his situation, and deciding he should take time for a careful think. He notes the beauty around him, takes some photos - all the while thinking about Mildred and how much she would love this adventure. 

He heads home, armed with new knowledge about the world and a quick thank you to Sally who offered advice (or did she?) when he needed it. The reunion at home is filled with apology, quiet talks, and a realization that being with your best friend is mostly where you want to be - unless you occasionally want to head out the next time you smell adventure. Just don't forget to come back, even if you are smelly and dirty as your best friend is likely to tell you.  

Sweet, and sure to be a fan favorite for reading on repeat!  

Bud Finds Her Gift, written by Robin Wall Kimmerer and illustrated by Naoko Stoop. Allida, Harper. 2025, $24.99 ages 5 and up

 

"Raising her arms in the new light, Nokomis said: 
"Good morning, Morning. Thank you for the gift 
of this day. Thank you, birds and trees and dew 
and flowers. Thank you for all the gifts we are given.

Bud watched and waited. Then she asked, 
"Will we do the important thing soon?"

Nokomis laughed. "This is the important thing, 
taking time for noticing and saying thank you 
for the gifts of the Earth.""

Bud has a special talent for taking notice of the world around her. Outside, inside, and everywhere she goes she notices that people have important things to do. She feels left out. A visit to her Nokomis gives her a chance to talk with her grandmother about what she is feeling. Nokomis offers advice for doing something meaningful the very next day. 

Anticipation grows as the two set forth in the morning. At the top of the hill, they stand beside a very tall tree. Nokomis raises her arms and offers thanks for all the gifts given: for the day, the birds, the bees, the trees and flowers. Bud is left wondering when they will get to the 'something important'. Nokomis explains that taking time and saying thank you to the earth is it. Bud misunderstands the word 'gifts'. 

Nokomis then explains to her granddaughter that the many gifts from nature are worthy of notice. She tells Bud that the more she takes notice of such things, the more she will appreciate what is there. She encourages Bud to start practicing every day to see what will happen. As Bud uses her senses to take careful note of what is happening around her, life takes on new meaning. She watches in awe of a robin building a nest, and understands that as she helps care for the bird, the robin provides the gift of song to her. Nature is full of one thing happening to make something else possible. By taking the time to watch carefully, Bud's awareness of that interaction grows exponentially. 

"Everyone played a part, giving gifts to one another all the time, 
each gift leading to the next. 
The more Bud noticed, the more thankful she became."

Would it be enough? 

The cozy warmth that exists between Bud and her Nokomis, and within her natural surroundings, is expertly shown in Ms. Stoop's detailed and appealing art. Back matter includes a note from the author, ideas for gifting, and additional resources for further learning. 

Bread Days, written and illustrated by Hannah Chung. Astra Young Readers, Penguin Random House. 2025. $24.99 ages 5 and up

"Nara arranged bread-making materials. 
She covered the cabinet doors with Papa's 
notes and her bread drawings. 
Nara could feel the kitchen warm and cozy
again like Bread Days. And there was just 
one more important thing to do." j

Nara loves bread days. She and her father like to bake together. After wishing her papa a good day, the next thing she does is to say hello to Paolo, the starter they use for their sourdough. She feeds Paolo and watches as the jar fills with bubbles. The day passes quickly with the busyness of bread making. They add flour and water, fold and round out the dough before putting it in the oven. Papa always adds one of Nara's drawings to the top of the loaf before it goes in the oven to bake. 

What a treat to share together. Then, Nara begins the wait until they make the next one. When the next day rolls around, much has changed. Papa has died, and there will be no more bread days. The kitchen where they did their baking changes. Nothing is the same without her father. 

Then one night Nara leaves her bed to get to work in the kitchen again. She gets everything she needs, puts Papa's notes and her drawings on the cabinet doors and feels the warmth all over again. It's time for Paolo. Paolo looks terrible. Mama knows just what to do. The bubbles reappear; the jar fills with bubbles once again. Paolo is back and so is the desire to recreate the bread days Nara once enjoyed with her father. 

An author's note adds the family story that inspired Ms. Chung to write this book, and includes family photos of bread making days. 

If I Built a Town, written and illustrated by Chris Van Dusen. Rocky Pond Books, Penguin Random House. 2025. $26.99 ages 6 and up

 

"Next to the stores is my world-class salon,
Rivalling those found in Rome or Milan. 
It's all automatic. Just sit in the chair. 
Then seven skilled styling hands drop from the air. 
They clip and they snip and they whip up a do. 
And voila! They're done. A new fabulous you!"

This latest addition to Chris Van Dusen's If I Built series, concerns a young boy who imagines and describes the town he would like to build. His architectural dreams are first presented on the front endpapers in images that show a store, a health clinic and bandage building, a restaurant, a library, and some farm machinery. There will be readers who want to stop right there and have a clear look at each image. 

The town looks pretty ordinary on the title page. In fact, Jack thinks it's okay. It could just be so much better, he suggests to Mayor McKay.  He would start with the fountain. Carved in blue marble and sporting sea creatures of every kind with jets that spray whenever someone walks by! As the two stroll together discussing the changes Jack would make, the upbeat rhymes and glorious artwork draw readers to the wonders of the imagination. 

Jaxtown would have everything that kids might dream of having in their own town. Tree planting, an open-air zoo the includes mythical creatures as well as those that would normally be found there, an energy source, a new house for everyone, and robots - many, many robots. With every turn of the page, Jack shares his vision for the town he would build. As the two move on through town, readers are shown the diversity of its population, the sunny nature of everyone living there, and the eternal optimism of the town's creator. 

"My town will be swanky! My town will be swell! 
My town will be prized as the best place to dwell!
Vividly vibrant yet sweetly serene."

Back endpapers offer a map of Jaxtown as imagined by Jack, certified urban planner.

Lights At Night, written by Tasha Hilderman and illustrated by Maggie Zeng. tundra, Penguin Random House. 2025. $24.99 ages 3 and up

 

"The power goes out ... 

Darkness inside, 
darkness outside. 

We fall asleep to the 
sound of the rain ... 

