The Ship in the Window, written by Travis Jonker and illustrated by Matthew Cordell. Viking, Penguin Random House. 2024. $24.99 ages 4 and up

 

"But Mabel was resigned to the fact that she would 
never feel that freedom. If the man wouldn't even allow 
the boy to touch the ship, why would he let a mouse? 
Mabel felt certain that the man would never let his 
prized possession near water. 

Still Mabel would wonder: 
Could it sail like a real ship?"

Pre-title page artwork shows a wooden cabin with one light shining. Inside, a man works diligently on a model ship, while a young boy watches. Attentive readers will note that a tiny mouse is also keeping watch. It is clear to see that the man is the only builder; the boy and mouse are simply observers. 

Mabel is the mouse who lives in this cabin by a quiet lake. The man and his boy live there, too. The impressive model ship sits majestically in the window. Mabel recognizes how important the ship is to the man, who has spent untold hours building it without any assistance. Only when there is no one else around does Mabel emerge to take a closer look, and dream of captaining such a wondrous ship through rough seas. The boy dreams the same dream. 

On a windy night when the front door blows open, Mabel takes a big risk. She manages to bring the ship to the floor, push it outside, and slide it into the water. What are the chances it will sail? Mabel believes it will ... and it does. She sails through the night, facing choppy waters. At sunrise the waters calm, and Mabel delights in her newfound freedom. 

Only then does she hear the man's frantic voice. When he spots Mabel aboard his ship and sailing, he is surprised and duly impressed with the ship's buoyancy. Caught up in the excitement, Mabel does not see a rock just ahead. CRASH!!! The boy rescues the mouse. The man rescues the broken ship. The three do their best to return it to its former glory, for now it has a captain. 

Matthew Cordell's cross-hatched illustrations provide an authentic maritime vibe for this quiet adventure. His attention to detail will be familiar for fans of his artwork, as he focuses the reader's attention on all there is to discover here. 

Evidence: How Dr. John Snow Solved the Mystery of Cholera. Written by Deborah Hopkinson and illustrated by Nik Henderson. Alfred A. Knopf, penguin Random House. 2024. $26.99 ages 7 and up

 

"John has seen that cholera causes horrible 
stomach problems - vomiting and diarrhea. 
That's led him to believe something people 
swallow is making them sick. But what? 

John has also noticed that cholera doesn't 
affect whole cities at once. It breaks out in 
clusters, bubbling up like blisters. John 
wants to know: What links these cases 
together?" 

It's a hot autumn day in London in the year 1854. Broad Street looks like many other streets in the city: yellow smoke, horse dung on the roads, and sewage and human waste 'in yards and cellars'. The people are thirsty and must wait in line to fill a pail of water for their families. They all use the Broad Street pump. Annie Lewis is but one of the people lined up. Her family lives in a single room in a rooming house that offers no access to water. 

In that week, one of the roomers gets sick and dies. The news of his death and the sickness that caused it spreads quickly. The dreaded diagnosis is cholera. There is no cure, and no stopping it. Doctors are convinced that the smell is what is causing the disease to spread. Not so for Dr. John Snow. His visit to Broad Street is not about the patients. John Snow is looking for clues to what is causing the spread of this frightening disease. 

He is an investigator. He has been tracking cholera's spread for years, always searching fpr an answer to its origins. He knows its symptoms and is convinced it is something people ingest that is making them sick. He wants to know what that is. It is distressing that so many people on Broad Street are sick. It can't be that they all ate the same food. Can it be the water? 

He is determined to get the evidence he needs to explain how it spreads. It takes long hours, many interviews, and much fact gathering. With careful research and hard work, John is finally able to find the proof needed to convince the neighborhood council that he now knows the root cause. It is the only hope the people of Broad Street have for saving lives. They agree to take the handle from their pump - all thanks to the evidence John collected. 

Back matter includes The Case Against the Broad Street Pump, further information about John Snow, a list of major infectious diseases and what caused them, and resources for further learning. 

Pine Island Visitors, written by Polly Horvath. Penguin Random House, 2023. $19.99 ages 10 and up

 

"Fiona looked over to Marlin to see if she was 
balling up her fists, or getting ready for battle. 
Fiona always felt like the owner of a barking 
dog in such circumstances, ready to race 
forward, grab the lead, and quiet the dog, but 
Marlin just lay apathetically on the couch 
flipping TV channels and looking uninterested.
This, thought Fiona, was far worse than Marlin 
barking. She would far rather have to try to 
calm Marlin down than to rev her up."

The McCready sisters have dealt with a lot in their young lives. As we learned in Pine Island Home (2020), when their parents died tragically they were taken care of by Mrs. Weatherspoon, a family friend for a year. Upon arrival in Canada, where they were to live with their guardian, they discovered she had only recently died. Their lives improved when Al, a neighbor, agreed to adopt them. 

As a new school year begins in this sequel, Mrs. Weatherspoon sends a note inviting herself to stay with them. The girls, though not enamored of the idea, agree, only to find that Mrs. Weatherspoon is accompanied by another woman from her church, Jo Menzies. 

At Jo's behest, and with support from Mrs. Weatherspoon, their world changes in an instant. Jo is a total pain in the neck from day one. Her constant insistence that everyone in the house adhere to her demands and needs is almost more than any of the girls can handle. Fiona's fierce pride in her ability to take care of her family is under scrutiny at every turn, leaving her fuming on many occasions. Marlin wants to continue making family meals as she has not yet realized her dream of having her cookbook published. Jo insists they adopt her vegan lifestyle. The list of interferences goes on and on. 