But the nights are alive with buzzing and humming. 
Spring is here. Flower heads and furry faces poke
out of the dark earth."

This book about seasonal light values what happens when the sun goes down, and is perfect for bedtime reading. As streetlights come on in the spring, rain falls leaving puddles that glimmer in the fading light. The family runs from the car, making it inside just in time to miss the raindrops and watch the power go out. It's dark everywhere.

That doesn't stop the fun. Rain patters on the rooftop while the children find comfort in flashlight reading and blanket tents. As the family sleeps inside, readers learn of all that is happening outside their house. Kits are born to a fox under moonlight. Nature hums with wonder. Observant readers will follow those foxes throughout the telling as they, too, find wonder in the seasons. 

Summer arrives with the sights and sounds of campfires, toasting marshmallows and fireworks. Camping is a summer delight. Then, as farmers work their fields and summer skies darken earlier and earlier, a school bus ride gets children home at twilight where they are encouraged to come inside to enjoy the warmth found there. Football games under the lights and the arrival of Halloween fill the evening sky with jack-o-lantern glow and deep shadows.

Fall's cool weather will soon turn to cold. Winter nights lengthen and darkness prevails; the children find joy in winter activities. Skating, Christmas lights, and travelling through snow-filled skies are filled with wonder. The beams from the car's headlights fall on the once again on the spring fox and her kits as they make alongside. Everything is aglow.  

A Sea of Lemon Trees: The Corrido of Roberto Alvarez, written by Maria Dolores Aguila. Roaring Brook Press, Macmillan. Raincoast, 2025. $24.99 ages 9 and up

 

"DAVID'S LITTLE BROTHERS'
small sobs, 
the way they try to 
swallow their 
sadness quietly, 
twist my insides. 

When I walk through the 
rickety stick fence
and meet Mama's sad eyes, 
I almost shatter into a million pieces. 

She knew it would happen, 
but maybe, just maybe, 
it would not. 

Because who could imagine
they would turn us away
for the color of our skin
and the language we speak?"

This verse novel eloquently recounts the story of Roberto Alvarez and the 1931 Lemon Grove Incident. I had never heard of it, and I am guessing that I am not the only one. These are the stories that are rarely shared in history classes. It is very unsettling; then, ultimately hopeful even though it didn't stop such incidents in years that followed. 

While students are on Christmas break, Roberto meets his friend Socorro's cousins. They have just moved to San Diego after being driven out of their Oklahoma home in the face of deportation raids on Mexican families. As break ends and the students eagerly return to their studies, the Mexican American students are told they can no longer attend Lemon Grove Grammar School. Now, they will have to attend the Olive Street School. 

Their classes will be held in a renovated barn. It is not right, and residents of the barrio know that to be true. Roberto also knows it. As el Comite de Vecinos de Lemon Grove is organized to fight the transfer of their children, Roberto is made the young spokesperson for their legal action. The court case occasions change; it is the first successful desegregation case in the US. It does not go smoothly. Families are threatened; the community remains strong. Charges against the children for not attending their new school, deportation of some families, and a need for money to fight their case result. 

When all is said and done, the people win their case. In spite of their many losses, they stand together to do what is best for their children. The text is beautifully written. Roberto, a 12-year-old boy is a compelling and courageous voice for all the tensions and fears between the two sides. There is reason to fear what will happen; there is also determination and perseverance to stand in solidarity. 

An author's note provides readers with the history that led to the Lemon Grove Incident.

"THERE IS SO MUCH
I do not know about the world, 
but I hope that people 
learn about what happened
in the sea of lemon trees.

I make a wish that 
children of every color
can go to school together
and never feel 
like they do not 
belong."

The Secret World of Spider Webs, written by Jan Baccaloni and illustrated by Namasri Niumin. thames & hudson, Penguin Random House, 2025. $25.95 all ages

 

"Its silk has a glorious golden color, which attracts 
flying insects. The golden silk orb weaver leaves 
golden glue droplets along each web line. Sure 
enough, when a bee flies into the web, it sticks long
enough for the spider to run the width of the web 
and bite the bee with its long fangs. 

If this proves to be a good hunting ground, 
the golden silk orb weaver will keep its web
in place for years, and repair sections as and 
when they get damaged."

I don't have a lingering love for spiders; they move a bit too quickly for me. I do have admiration for tiny creatures who have the prowess to build webs in the most inconvenient places for many, including their intended prey. I don't like walking into webs; vulnerable prey for said spiders is too often caught before they know what hit them. As is explained in the opening quote. 

Receiving this book a few days ago was a welcome surprise. It is absolutely outstanding for its design and for the information provided to anyone who has an abiding interest in nature's creatures. Kudos to thames & hudson for providing the tactile sensations of the webs for those who share it. Readers will want to take the time to be awed by the embossing on many of the book's pages, to follow the web lines, and to see the 13 different webs that spiders weave. What a remarkable learning experience! 

Opening pages explain why spiders build webs, what spiders eat, and the benefits that spiders provide for our world. Three to four paragraphs of relevant facts are presented alongside the attention-getting artwork which covers each of the double-page spreads. Habitats are evident in the backgrounds of most spreads. The data includes the webs themselves, the spiders, their silk, and the ways they construct the webs and use them to capture prey. Orb webs are the most common; others are expertly described including those weavers that decorate their webs. Most are complex and serve various purposes. Many are used as traps, while others provide camouflage and support. 

If, as you come to the end of the book you long to learn even more, there are pages in back matter to describe how webs are built, the anatomy of a spider, the ways in which spiders spin the different types of silk, a spotter's guide that will take readers back for a closer look, a glossary, an index, and a list of sources. 

This book is impressive and enlightening from first page to last.                                                                                   

Hansel and Gretel, written by Stephen King and illustrated by Maurice Sendak. HarperCollins, 2025. $33.50 ages 7 and up

 

"On the night their stepmother told her husband
her wicked plan and persuaded him to do it, both 
children woke from their dreams. Gretel told her 
brother she had dreamed of angels circling the moon. 
Hansel had awakened before his sister and heard 
what their father and stepmother meant to do. He 
told Gretel what he had overheard. 

She began to cry."

While my daughter has long been a devoted fan of Stephen King's books, I have not. Though she tried to convince me to give one a try, I was not amenable to her recommendations. Too hard on my head and heart, I thought. When we read that Mr. King's newest book would be one for children (and a fairy tale, to boot), we were both intrigued. To also learn that the illustrations for the book would be those crafted by Maurice Sendak for the Humperdink opera of Hansel and Gretel, was the icing on the cake for the two of us. I have read the book a few times; she has not yet had the pleasure. She soon will. 

Of those Sendak images, Mr. King writes in his introduction: 

"Two of the pictures in particular spoke to me. One was of the wicked witch on her broom with a bag of kidnapped children riding behind her; the other was of the infamous candy house becoming a terrible face."

This is a more frightening version of the original Brothers Grimm story; one that should not truly surprise readers. The family is in dire straits as the story opens. Famine and drought are knocking at the door of the woodsman and his wife. The stepmother remains evil and perfectly content to lie about how bad it is when she talks her husband into taking the children into the woods and leaving them there, lest all four die together. 

The forest is dark and very scary for the children who follow their parents. Luckily, this first attempt to leave them for the wolves is aborted when Hansel, having heard them making the plan, is smart enough to leave tiny white pebbles along the path they take. Those pebbles lead them home that first time. The next time, they are not so fortunate. Left on their own, frightened and hungry, the children wander about trying to find a familiar route out of the darkness. 

They come across a delectable candy house; the old woman there invites them in. Finally, they are safe! So they think. In fact, she does what every witch in every Hansel and Gretel tale does. She feeds Hansel to fatten him up, while Gretel is tasked with numerous chores. The description of the house while the children are sleeping will send chills down the spines of readers.

"Once they were asleep, the pleasant aromas became the smells of rotting fruits and vegetables, the walls started dripping with slime, and the kindly face once more became the evil face of Rhea. Her yellow eyes peered nearsightedly at the sleeping children."

Easy to trick because of her extremely poor eyesight, Gretel is able to push Rhea into the hot oven, free Hansel from his cage, and tell her brother about the trunk she had noticed under the witch's bed. You surely know what they found inside, and what they did with it. 

"They lived happily ever after." 

There are horrors here as any fairy tale enthusiast will be expecting. The tone is bleak and desolate.  Older readers and fans of the two creators will appreciate this new version of a very old fairy tale. Fabulous art and a familiar story told with all the good parts left in. Bravo! 

Band Nerd, written by Sarah Clawson Willis and illustrated by Emma Cormarie. Harper Alley, 2025. $31.00 ages 8 and up

"You know how much I want 
to be first chair. 

I do too. I was first chair at 
East all last year. 

I thought we were friends. 

Why are you so mad? This 
is an arts school. We all want
to be the best. 

Whatever."

After being first chair flute in her old school, Lucy is determined to prove herself worthy of the same position in the Windley School of the Arts, a private school that will require her best in both the classroom and the band room. It's her first day; as she leaves home her parents are fighting again.

Her bus ride to school has her meeting Malia, someone who will become a good friend. As they spend more time together, each learns that the other has family secrets. That provides a bond that heightens their connection. As Lucy struggles to keep up with both school and band work, she becomes increasingly anxious. At home, life is not easy either. Her father's addiction to alcohol creates more and more tension in the family's home life. He is unable to find a job, enters rehab twice and, after each, he returns to his former ways. 

It isn't until Lucy steals sheet music from Tolli, the first flute chair, that things go completely awry. The result is a meeting with parents, Lucy and the school counsellor. Only then does Lucy reveal that she is working so hard and failing so miserably to do something that will solve all the problems at home. She thinks if everyone can be proud of her, things will right themselves. 

Moments of support and friendship are welcome. The author and illustrator cope handily with the issues that arise. Empathy and understanding are evident when dealing with Lucy's father and his addiction, and her family's dysfunction. Characters are well-developed and realistic. There is emotional depth for the issues that many middle graders must deal with at school and at home. 

An author's note is informative and appealing. 

Rez Kid, written by Andrea Landry and illustrated by Isabella Fassler. Kids Can Press, 2025. $21.99 ages 6 and up

"The air feels cooler now. I look at our garden, 
which I helped plant after the last snow melted. 
We pull out carrots, potatoes, and beets. I smell
the earth as I dig. It smells like home. 
I tell my story once more. 
"Why don't you share our harvest? Show them 
how to be generous." 
"I'll come up with my own idea!""

The girl who narrates this story of Indigenous culture is often taunted on her school bus ride home. They call her Rez Kid, and it hurts. It makes her long for being home at the end of each school day. As the bus crosses the railroad tracks, she is finally back on the rez. 

She shares her sorrow and tears with her mom as she beads at the family table. Mom wonders if the girl might make some beaded flowers for the kids at school to show them kindness. The girl wants to think of something to do on her own. Next she visits her Nohkom. Together, they set out to collect medicine from the fields nearby. Nohkom suggests taking some of the medicines they have collected to teach her classmates about them.  Once again, the child wants to figure it out on her own. 

The same thing happens when she stops to see her Moshum. As they ride their horses to the creek, he suggests that she show them the confidence she feels. It's still not quite right. After tea, she and her aunty go out to harvest some garden vegetables. Could she share their harvest? Not yet ready to let someone else deal with her problem, the girl makes her way back home. As she sleeps, she remembers her moshum advising her to find a soft part in each of the school kids. 

In the morning, she uses all the advice given by those who love her and shares life on the rez with the kids on the bus. She invites to come home with her on Friday. 

"I show them the home of my ancestors. 

The home of my family. 

I show them the beads, 
the medicines, 

the horses, 

the vegetables from my aunty's garden. 
My home."

The traditional ways of reserve life for Indigenous people are celebrated by the young narrator and has learning and kindness at its heart. The girl's pride and confidence allow for her to offer the invitation that she knows will help her school friends understand what is so special about her home. Ms. Fassler's exceptional artwork highlights the natural surroundings and cutural traditions in bold colors that also enhance the learning. 