Readers continue to get to know the girls and their personalities through conversation, interactions at school and home, and the many small circumstances of every day life. They are finely drawn and worthy characters whose life, though unusual and unexpected, is quite the success. Their love for each other is always evident, and their comfort with Al being next door makes life better for all. 

Horvath's storytelling is compelling, and derisive of those who seek power over others, no matter what the ruse. As Jo pushes her agenda, the older girls learn to push back. They stand up for themselves, their family and Al's place in their lives. The pacing is brilliant, keeping readers involved and entertained at every turn. It's a terrific chance for fans to revisit Pine Island and see that the McCready family is managing to deal with all life hands them. 

What Lolo Wants, written by Cristina Oxtura and illustrated by Jamie Bauza. Kids Can Press, 2024. $23.99 ages

"He no longer drew Lola frying sweet plantains, the
sampaguita blooming in the garden or the maya birds
perched in the large guava tree. 

Then Lolo started to forget names."

Maria and Lolo dearly love each other; they also love to draw together. When dinner is done every evening, the two sit together and Lolo has a question for his granddaughter. 

"What shall we draw tonight, Maria?"

Lolo is an artist, and he sketches whatever Maria suggests. It can be Lola frying plantains, sampaguita blooms, or the maya birds in the guava tree. Maria is enchanted by his talent and his willingness to create such beauty at her request. They even play a guessing game where Lolo draws whatever he likes, and Maria guesses what it is. Maria tries her best to copy his ideas. 

A change happens as time goes on. Lolo isn't well, and spends a lot of time in bed. He promises to draw again when he feels better. It is a long wait for the young girl. When Lolo begins forgetting names and asking questions about himself, Maria is sad. She is sadder still when he forgets who she is. He loses his words, unable to answer simple questions. It makes Lolo sad, too. 

Maria thinks she can help, by bringing food to Lolo and asking if he might like it for dinner. Nothing tempts him. After careful thought, she suggests that Lolo draw what he would like to have. It works like a charm. While Lola prepares the pancit Lolo is hungry for, Maria gets right to work on another idea that might help her beloved grandfather. It is the perfect solution! 

A heartwarming story, with inviting artwork drawn using watercolor, marker, pencil and crayon, that speaks to changes that happen in families and ideas to help weather them. Set in the Philippines, it shows everyday life for this close-knit family and the lengths they will go to in order to make things better. 

Just What To Do, written by Kyle Lukoff and illustrated by Hala Tahboub. Dial Books for Young Readers, Penguin Random House. 2024. $24.99 ages 4 and up

 

"I wanted to do the just-right thing. 
But how could I figure out what that would be? 

"Can you tell me what to do? 
I don't know how to help." 

My friend told me she wasn't sure."

Does anyone know exactly what to do, or how to help, when death comes calling? The young narrator knows what to do when their brother's cactus dies; draw a picture and add a note of sympathy. In fact, the brother would prefer a joke to make him laugh. Interesting, and doable. 

When their cousin's goldfish dies, they bring a joke book. The cousin would prefer a hug. That's easy, too.  What about their teacher's hamster? After giving a hug, she would prefer getting help with passing out snacks in the classroom. The death of their sitter's dog requires, not a snack, but a look at some photos. How's a kid to know what to do when everyone finds solace in different things?

But, when their best friend's grandma dies, the child has no idea how to help. Wanting to do what's right, the child admits to not knowing how to help or what to do. Their best friend isn't exactly sure either. Figuring it out together is exactly what is needed. It takes time, trust, and love. 

This story feels like the perfect pairing of words and art. It's a collaboration that evokes a quiet acceptance of loss and sadness, while allowing there is no one way to deal with it. The shared flower garland is a most perfect outcome. Splendid, simply splendid!                                                                          

animal countdown, by laura vaccaro singer. Neal Porter Books, Holiday House. Penguin Random House. 2024. $26.99 ages 2 and up

 

"nine 
       elephants 

eight 
       giraffes"

It's hard to describe the beauty found in the graphics Laura Vaccaro Seeger continues to create, while helping our youngest readers learn about concepts such as counting. In this new book, she takes her readers from ten down to one, while also presenting them with images of animals of the world that are either threatened or endangered 'due to exploitation, pollution, vulnerable habitats, and climate change'. 

She well deserves the regard given to her many exemplary books. The layout is familiar and always engaging. She begins with the word ten on the left- hand side of the spread; a die-cut on the right shows the number ten created in a hazy blue background. Lift the flap and the reader sees two hug-worthy otters at the front, and eight more in the ocean water behind them. 

Each new spread follows the same pattern, the printed word, a cutout that shows the numeral and a flap to lift to discover if the reader has made a good guess about the next animal. Moving down from ten to one seems the perfect choice for presentation when wanting to bring attention to the plight of each of these creatures. Their numbers constantly dwindle. 

In back matter, thumbnail sketches present the animals again, along with a list of information about each that includes: where are they from?, what are they like?. what do scientists call them?, how do they live, and what are they threatened by?. A list for further reading is added. 

These exceptional animals deserve our attention in this most wonderful way! 

Mr. Fox's Game of "NO!", written by David LaRochelle and illustrated by Mike Wohnoutka. Candlewick Press, Penguin Random House. 2024. $23.99 ages 3 and up

 

"If you accidentally say "YES,"
then you will have to go all the way back 
to the beginning of this book 
and start over. 

Are you ready to play?"

David LaRochelle writes books I cannot wait to read aloud. They are a barrel of fun! This one again hits all the right notes with a look at how powerful the word 'no!' can be. 

The premise for the game is set up for the reader on the first page, with the picture of a dappper fox and his ringmasteresque invitation to readers. He wants to test the brain for a game called "No!" All the reader must do is answer every question asked with a resounding "No!" Seems pretty straightforward, right? 