                                                                                

The House That Floated, by Guoing. Randon House Studio, Penguin Random House. 2025. $24.99 ages 4 and up

"When a powerful storm rages and giant 
waves engulf the cliff, the family realizes
their home is in danger ... 
and they must act quickly to save it."

Here is another poignant wordless picture book that introduces readers to a little red house on a high cliff above a vast ocean. It offers an idyllic life in the peace and beauty of its surroundings for the young couple who live there. They spend their days fishing; it happens that on one such day they release a dolphin trapped in a fishing net. Once freed, they watch as it relishes the freedom the couple has provided. 

A carving of the saved dolphin finds pride of place on a shelf that holds other mementos of their life. They soon welcome a child, and their lives become even more fulfilled. The child grows and prospers. Life is good. Their boat trips on the water that surrounds them are filled with all the beauty of nature and its marine inhabitants. When a pod of dolphins swims nearby (and one shows a particular interest), they are full of wonder. 

Time passes and the world around them changes. The waters rise until they threaten the family's safety. Knowing they must do something dramatic, they work to find a way to remove their house from the cliff. With ingenuity, patience and hard work, they manage to fashion a pole raft to be towed behind their boat to a safer place. Lead across the water by the dolphins and guided by a lighthouse beam, they are helped ashore using needed equipment and with plenty of professional help. 

This family story clearly shows how daily life and the changes that happen help create a place to call home. As she has done in previous books, Guojing uses a limited palette to capture the emotions felt as the family takes in all the seasonal and yearly changes, and the heartbreak that comes when having to make a dramatic and unimaginable change.  It fires the imagination and evokes clear thoughts about the family's way of life, and what home means.               
                                                                              

How To Grow a Family Tree, written by Bea Birdsong and illustrated by Jasu Hu. Neal Porter Books, Holiday House. Penguin Random House. 2025. $24.99 ages 6 and up

 

"The next day, Keisha shares a tree with full 
branches. She has six brothers. Parents, 
grandparents, aunts, uncles. Cousins spill 
off the edges. 

"It will be your turn 
tomorrow, Emmylou," 
Mr. Davis tells me."

Creating a family tree for a school project can lead to anxiety for many children. Emmylou is one of them. As her classmates present their family trees at school, it is abundantly clear to Emmylou that her family tree is unlike many. Her tree has two branches; her Mama and herself. 

A question to her mother about her grandmother's name is met with a terse answer. Emmylou stops asking any further question. While it does lead to her mother sharing that two of the recipes she makes are from Emmylou's grandmother, the conversation stops there. Emmylou takes a piece of cake to her neighbor, Mrs. Patel who suggests that family recipes are special. She sends the child home with a jar of mango chutney. As her classmates continue to share their stories, Emmylou remains fully aware that her family is not the same. No father or grandfather to teach her to ride a bike. Mr. Li does that. 

"But there are no spots for neighbors on family trees."

An after-school visit with Rosa and her twins is praised by Rosa for all the help Emmylou offers to her children. As the pages turn, readers learn that the community shared by Emmylou and her mother is strong and unwavering. Will that help tomorrow when it's her turn to make her presentation? 

Watercolors and digital techniques created by Jasu Hu are gorgeous. They are a perfect match to the text created so lovingly by Bea Birdsong. The use of ginkgo branches throughout adds a lovely connection from one scene to the next. For those children who struggle with a family tree assignment, this team  offers a viable and heartfelt alternative. Sensitive and uplifting.                                                                                   

The Buzz on Wild Bees: The Little-Known Pollinators that Keep Our Planet Humming, writtten by Kira Vermond and illustrated by June Steube. Owlkids, 2025. $22.95 ages 9 and up

 

h

"Buzz ... kaboom! Some wild bees can 
tighten their muscles to make vibrations
strong enough to travel through their soft
bodies and into a nearby flower. When the 
bee buzzes hard enough, it creates a small 
explosion of pollen from the flower. Some 
plants - such as blueberries, kiwis, 
potatoes, and eggplants - need buzz
pollination to grow."

Who knew? I certainly didn't have any idea about the number of bee species there are in the world. Like many people, I assumed that bees were mostly honeybees ... they are the ones most familiar to me. In fact, they make up a small number. It is wild bees that comprise 90% of the bees on earth. 

Who are these bees? Kira Vermond is happy to share her research with us, and the knowledge she has gained about them. The table of contents reveals what readers have in store for them once they open this very informative and carefully designed book for the middle grades. Each new section provides evidence for their presence across the world, their differences, and their positive effect on the many ways they impact our lives. 

Wild solitary bees, such as carpenter bees, sweat bees, diggers and others do not swarm and they rarely use their stingers. They are the main pollinators for many foods. So many truly remarkable facts are shared in accessible text, text boxes, humor, and include threats to their existence. Ms. Vermond offers ways in which humans can help to maintain their numbers, and help to do the right thing in home gardens and communities. 

June Steube's realistic and natural surroundings add appeal at every turn. The front endpapers offer close looks at many types of wild bees, while at the back each is named. After reading this book and taking a close look at the variety in scenes, readers will not be so quick to identify all bees as the ones that are the most familiar. As I have said many times before, I am constantly awed by what I learn from reading books specifically written for kids. They have so much to offer each one of us. 
                                                                              

The Richest Cow in the World, written and illustrated by Barroux. Kids Can Press, 2025. $21.99 ages 4 and up

 

"And with the money you make, 
you could buy more trees. 
Pear trees, plum trees!
You could harvest more fruit,
and make more pies and even jam to sell."

Cow is fully relaxed under an apple tree, enjoying the shade, the sound of the wind, and the clouds in the sky. Pig arrives with a question; he wonders if the apples belong to Cow. When told they do, Pig has a suggestion. Why not pick all those apples instead of wasting time just lying there? Should Cow do that, imagine the number of pies to be baked, or applesauce to be made for that matter. 

The enterprise will grow though the sale of T-shirts, baseball caps, pens ... even key chains. All that money! Why, then Cow can buy more trees of all kinds, each leading to more of everything. Success with these enterprises is sure to lead to the purchase of more land, even more trees, and work for others. Whoa! Wait a minute! Soon, there will be a need for a factory to get all the work done more efficiently. 

"After that, you could 
open more factories. 
Grow your farm in all directions:
north, south, east and west. 
Expand into other regions, 
maybe other countries."

With proper marketing, Cow would soon be a STAR! and move to New York to oversee the vast empire built from one apple tree. Cow has listened patiently and finally asks what might be next. Pig assures that the best is yet to come. Cow could sell everything, be the richest cow in the world, and retire to a little island in the ocean. Is there more? Pig entices with a 'peaceful spot to nap in the shade and watch the clouds float across the sky'. 

And the story ends as it began. What wonder? 

What does it take to make us happy and content? This is a book that would be fun for little ones, and hold deeper meaning for older readers that would initiate talk about both money and contentment. 

The Story and Science of Hope, written by Andrea Curtis and illustrated by Ana Suarez. Groundwood Books, 2025. $21.99 ages 9 and up

"People who are high in hope are happier and 
healthier. 
They live longer, do better in school, have 
stronger friendships, are more creative and are
excellent problem solvers.
They also experience less depression and anxiety. 
Hopeful people even have higher pain tolerance.
Hope is like an umbrella that protects you from 
the storms of life."

This is a well-researched and reassuring look at hope. In the opening, Ms. Curtis advises that each of us has hope; it is with hope people work to make changes that will make the world we live in better. It takes often takes hard work. 

" ... hope is “leaning in and working toward something meaningful to you—even if you’re not sure it’s going to happen."

Beliefs about hope are found throughout the world, and in many teachings and studies conducted. Difficult times can make it hard to hold on to hope; there are things to be done to nurture it. Being in nature, developing caring relationships, searching for information, and artistic expression can all help when things feel hopeless. 

"At Hope Studies Central, a research unit at the University of Alberta, Canada, they've created a school-based program for exploring and expressing hope. The focus is on improving mental health as students and teachers build hope together through listening, sharing, reflecting, making art, as well as doing community service, like working with seniors or cleaning up a local park." 

You need to feed hope; it can be catching. I often tell friends that a great way to start the day in a middle years classroom would be to watch videos from Steve Hartman for CBS News. They are called On The Road and offer remarkable examples of people (kids and adults) doing remarkable things. They absolutely inspire hope in those who watch them. 

In back matter, Ms. Curtis introduces hopeful people working to change the world, ways for readers to help, a glossary, and lists of useful resources. 

Inspirational and meaningful. 

The Boy, the Troll and the Chalk, written by Anne Booth and illustrated by David Litchfield. templar books, Candlewick Press. Penguin Random House, 2025. $24.99 ages 4 and up

"The boy thought for a minute. 
Then he drew a cat with only half
its whiskers ... 

and a dog without a tail. 

This time he left the whole box of
chalk behind and went to play." 

Community children play together in a park near a cave. Within that cave lives a mean, loud, and unfriendly troll who warns them to stay away ... so they do. They decide to play on the other side of the park where they can no longer hear the troll. One boy is drawn to the cave; he invites the troll to come outside. He is rebuffed. 

He leaves and then comes back with a box of chalk. On the space in front of the cave, he uses that chalk to draw a flower, leaving one of the petals uncolored and a piece of blue chalk alongside. When he returns, the petal is colored in. The troll, though invited, refuses to come out of the cave while the boy is there. The boy continues to do his best to entice the troll outside where they can talk. The troll remains resistant even when the boy praises the troll's artwork. 

With no ideas left, the boy draws a boy holding out his hand and smiling. He leaves his chalk when he has completed the image. At his next visit, a big scary troll in holding the chalk boy's hand. Standing quietly at the front of the cave, he tells the voice inside that he is not a troll. Once again, said troll is invited outside. Nothing happens until he erases the troll and adds the picture of another boy who looks much like he does. 

What happens next is exactly what takes place when kids are left to solve a problem with their own innate kindness.  

David Litchfield's digital illustrations raise this kind story to an even higher level, offering appealing and colorful images throughout the telling. 
                                                                           

Lost Evangeline: A Norendy Tale, written by Kate DiCamillo and illustrated by Sophie Blackall. Candlewick Press, Penguin Random House. 2025. $24.50 ages 8 and up

"I will find a way out and through, surely 
I will, she thought.
She was standing with her head back, 
studying the leaping shadows, when 
someone said, "Well, well, what delightful 
morsel do we have here?"
Evangeline turned. 

A large, marmalade-colored cat was 
sitting on the flagstone floor, staring 
right at her."

When a kind cobbler finds the tiniest baby in the toe of one of the boots that have been left for him to fix, he falls immediately in love with the tiny creature. Providing all the care and attention he can, the child grows to be a lovely, still tiny, girl. Their love for each other provides them with dreams of one day going on a sea voyage. 

The cobbler's wife is not much pleased with their loving relationship, and the way her husband protects the child at every turn. She feels forgotten, and jealous. When the child is discovered by a manservant sent to have shoes made for the rich old widow he serves, he is insistent that the cobbler sell the child to him. Of course, the father won't but his wife is not so reluctant to have Evangeline gone. She makes a deal for gold, the deed is done, and the child disappears. 

The rest of the story is told of the two searching for each other. Knowing their love for the sea, each finds passage on boats that travel the world. All the while, they long to find the other one. Through a series of adventures and misadventures, they continue their search. Is it possible after all they have been through to finally be reunited? 

When she meets a kind young tailor, Evangeline convinces him to leave his dreary, confining life and go to sea with her. That way, they can continue searching for her father. As she is wont to do, Ms. DiCamillo uses the coda to catch her readers up with her splendid characters. Is the story told a myth ... created to enttrance and entertain readers for the third time, in the land of Norendy? Will father and daughter finally find each other? What do you think? 

Sophie Blackall's black-and-white artwork fills in details and brings characters to life. It is the icing on this delicious cake. Bravo! 

I'm Very Busy: A (nearly forgotten) Birthday Book, written and illustrated by Oliver Jeffers. Harper, 2025. $24.99 ages 4 and up

"It seemed as though everyone 
was very busy today. 