The first question: "Are you ready to play?" 

If the answer is yes, you know what happens; the answer must always be a negative one. The "did you say yes!" reminder is asked each time, and the need to return to the beginning is repeated. As the game moves forward, the stakes become higher and more persuasive. Offered are a giant sundae, a beach party, or a million billion dollars. Still in the game?

The questions then come faster and are a lot more personal, making it almost impossible to answer negatively. The last straw is a slobbery kiss from a really stinky water buffalo. OOPS! That's not quite the end expected. There is still one final question that can, and should, be answered with a resounding YES for those who have kept their cool, have played the game with great success, and have been the gigglers from start to finish! 

What a fun time! 

https://youtu.be/CwOylDgjjD0?si=XwcTZU39wWv-QJPw

Dad, I Miss You. Written by Nadia Sammurtok and illustrated by Simji Park. Inhabit Media, Orca Book Publishers. 2024. $22.95 ages 9 and up

 

"Oh no, I can hear the airplane approaching, I 
don't want to go back there, Dad. 

It'll all be over soon. Before you know it, they'll 
let us have you home with us again. Just do as 
they say, my son. 

They said it will be better this way."

In this story about a young boy who has been taken from his home to attend a residential school, Ms. Sammurtok speaks for both the father and his son. In dialogue that passes back and forth, readers are made aware of the love each has for the other. 

The boy wants to show his father that he has learned the lessons he taught about fishing; the father wants to go fishing with him again. The plane will soon arrive. The boy doesn't want to go back. The father uses a reassuring voice to let his son know it won't be long until he returns. The child begs; the father worries that their baby girl will be next. 

It's heartbreaking for the two to be separated once again. 

"Goodbye, my son. I'll see you soon. 
Remember to always think of us, 
your grandparents, and your home. 
Think about the things we taught you. 
Think about your language, and where 
you come from. 

Before you know it, you'll be back home, 
with us, your family." 

The child hates everything about the school: the cold, the smells, the people, and that he cannot speak his own language. The father speaks of the pain of his absence, and the guilt for letting him go. The boy wants to be home. Dad speaks of memories of time spent together. The boy cries with hunger. 

When the boy returns, he feels he no longer belongs. He has forgotten so much, including the language of his people. The family will do their best to help him recover all he has lost while he was away from them. 

This book will begin to help readers understand the pain of separation and longing for home. Emotion-filled artwork provides clear settings for both places and has a real impact. 

An afterword explains that the author wrote this heartfelt book as a conversation between what the father and his son were thinking while they were apart. Too often survivors could not find the words to speak aloud of their experiences. Only with time might the two find a way to talk about what happened.                                                                           

Coco and the Caterpillars, written and illustrated by Geraldo Valerio. Groundwood, 2024. $21.99 ages 3 and up

 

"One, two, three, four eggs.
And here are two more. 

I'll keep an eye on them. 

But, shhh! 
Let's keep this a secret from Coco."

It's a bit late for sharing this book with little ones for this year. It is an excellent early introduction to the life cycle of the monarch butterfly, and one of the hazards to their survival. Coco is a chicken who shares the love of a garden with her owner. The young boy loves it  for the good food it provides, and the creatures it supports. Coco likes it for its worms and insects!  

A close look at a milkweed plant reveals six tiny eggs on the underside of its leaves. They will need careful protection. Coco does not need to know they are there. Providing constant snacks keeps Coco's hunger at bay, and makes the hen tired enough to have a short snooze. The leaves are checked and reveal caterpillars that are sure to become monarch butterflies. How exciting! 

Unfortunately, Coco awakens just in time to see them. While our narrator lis off to find more chicken snacks, Coco sees her chance. She swallows four of the caterpillars before realizing that they do not agree with her tummy. No more caterpillars for her. Readers will see them spin a chrysalis, and finally emerge as beautiful monarchs to fly away with Coco in pursuit. Luckily, it is no contest. 

Using bold acrylic paints, paper collage and colored pencil, Mr. Valerio creates a lovely introduction to a monarch butterfly's life cycle for very young readers.                                                                                 

sometimes we fall, written by randall de seve and illustrated by kate gardiner. Random House Studio, 2024. $26.99 ages 3 and up

 

"It's a problem when you want a ripe purple
plum, too, but you're scared to climb. 

"What if it rains, and I grip and slip
and scratch my paws?" you ask. 

"Sometimes we slip and scratch our 
paws," your mama says, munching 
juicy, ripe purple fruit.
"It's okay.""

Two bears; one (mama) is in the plum tree, and one (baby) is on the ground afraid to go where his mama is. It is a problem. The baby wants so badly to be where she is, and eating a plum as she is. The baby looks with both longing and the fear of falling. Mama reassures, telling her little one that it might happen. It sometimes does. It will be okay. 

Climbing is scary when it's the first time. Mama encourages the climb as she continues munching on her plum. Baby climbs, hangs on the nearest branch, and worries that the wind might mean a wobble and a bump. Mama says it can happen, but all will be okay. Baby gets closer, lying on a limb with eyes only for the plum at its end. Can it be reached without falling? 

No, it cannot. The limb breaks, sending Baby on a tumble to the ground ... which happens sometimes. It turns out that it is okay! Tasting the plum that also took the plunge is tasty enough for the little one to try again. The second attempt is quicker and much more successful. This mama knows that parents cannot, and should not, be the perpetual protector of their little ones. Sometimes, they have to learn for themselves what they can do!  

The gouache and colored pencil artwork, created in soft colors, fully complements the book's emotions and action. It is evident that the little one is anxious but willing to find the way, with encouragement from a loving parent. Bravo!  

Squirrel-ish, written and illustrated by Bambi Edlund. Owlbooks, 2024. $21.95 ages 4 and up

 

"I just need to be a little 
more squirrel-ish. 
Maybe if I sit up like 
they do, I'll score some 
free peanuts, too. 

RAT!

Guess not."

RATS! Does anyone feel their pain? I think not. The rat in this funny tale knows firsthand about unfair treatment and unnecessary fear. While nothing comes easy for him, he recognizes that squirrels are much luckier. He watches as those squirrels cozy up to park visitors and take polite possession of the peanuts they so readily offer. Their scampering attracts attention of a totally different kind that the reaction people have at the appearance of a rat. They scream, avert their eyes and run for cover. 

Rat is not convinced that there is much difference between the two species. A set of posters shows that the differences are actually quite significant. Are there ways he might be more like a squirrel? Sitting up taller doesn't work. Smaller, bent ears don't seem to help. Could it be the tail; not so sleek, maybe bushier? 

The attempts to make a new tail will have readers giggling. Nothing works, until Rat spies the broom someone is using to shoo him away. It looks like the perfect solution! It does work. 

"I should open a re-tail store! 
I'll make broom-tails for all the 
rats!" 

Or NOT! Only squirrels know the true danger of dogs let loose in the park. 

First person narration creates a personal connection for the rat and its plight, while child-approved cartoon drawings are essential to the transformations considered. Fun, fun, fun! 

Sea Without a Shore: Life in the Sargasso. Written by Barb Rosenstock and illustrated by Katherine Roy. Norton Young Readers, 2024. $24.99 ages 5 and up

 

"They swim. And never stop - 
through cloudless calms and 
shocking storms. Day by night by 
day teeth sharpen, fins toughen, 
tails grow powerful. 

Changing with the weed, 
which keeps floating, 
around and around
turning into 
a unique place ... "

What an amazing story of nature in action! As readers watch a group of people at the beach gather seaweed, the text explains that it is Sargassum, an algae that grows in the middle of the ocean. It has no roots, no seeds, no flowers; yet, it continues to begin again. If the seaweed breaks, a new young seaweed will live and thrive. 

"It tumbles. Surfing the waves. 

Circling with the currents, 
floating around and around
turning into 
a sturdy place ... " 

An entire community of sargassum grows in the Sargasso Sea. It is “the ocean’s floating golden rainforest.”  All it needs is the tip of an old weed for a young seaweed to begin. It lives, it spreads, it provides a place for tiny creatures to become part of the sea, and that allows for more creatures to grow and feed on the Sargassum. They clean up the seaweed which flourishes and provides a space for even bigger creatures. Each plays a part in ensuring that the Sargasso Sea remains their means of survival.

"In the middle of nowhere, a community thrives. 
Season by season. Year after year. Age to age. Life into life." 

The interdependence is unique and complex. The writing is clear, while also brilliant, and makes for a most enjoyable read aloud. The glorious watercolor artwork is perfect for sharing with a group and provides a close look at an unexpected ecosystem. Back matter is extensive, beginning with a map of the Sargasso Sea and its currents, as well as thumbnail sketches of the marine life it sustains. That is followed by an afterword from Dr. Sylvia Earle, photographs, a research note, a concern about the abundance of Sargassum, acknowledgements, and finally a list of sources.    

Exceptional!                                                                              

The City Sings Green & Other Poems About Welcoming Wildlife, written by Erica Silverman and illustrated by Ginnie Hsu. Clarion Books, Harper Collins Publishers. 2024. $24.99 ages 5 and up

 

"Now stopping 
            atop a tall building, 
                 honey makers 
                 check in

to a bee hotel
    with a bee buffet
       where open-faced sunflowers
 sway
          as if to say - 

Welcome Bees! Welcome to Oslo!"

The author explains at the bottom of the second spread for this poem that 'one-third of bee species' in Norway are endangered. In an effort to protect the bees, people decided they needed a highway to help them get from one side of Oslo to the other. To that end, they built bee boxes, flower gardens, roof gardens, flowerpots, and water fountains to allow for rest and refuelling every eight hundred feet. The need for such a route came from climate change, pesticides, and habitat destruction. 

Many people today worry about our planet and its future. At times, they feel there is no hope for making the changes needed. Not true! Although it takes a concerted effort and creative thinking, people around the world are working to stem the harm. Erica Silverman shares their stories in this wonderful poetry collection to prove that for her readers.  

Global cities are working toward rebirth and renewal in places where problems have long gone ignored. Four billion people live in urban communities; those cities continue to grow. That growth has led to much of the world's flora and fauna facing extinction. Places like the Bronx in New York, Oslo in Norway, a schoolyard in Los Angeles, London in England, Toronto in Canada, Busselton in Australia, and others are finding ways to minimize the dangers.

Each poem allows readers to see the problem by closely observing what has happened, and what is happening now to make a difference. Four-page spreads, created using acrylic gouache and digital artwork give a realistic and brightly colored look at the work being done. The poetry is telling and carefully placed for impact, while a descriptive additional paragraph provides further information. 

This powerful book uses poetry, science and the work of concerned citizens to show readers the importance of rewilding these urban spaces. By sharing these successes whose impact is being felt to lessen the impact of humans on nature, it affords hope for a better future. It will take more than a village, but every small (and big) step counts.   

Excellent back matter includes sources, links to explore, ways to help, and recommended reading.

 https://youtu.be/KYkrJRkh-gM?si=Ul8cZYt0FlytB3JE                                                                                                                                                                                                                                                     

Two Pieces of Chocolate, written by Kathy Kacer and illustrated by Gabrielle Grimard. Second Story Press, 2024. $21.95 ages 6 and up

"A woman on the next bunk stared back at me. 
At first, I looked away and ran a shaky hand
over my scalp. My blonde hair had been cropped 
close so that lice would have less of a chance to 
nest there. Why is she staring? What does she 
want from me?"