Even Pearl, 
who had a list of things 
to write and then cross off!

Well, everyone was busy, 
except for Bridget. 

"I guess I'll just have to blow out my
birthday candles alone," she thought out loud."

Bridget is keen to celebrate her birthday with friends. It's such a lovely day; she wants to spend it with them. As she visits with each one, she wonders if they might have time to get together later in the day.  Royal is the first to say he can't be there as he's too busy with people and places to see. 

Undeterred, Bridget moves on. With each successive invitation, she is met with excuses from her friends for not being able to get together. The turnabout happens when Pearl, having made her own excuse, hears Bridget's quiet reaction to her refusal.

"I guess I'll just have to blow out my
birthday candles alone," she thought out loud."

Off Bridget goes to pour birthday tea for her stuffed animal friends. While she is doing that, Pearl is busy worrying that she is the only one who has forgetten Bridget's birthday.  As she speaks with each of the others, she learns that they now have a differeent response about the party. One is off to get a card; one is baking a cake; one is getting ready. 

This time their answers add humor to the their original responses. Readers will be giggling. Imagine Bridget's happiness when her friends do turn up to help her enjoy the birthday they had all forgotten. Luckily, they don't share that bit of news. 

 

Oliver Jeffers keeps readers' looking at the children involved in this funny tale by using plenty of white space on each and every spread. Details, visual jokes and expression-filled faces will hold attention, and add to their enjoyment of a story that elicits quiet, thoughtful conversation following the reading. 

I Like Your Face, written by Brad Davidson and illustrated by Rachel Mas Davidson. Kids Can Press, 2025. $21.99 ages 3 and up

 

"I know all the faces you make, and 
you know all my faces, too. I know your
"Silly Face" which makes me laugh so
hard my stomach hurts. It's the only 
pain that makes me feel better."

What a choice book this is for young readers, especially for good friends. The two boys are pictured at the opening. One is telling the other that he likes his friend's face. The smiles make it evident that one feels the same about the other. It is a great way to get started learning about each one. 

The comparisons of the faces to those things they love to see and share guides the reader through the book with every page turn. Being best friends make certain that no matter where they are, or what they are doing, they will recognize the face they love. At the aquarium, or at a fireworks display, or just being together, they will continue to love the other's face. 

They know everything about the other ... and love the faces they each can make, no matter the circumstance. In their hearts they know that they will always remain friends. As teenagers, as astronauts, even when they live together in a retirement home. No matter what happens as they travel together through life, one will listen to the other and offer support because ... 

" ... I like your face."

This is a fun celebration of friendship, and a great readaoud for younger readers.  

When Sally O'Malley Discovered the Sea, written by Karen Cushman. Alfred A. Knopf, Penguin Random House. 2025. $24.50 ages 8 and up

 

"Don't get me wrong. I didn't want to be adopted. 
Why, some of those folks who came for an orphan 
seemed awful suspectable, talking hogwash and 
flapdoodle, smiling, holding hands, and patting 
heads. I pitied the kids who had to go with those 
smooth-tongued phonies, even with new clothes, 
hope and promises. What if their friendliness 
and niceness was all fakery? What if those folks 
were even meaner that Madame Cruddly? No, 
thank you. I wouldn't be bamboozled. I'd rather
stay an orphan with old clothes and little hope. 
And that's as true as water is wet."

Sally O'Malley is an orphaned 13-year-old determined to make her way in the world after deciding to head west on her own in search of a better life. After leaving her workplace because of abominable working conditions, she is faced with countless difficulties (food, a place to sleep, the dangers of being on the road alone in 1894 Oregon) until she meets Major, an older woman whose work is to get supplies from one place to another using a wagon pulled by Mabel, her donkey. They are accompanied by Major's canine companion, Sarge. 

Major treats Sally with kindness and respect, and does her best to let Sally know she has a friend after never having any. Sally is reluctant to get too close to the old woman. Adding to her consternation is the fact that Major agrees to transport whiny 7-year-old Lafayette to cousins along the trail they are taking. Still, Sally remains as Major provides her only way to get to the western sea that holds promise. 

Sally's first-person narration is riddled with personal thoughts, a colorful vocabulary and a penchant to collect unfamiliar but intriguing new words along their way. Each character is worthy of attention and admiration; they will tug at heartstrings as they travel together - animals and humans. Though thwarted by some of the restrictions on women at the time, the two plod forward from one danger to the next with confidence and bravery. 

Despite a serious setback, Sally moves forward to complete the journey. Her search for belonging is fulfilled and her heart is healed through the connections she makes. No dull moments here; some are scary, sad, educational, downright dangerous, even humorous. It is a worthy readaloud in a middle years classroom that is both historical in nature and meaningful in terms of learning to trust and love others. 

A Fall Day for Bear, written by Bonny Becker and illustrated by Kady MacDonald Denton. Candlewick Press, Penguin Random House. 2025. $24.99 ages 4 and up

 

"Then he slowed. There was Mouse, sitting 
by himself on a stump. He didn't look like 
the usual Mouse. His tiny shoulders were 
slumped; his head was low. 

"Mouse?" said Bear. 

"Oh, it's you," said Mouse."

Bear is one of our favorite-ever characters! The fact that Bonny Becker's earlier six books about Bear and Mouse are on constant repeat for reading with my granddaughters, even as they get older, keeps me on the lookout for a new one. What a thrill to learn that this fall publishing season brings this one, and how happy I am to have received my copy from Evan at PRH! Thanks always Evan for your support of the blog and interested readers.  

Bear is in a quandary. He has been waiting and waiting for Mouse to knock on his front door. They are supposed to be off on a fall picnic, and Mouse always comes to Bear's house to begin a new adventure. Where can he be? Bear waits until he begins to worry. Then, he is off to meet Mouse on the path to Bear's house. Once outside, it is evident that it is a very windy day. Might that be the problem? Bear braves on until he spots Mouse sitting gloomily on a tree stump. Mouse explains that he is sad. Mouse in NEVER sad; what can it be? Mouse explains that his sadness comes in the wake of seasonal changes. The leaves, the birds, the flowers ... all are disappearing. 