It has already been four years of being moved from one prison camp to another for Francine and her  Maman. Bergen-Belsen was the worst of them all. It smelled awful, and was teeming with rats and mice. Maman pulled Francine close, reminding her that they must always stay close together. Memories of the other camps flooded their minds. 

Their first objective was to find a safe bunk. Being on the top meant it was harder for anyone to take their extra precious food or belongings. Maman worried constantly about Francine, and about Papa who was a prisoner somewhere. As they sat close to each other, Maman opened a paper bag to show Francine two pieces of chocolate. She promised she would keep them safe until the day when Francine really needed them. 

" ... when you are so sad or weak 
or have lost all hope, that's when 
I'll give the chocolates to you." 

All Francine wanted was that chocolate; it was hard to imagine there would come a day when she needed it even more that she did right then. Not knowing who to trust, Francine carefully looked around. That is when a bunkmate Helene introduced herself, doing her best to reassure the young girl that she would become accustomed to this new place and to help allay her fear. 

Francine recognized that Helene was expecting a baby. The guards could not know. It was the second secret Francine was charged with keeping. Conditions in the camp remained horrendous as Francine watched poor Helene get weaker and weaker. Only then did she bring up the subject of the chocolates Maman was so carefully hiding. Francine knew that Helene needed them more than she did. Those chocolates would make a difference for Helene. 

When her baby was born, the women protected them from discovery by the guards. The baby remained quiet and content at all times. Only when the camp was liberated by British soldiers, did she finally let the world hear her voice. What wonder comes from kindness in the worst of places! 

The storytelling is real and honest; the illustrations focus on life in the prison camp with an emphasis on the emotions felt; and an afterword lets readers know the parts of the story that are true. Back matter includes further facts about Francine Christophe, and about the Bergen-Belsen prison camp. 

The Weedflower, written by Elizabeth Davaze and illustrated by Marianne Ferrer. Owlkids, 2024. $21.95 ages 5 and up

"The adults did not 
adore the fluffball 
flower. 

Its tall stem and 
long leaves did not 
impress them. 

Its soft blossom did 
not delight them."

My friend Patti will love this book and its message for readers.

It's recess, and everyone is enjoying their time together outside the classroom. The activities are familiar: climbing, sliding, hopscotch, soccer, hand games, reading, chatting. Sam is the first to notice a green plant with a yellow flower growing in a crack in the yard's surface. How on earth does it grow right there? 

Sam continues to spend time watching the plant at every recess. She sings to it, and has great admiration for its grit to grow and flourish. When a bright yellow flower bursts forth, it can no longer be ignored. The other kids are as keen as Sam to watch it bloom. They marvel at its beauty. They water it, play games with it, and provide protection from harm. 

"With all that love and attention, 
the flower flourished. 
Its vibrant yellow illuminated every 
dark corner of the playground." 

When it sprouted its dreamy puffball, the kids were even more delighted. Only then, as the child watchers dreamed of making wishes, did the adults step in and complain. They saw no magic in what they termed a weed. The custodian was dispatched to remove it. The children were distraught. As they watched, a long line of adults work together to try to dislodge it. When the very large principal added his strength, the roots were pulled free, and the fluff floated away. 

It was heartbreaking for Sam ... until September! She didn't tell anyone about the discoveries she was making then. 

Kids so often see what adults cannot. If you are a mom or a teacher, you have been the recipient of a lovely bouquet of spring flowers from many of your students. They see its beauty and its magic. 

"A weed is simply a plant whose virtues we haven't yet discovered.”  (Ralph Waldo Emerson) 

Every Here Has A There: Moving Cargo By Container Ship, written by Margo Linn and illustrated by Brian Fitzgerald. Charlesbridge. Penguin Random House. 2024. $$21.99 ages 4 and up

 

"The captain must guide the ship, 
not only when the weather is good, 
but also when it is bad. 

The waves rock and roll the ship up
and down. The ocean highway can 
be bumpy! And containers can fall 
off into the sea if they haven't been 
properly tied down."

I think that the first time I ever read about what happens when a cargo ship loses its load to the ocean was in Eric Carle's Ten Little Rubber Ducks (2005). I think, more than anything, I just had not thought much about how goods were transported when they came from across the ocean. That's what I admire about stories. They connect us with the world. We have certainly become much more aware of cargo ships, lost and stolen goods, and supply chain problems that are affecting so many. 

The front endpaper provides a map for the journey of the cargo ship that readers will follow from Hong Kong, through the Panama Canal, to a dock in New York City. It is carrying a shipment of books, and readers will fully appreciate the work that goes into our ability to borrow a certain book from the library, or buy a copy for their own personal book shelf.

From packing the printed books into boxes, to those boxes being transported on a semi truck to the Hong Kong harbor, to loading the container onto the cargo ship for transport, interested readers can watch the many facets of its journey. They learn about the ship itself, its crew, the difficulties of the voyage, and the arrival at its destination. 

The bright colors and full attention given to the ship itself on every spread make it easy for young readers to follow along, and watch as every step of the journey is carefully constructed. The story itself is straightforward; the inclusion of pairs of opposite concepts on almost every page adds depth of understanding and opportunities for discussion as the story is read. 

Stories about container ships are in the news these days. This is a worthwhile addition to classrooms, school and public libraries, and home collections for those kids who have a special penchant for things-that-go! 

Is This a Tiger? Written and illustrated by Elina Ellis. Kids Can Press, 2024. $21.99 ages 5 and up

"Tigers are solitary hunters. They 
search for food alone at night. 

Tigers are stalk-and-ambush 
hunters. They hide in wait and then 
pounce on their prey unexpectedly. 

Tigers don't like to share! Each tiger 
can roam up to 100 km (62 mi.)
in search of their own food, 
water and shelter."

In this second book in the Alex's Field Guides series, Alex is determined to show her friend Atticus a real tiger. Atticus has never seen one. As she let readers know in her first book, Alex is very interested in learning about animals. She has, once again, written a journal to showcase all she knows about tigers, and she wants to share that learning with her friend. 

She is happy to offer clues about tigers to help Atticus. First, they are stripy. After encounters with a tabby cat, a numbat, a zebra, and a conspiracy of lemurs (all stripy), Alex shares the first pages of her journal with her friend. The new attribute is big teeth. Not a warthog, not a walrus, not a shark; perhaps, a hippo. Nope, tigers are nocturnal, as is evidenced in another spread from her field guide.  

DARK! Not bats, nor a skunk, or heaven forbid, an owl who might just carry Atticus away. Turns out tigers are rare and endangered. There are not many left in the wild, and some species have already disappeared (Caspian, Bali, Javan). They are very hard to find. Or are they? 

Lots of information is provided in an easily understood story that will entertain, leaving listeners giggling. Digital artwork holds great appeal. The picture gallery presented as the story closes allows for identification of each of the animals the two have encountered on their search. Finally, a list of resources is useful. 

The Elephant and the Sea, written and illustrated by Ed Vere. Doubleday Books for Young Readers, Penguin Random House. 2024. $24.99 ages 4 and up

 

"Gabriel made a plan. 

Day after day, 
          along the beach, 
                  he collected driftwood. 

Night after night, he worked. 
              He hammered, he sawed, 
                       he painted, and he sang."

Gabriel and the cat Milou like to spend their days beside the sea. Gabriel is getting older; he loves to think about the days when he was young and spent every morning by the sea. The thing he loved most then was the lifeboat. He watched as its crew prepared every day for the work they might be asked to do when sailors were in trouble.

He so badly wanted to be with them. The crew explained that he was not old enough to be of assistance. They suggested he come back when he was older and stronger. Gabriel promised that he would. As he waited, he did his homework. He read, he rowed, he sang their shanties. He did get older and stronger, and he was bigger. Now, he was too big for the boat. 

Poor Gabriel. What was he to do? It was time for a plan. Over summer and autumn, he put his plan in action. On a winter day when the fishing fleet set out to make a big catch, a storm whipped up causing a mess of trouble for the fishermen. The lifeboat headed out; they could not help. Was nothing to be done? 

"But wait! Here's Gabriel! 

He had built a boat. 
        Built for strength. Built for him! 

Brave Gabriel rowed out
        through thundering waves. 
                Strong as oak, he pulled the oars." 

Gabriel's commitment to learning all he needed to know, and his mighty perseverance made him fully capable of rescuing those helpless fishermen. What bravery! What a leader! Everyone wanted to join with him now. Could they build a boat big enough for all?   

Wonderful images of the Cornwall coast provide a winning backdrop for this tribute to those who risk their own lives to be of assistance to others. 

How to Staycation Like a Snail, written by Naseem Hrab and illustrated by Kelly Collier. Owlkids, 2024. $21.95 ages 6 and up

Then they smell the smells, 
listen for the sounds, 
and take in the sights. 

Snail and Stump are having so much fun that 
things start to get really adventurous."

Those who met Snail in How To Party Like A Snail, are sure to be happy to meet up with him again. He remains an observer rather than a participant. He admits that he is an explorer who loves quiet adventures: he reads the odd map, hikes occasional slime trails, and finds wonder right where he lives. 

His first vacation with boisterous friends does nothing for him; he much prefers the company of his best friend, Stump. When asked to join them on their next exciting venture, Snail is adamant that home is where he chooses to stay. Of course, Stump has no choice. Perhaps they can have an adventure right where they are. 

"Stump, do you want to go on an
adventure right here? 

I hear that here is the new there!"

So, it is decided. While the other animals are off kicking up their heels on their trip, Snail and Stump enjoy their staycation every bit as much as the others. They get great enjoyment from the sounds, sights, smells that surround them; soon, they are having a splendid time together. 

Just when they begin to think they might have seen all there is to see, they are surprised by the arrival of small fleet of parachute seeds who are looking for someone to show them around. Snail and Stump are having so much fun with these new friends. When the seeds realize that the time for their adventure is coming to an end, they make the decision to stay put. How cool will that be? 

The cartoon art is full of expression, the dialogue will have listeners hooting with delight, and the chance to see their neighborhood through new eyes make it a great readaloud. Having a group of children read the separate parts for each of the characters will only add to the fun of reading it again. 

City of Leafcutter Ants: A Sustainable Society of Millions, written and illustrated by Amy Hevron. Neal Porter Books, Holiday House. Penguin Random House, 2024. $25.99 ages 6 and up

 

"They cut through leaves with chainsaw-like 
mandibles and sip on sweet leaf sap, but they 
do not eat the leaves. 

                                                       Instead ... 

... they carry their leaf cuttings along a busy 
highway, following their colony's trail ... 

... hauling enormous 
weights at incredible 
speeds back to the city."

I had no idea; I am not sure that I had ever heard anything about leafcutter ants. After reading Amy Hevron's book, I am fascinated by all I have learned about a community of 'eight million sisters working together' for the greater good of all. 

It happens in a Central American rainforest, and begins with a queen. After mating, she creates the city's first chamber by tunneling down and laying her eggs along with fungus from her mother's nest. This initial chamber is the key to survival for what is to follow. 