Bear puts on a cheery face and does what he can to help Mouse feel livelier. Then, as Mouse relates all those things that are making him feel so sad, that sadness alters Bear's anticipation for the picnic they were planning. He decides to go home and be sad by the fire. Before he can leave, he slips on the muddy ground and falls, which makes Mouse giggle with delight. Bear is not impressed with Mouse's response and tells him so. 

Stomping moodily through the woods with Mouse riding on one of Bear's very dirty feet takes the two straight to Bear's house where they enjoy a cleansing bath, a soothing cup of tea, some delectable snacks - and a warm fire where they can be suitably sad together. Or are they?  

Kady MacDonald Denton has a special talent for keeping these characters full of love for each other, while also filling her spreads with expression and details that constantly encourage children to take a careful look at what is happening on every page. Look for drama, humor, and everlasting affection as you share this book with those you love.                                                                                 

Broken, written and illustrated by X. Fang. tundra, Penguin Random House, 2025. $24.99 ages 4 and up

 

"Mimi stared at me. Mimi knew the truth. 
Mimi was taking the blame. 

I wanted to eat my cake, but ... 
Mimi stared at me. 

I felt so guilty. 
I couldn't take a single bite."

I wonder how many of us - young and old - might be able to relate to the situation the granddaughter in this terrific book finds herself in. She has a story to tell about a visit with her Ama and what happened while there. It started pretty innocently. There was not much to do. Feeling bored, she decided to scare Mimi, the cat. Stealthily making her way about the living room, she was finally right behind the chair where Mimi was napping. As she jumped forward to scare her, she bumped a small table where Ama's cup was sitting. 

The cup flew up, then down to the floor where it smashed into three pieces. Oh, dear! Feeling immediately full of remorse, she did the only thing she could think to do. She ran. Her mind filled with worry about Ama's reaction; she sat outside on the step until she thought she was safe. It was not to be. Ama found her there and invited her in for tea and cake, saying nothing about her broken mug. In fact, it was gone when they got inside. 

The two were sitting to have a piece of cake when Mimi walked into the room. Ama blamed Mimi for the broken cup. Mimi's reaction was fierce and accusational. The child's reaction was one of guilt. She leaves the room and hides in a closet where she plans on staying for as long as it takes. Concerned, Ama soon finds her. The resulting admission is heartfelt and oh, so truthful. Will she be forgiven? 

The digitally colored artwork is fantastic. Full of emotion, Mei Mei imagines many different scenarios for Ama's response. Drama is fully evident at every turn. While humorous, the tale is also filled with  empathy for a child learning to take responsibility for a mistake. A familiar moment in many lives, young listeners will understand the worry, and the relief that comes when making amends. 
                                                                                    

Hello, I'm a Loris, by Hayley and John Rocco. G. P. Putnam's Sons, Penguin Random House. 2025. $23.50 ages 4 and up

 

"I'll tell you a secret: I am the only primate 
in the whole world that is venomous! If I 
feel scared or threatened, I release a toxic 
oil from special glands on my upper arms. 
When I lick it up, it mixes with my saliva 
to make a potent venom. Then I can deliver 
a nasty, painful, and sometimes even 
deadly bite."

There was so much I did not know about the loris. Granted, I will not likely meet one since they live in southeast Asia and some parts of Africa. Nonetheless, I know more today than I did yesterday. That is what I appreciate about the Roccos' Meet the Wild Things series. This is the sixth in the series which includes the sloth, pangolin, quokka, axolotl and toucan. I have learned a lot about these animals, mostly unfamiliar to me. 

The first-person narrative and conversational style of the writing, and the realistic images of both animal and setting have made these books fan favorites for kids who love animals and want to know more about them. The familiar design and opportunity to answer questions asked rewards their interest and ups the learning for all. 

All animals included in the series are endangered species. If we want kids to care for the environment and the loss of many of nature's animals, it is imperative to provide them with books that pique their interest and offer ways to help animals in peril. 

Let me offer just a few things I learned about this pygmy loris, whose beseeching eyes look straight at the child reading this book. It is nocturnal, which explains the need for big eyes that help it see at night. It is a primate, just as humans are. It helps trees in many ways. It is endangered because of habitat loss. It does not like to be frightened, and needs its own space. Do you feel that way sometimes? 

In back matter, Ms. Rocco adds a bulleted list of other facts about the loris, an explanation for why it is endangered, and a list of organizations that are working to help them. 

Family Feast, written by Carole Boston Weatherford and illustrated by Frank Morrison. Crown Books for Young Readers. Penguin Random House, 2025. $24.99 ages 4 and up

 

"After miles of anticipation,
finally, the destination. 

Sisters, brothers, daughters, sons. 
Kisses, hugs for everyone. 

Tastes like home when family meet; 
a bond so warm, so strong, so sweet."

Pops and Big Ma are up and at it early; it takes time to prepare the meal that their family is expecting as they drive from all parts of the city. Their arrival is met with hugs, a need for help, and a whole lot of family love. Everyone pitches in to get the food on the table. What's cooking is a host of family favorites: black-eyed peas, collard greens, rice and beans ... and so much more. 

"Pineapple ringing Helen's ham, 
red beets next to candied yams. 

Chicken and dumplings, turkey and stuffing, 
Virginia's biscuits and cornbread muffins. 

The scent of love from many hands, 
aromas waft toward ceiling fans."

It makes the mouth water, and brings joy to those who will partake of all that is offered. This festive gathering heralds the season's traditions that will be shared as families celebrate fall suppers, Thanksgiving, and other such events. The rhythmic text, with repeated couplets throughout, is both inviting and exciting in its anticipation of the meal to come.  

Frank Morrison fills each spread with action and details meant to attract the attention of young readers. Personalities are evident in clothing, action, and even hairstyles as astute observers go back and forth to ensure they miss nothing. The beagle will certainly be noticed by many. Changing perspectives offer a unique look at the everything that is happening here. 