As new ants hatch through the years, they develop those traits that make them an integral part of the community being built. The newest ones stay in their city to take care of things like feeding. The oldest ones work to manage trash by helping it decompose faster. Tiny ants clean leaves that have been cut and brought from above, and act as pharmacists to use the antibodies they produce to ensure freedom from disease. 

That is not all! Those ants that are bigger build tunnels for cooling, and dig new pathways to deter any flooding. Should a predator appear, they can even produce a pheromone to signal danger to the others. The soldiers are called in, and do their part in forcing the predator out of the tunnel. The ants above ground continue with the work they do despite this interruption. They continue to cut the leaves and haul them back to the city to the 'farmers' that work to chew the leaves into a paste to feed their fungus garden! 

"Leafcutters belong to a group 
of ants that were our world's 
first farmers, growing 
industrial-scale food crops 
for over 60 million years." 

Did you know? I did not. Thanks to this marvelous book, I know more about the survival of a rainforest ecosystem and some of the many helpers that keep it that way. What a society they create, again and again. 

The rainforest setting is bright with bold colors, and the cutaway images of the underground world will intrigue and delight young listeners. The ants' jobs are clearly shown in digitally collaged double-page spreads. The final two pages provide further material of interest for the book's audience, including a page that describes each of the essential workers. A selected bibliography, a list for additional reading, and a note from the author bring the book to an end. 

Lights along the River, written by Pat Lamondin Skene and illustrated by Sabrina Gendron. Orca Book Publishers, 2024. $21.95 ages 6 and up

"A man with a megaphone tells people to clear
the road. A police car, siren screaming, rolls into 
town. Behind it, a large green truck grinds to a 
halt in front of the crowd. Men in overalls climb 
the tall wooden poles. Everyone cheers." 

The calendar on the kitchen wall says it's January 1952. The children are excited as they eat Mama's warm fried apples for breakfast. It's going to be an eventful day in their hometown; Britt, Ontario is finally going to have electricity. Men have been working for months, and now they are ready to light up the town. 

Their Metis family has lived happily without electricity. They get together on Sundays with relatives to listen to homegrown music and dance jigs. After supper they listen to a battery-operated radio in a living room lit by the glow of oil lamps, The children sleep in one bedroom where the only light at night comes from the moon. They play outside in all seasons. What changes might having electricityt bring? Will those changes make life better? 

Finally, it's time to go into town and watch as the electricity is hooked up for all. 

The author explains in a note at the end of the book that her story is based on her own experiences growing up on the Magnetavan River. Electricity brought immense change to everyone in their town: electric stoves, no oil lamps, running water, no outhouses, a record player, and a black-and-white televsion. She also mentions that stories now often came from watching the television rather than their own storytelling traditions. Digital artwork offers a realistic setting that is sure to spark conversations about life in rural areas in the 1950s. 

The Hawk Shadow, written by Jan Bourdeau Waboose and illustrated by Karlene Harvey. Kids Can Press, 2024, $21.99 ages

"I gaze at the wide turquoise sky and feel 

the warmth of Father Sun. 
The trees' shadows slowly shift with time. 
It feels quiet, serene like in serenity. I hear 
nothing but silence now. Not even the water 
song caresses my ears."

This story is the tale of a siblings and their Anishinaabe culture. Serenity is the narrator; Big Ed is her brother. Morning dawns, and the two are off through the bush to do some fishing. Serenity (whose name does not always match her boisterous personality) calls out to her brother to wait for her. He stops, pivots, and asks her to be much quieter. He wants silence as they travel his fishing path to the river. 

Big Ed has a new rod, while Serenity is using one her father has fashioned for her with a spruce branch and some moose sinew. She loves it just the same. When a raven calls out from up above, Serenity does the same, Big Ed is annoyed once more and wants her to go back home. She will not. The path to the river allows them to enjoy the wonders of their environment: chokecherries, a gray fox, and the beauty of nature. 

Hawk River is named for the Hawks who are the Keepers of the river and Protectors to their people. When Big Ed moves on at a pace, Serenity must hurry to keep up. Along the way, she stops for a cedar branch. 

"I hear Big Ed say, "Don't take too much. 
It's our medicine tree, and it's a good sign 
that I'll catch a big fish."" 

While fishing, a Hawk screams down at Serenity and then flies upriver. Big Ed is nowhere to be seen.  What is the Hawk trying to tell her? She follows it, and finds her brother is in trouble at the river's edge. Both are scared by the time Serenity discovers him. The Hawk shows Serenity how she might help, and it works! 

Using storytelling traditions that feature Ojibwe words and honors the Indigenous culture, Ms. Waboose has penned a tale sure to entertain and inform young readers. Karlene Harvey's digital artwork offers a close look at nature in the bush. It's a beautiful world for the two as they share a day of fishing.                                                                                      

The Sun Never Hurries, written by Roxane Turcotte and illustrated by Lucie Crovatto. Pajama Press, 2024. $22.95 ages 3 and up

"Charlie is amazed by all of the 
wildflowers along the way. 

When Charlie was in the car, 
she never noticed the flowers. '

It's the first Sunday after Labor Day today; that means it's Grandparents Day! I hope it's been a celebratory one for all grandparents whose love and support for their grandchildren is endless. 

On a visit with Papa, Charlie asks her grandfather about the hourglass on his library shelf and what it does. Papa Jo is happy to let her know that it reminds him of how important it is for him to take time to get things done because every minute of the day is very special. 