Whether you are celebrating Thanksgiving next week or later in the year, or if you gather regularly as this family does, this is a book to be read aloud and savored as much as the food it describes.                                                                                   

Gather Grateful, written by Megan Litwin and illustrated by Alexandra Finkelday. Candlewick Press, Penguin Random House. 2025. $24.99 ages 4 and up

 

"Gather tables. Gather chairs. 
Gather plates to pass and share. 

Gather stories to be told. 
Gather young and gather old."

The temperature dipped below 0 overnight here, and the leaves are quickly falling this morning. For Canadians, who will come together to celebrate Thanksgiving a week from today, it seems fitting. The stunning colors of fall, the harvest, and the slow march toward winter have many feeling grateful for earth's bounty. It is time to gather.  

Autumnal warmth in forest images, created in rust, gold and blue gouache with ink highlights, show creatures fully engaged in gathering food for coming days. White backgrounds invite young readers to pay full attention to what is happening in these natural surroundings; there is a lot going on here. Along with necessary needs, the author's rhyming text encourages safety and rest as the days pass. 

Moving on to a human family that gathers to spend time together sharing cuddles, hugs, good food and stories, Ms. Finkelday creates moving, detailed images filled with the warmth and delight that comes with being together. Two of my favorites spreads are the campfire that brings light to the dark night, and the cuddles shared between grandmother and grandchildren as they settle into bed together for a story.  

So lovely!                                                                                      

Aggie and the Ghost, written and illustrated by Matthew Forsythe. A Paula Wiseman Book, Simon & Schuster Books for Young Readers. 2025. $27.99 ages 4 and up

 

"Ghosts from all over the forest came
to watch.

One of the ghosts whispered, "Humans 
are very bad at tic-tac-toe. The girl is 
going to lose." 

The game took all day and all night 
and then - just as Aggie made the
final move - there was a noise from 
above."  

Matthew Forsythe just keeps making better and better books! What a wonder it is meeting Aggie. Excited to be moving into a house of her own, it takes no time for her to learn that it is haunted by a small and persistent ghost who dogs her every move. Her penchant for being alone is constantly thwarted by its presence. 

Aggie is willing to let it stay if it follows the rules she sets out for it. As might have been expected, this ghost follows none of the listed guidelines. Unsettled by its behavior, Aggie decides to take a walk in the rain. Being alone is exactly what she needs. Unfortunately, the ghost is right behind her. Angry, Aggie wants an explanation. The rules are upsetting and the ghost also needs time away. 

As they spend that time together, Aggie is keen to know what makes the ghost happy, if not rules. Turns out it loves to play tic-tac-toe. That information sets up an ultimatum for the two of them: if the ghost loses, it will have to move out of the house. The ghost is very confident. Game on! They play on and on, with not end in sight. Finally, a Man-Faced Owl swoops in with advice. It declares the game a tie. 

Aggie and the ghost continue their game for hours and hours. By the time they quit, they cannot remember why they started in the first place. They head for home where more rules are established. The ghost immediately breaks each and every one of them. Then, he is gone. Finally alone, Aggie soon realizes that she is a bit lonely. Her solution is one final rule ... absolutely perfect! As is this truly brilliant book ... read it for yourself. You will not be sorry!                                                                                    

I am a fan. Here are posts for Matthew Forsythe's first two books. 

https://www.blogger.com/blog/post/edit/7130079189010543417/6718875919120082812

https://www.blogger.com/blog/post/edit/7130079189010543417/6718875919120082812

I Am We: How Crows Come Together to Survive. Written by Leslie Barnard Booth and illustrated by Alexandra Finkeldey. Chronicle, Raincoast. 2025. $ 27.99 ages 5 and up

 

"Our spell is simply this:

       I follow him, 
                and he follows she, 
                        and they follow me, 

and me turns to we -
and we roost in these trees
        together. 

We are safer - much safer - 
        together."

The more I learn about crows, the more impressed I am with their intelligence and clever ways. They are too often considered noisy, annoying, and even warnings for disaster. Yet, they have an established sense of community that is shown in the way they travel in groups and show an awareness of their surroundings at all times. How much do you know about them? 

 This first-person narrative by a murder of crows is startling in its impact. 

"I spill across the sky like ink--
fill the night with jagged cries. 

 I see all.
      Know all. 
           Am all."

The compelling verse is matched perfectly by the artist's dark settings that occur in rural and urban areas. Captivating close-ups of some are intriguing, and the corresponding images of groups as their communal gatherings offer safety and cooperation allow readers a chance to learn much about this often-maligned bird. The crows know they are stronger together.   

There is much to discover here, in both text and art. It is an incredible portrait of crows as they do what crows do. It makes for a great readaloud. When all is said and done, readers will be eager to learn more in backmatter that is generous and very informative, and also includes an author's note and selected resources. 

After reading this book that will lead to new learning and discussion, a valid question might be: how are crows like humans? 
                                                                               

Call Me Gray, written by Andrew Larsen and Bells Larsen and illustrated by Tallulah Fontaine. Kids Can Press, 2025. $23.99 ages 4 and up

 

""I look like a boy but 
sometimes I feel more 
like a girl." 

There. I said it. 

Dad doesn't say anything for what 
feels like a long time. 

"I didn't know you felt that way," 
he says. He takes my hands in his. 
"I'm glad you told me."

"Me, too," I say."

A father and our young narrator hold to the yearly ritual of building an ice rink in the backyard. This year has a different feeling ... not about the rink, about the narrator. Not being invited to Zena's sleepover has created some angst that needs to be explored. There is something that needs to be said. It takes great courage on the part of both. 

The father shares that being mixed up about things is a normal part of life; as is knowing what you want to be. As the day goes on and the rink building continues, the child asks other questions; finally explaining that while looking like a boy, the child feels more like a girl. Dad's response is warm and accepting. 

There is one more thing. It concerns being named. Is Dad happy with his? Only now, does the child suggest having another name ... Gray. Dad will do his best to remember. Their first skate together happens the same night as Zena's sleepover. Exhilarated and tired, the two finally head in for hot chocolate, after Dad uses Gray for the first time.