Lunchtime isn't for going to a restaurant; it's a chance to work together in the kitchen to create vegetable soup. Both are very pleased with the results. Next, Papa offers a surprise. Charlie expects them to take the car. Papa has a better idea. They will have a walking adventure: wildflowers for a bouquet, a visit to an ice cream store, a rowboat ride to a nearby island and a chance there to watch dragonflies and frogs, and a search for small stones to treasure. There is even a swing that Papa made from fallen branches where they can watch the leaves float past them.  

On the way home, they chance to see a mama duck and her babies. When they arrive back at Papa's house, Charlie turns the hourglass upside down. Then, it's time to sit together and watch the sunset. What a day it has been! 

And what a calm and lovely bedtime story this would make at the end of that long and leisurely day! 
                                                                                  

Mother Aspen: A Story of How Forests Cooperate and Communicate, written by Annette LeBox and illustrated by Crystal Smith. Groundwood Books, 2024. $22.99 ages 6 and up

 

"In the sunlight, Aspen's leaves produce sugar. 
Trees use sugar to grow wood and bark and leaves.
Like human children, young trees love sweets! 

Beneath the earth, fungi wrap soft cottony threads
around Aspen's roots. Fungi can't produce sugar,
so Mother Tree feeds them too."

The scientific research done by Dr. Suzanne Simard has inspired many writers to look closely at forest communities. Prior to her strong and steady dedication to proving that trees of different species loan needed sugars, it was believed that trees, in fact, competed for the food and water they needed to survive. Dr. Simard proved that forest ecosystems are cooperative, rather than competitive. 

In this homage to the Wood Wide Web, Ms. LeBox focuses her story on the aspen grove. While discussing the 'mother tree', she explains that warm earth in the spring allows the birch tree to send 'sprouts from her roots' down into the earth. There, the tree provides food for fungi that carry messages to the fir and pine trees close by. The messages are warnings for the coming days. When the forest trees need water during the heat of the summer, the fungi release water to help. Thus, they sustain each other. Scientists today are looking to see if the same thing happens between other tree species. 

While explaining what is happening underground, the author also tells the story of the trees themselves and how they provide much of what is important to forest life. Seasons come and go, and the needs of the trees change. Within the forest, wild animals find support, mushrooms grow, and the aspen trees prosper through the year's cycle. After many years of sharing and caring for the forest community, Mother Aspen has lived a good life. It is her time to breathe her last. 

"As the Mother Tree takes her last breath, 
she passes on her wisdom to the next generation. 

Fungi spread the news through her vast underground threads. 
Our mother is dead."

The true beauty of the forest is clearly shown in artwork created using digital paint and layered textures. The aspen grove comes to life through the seasons. Each illustrated page helps readers understand the science the author provides. 

Back matter includes an author's note that further explains the cooperation that exists through the seasons to keep forests vibrant and viable. On another informative page, she speaks to the importance of aspen groves because of their biodiversity, and the destruction created when companies do their best to destroy them. A list of print and video resources is appended. 

Loop De Loop: Circular Solutions for a Waste-Free World, written by Andrea Curtis and illustrated by Roozeboos. Groundwood Books, 2024. $21.99 ages

"Creating a loopier world begins with 
rethinking stuff. Do you have more than 
you need?

Too many t-shirts, shoes and lost socks?
Too many gadgets and gidgets and gizmos? 
Too much plastic, paper and Styrofoam cups?"

Much of what we see in our world is circular. The sun, the rings on a tree, the seasons, the way Earth moves around the sun. Sit quietly and think about other examples that you can see and suggest. When it is pointed out, nature is cyclical as well. Plants grow and give back to where they live, and even after they die. Such looping leaves little waste. 

Humans today don't follow that pattern.

"We take, make, use, then, when those 
things break or we're finished with 
them, we toss them away."

With limited resources, thought needs to be given to change. So many things we have done, do, and use, pile up when we no longer want them. And that has created enormous difficulties all over the world. That is climate change and it is changing, and has changed, the way we live our lives on Earth. 

Luckily, they are many people who are sounding the alarm for better ways to live and care for our environment, using the 'loop de loop/' cycle found in nature. We can do it - if we work together to change our ways. Do we need all that we have? I know I do not! By looking at what nature is showing us, we can find ways to make a difference and to use what we no longer need to make a new and better place for all. 

"In a loop de loop world, we'll sew patches on jeans
and darn holes in sweaters. 
We'll fix a dent or a ding and clean up stains. 
We'll stitch and scrub and saw and save?" 

Are you up for learning how to do better? Are you willing to find ways to use less and enjoy more? This book helps readers see how to change our planet's future ... and in doing so, change ours! There is much we CAN do. This book shares an upbeat attitude and hope. 

Back matter offers ideas for change from around the world, a list of ways for home and school to help create a loop de loop world, a list of selected resources and a glossary of terms.                                                                             

Bunny Loves Beans, by Jane Whittingham. Pajama Press, 2024. $21.95 ages 2 and up

 

"Soft black, shiny black, 
Popped off the bush black - 
Black for a fox, 
And black for me!"

She's done it again! Jane Whittingham has added book #7 to the Big, Little Concepts series, and it is another delight for little ones.

Its pages explore foods and their colors, and makes the reading easier for those wanting to be independent. From the gorgeous front and back endpapers through the entire length of the book itself, there is much to for young readers to see and enjoy. A groundhog munching a bright orange carrot encourages the child on the facing page to try one himself. 

As they move from spread to spread, readers will learn about variety in color and the animals who enjoy the bounty, and the children willing to try what is described for themselves. It is a tasty and vibrant display. The text invites vocabulary growth, while the consistent pattern creates confidence with what is to come next. 

"Healthy colors,
vibrant colors, 
Yummy in my 
tummy colors -
Colors for the animals, 
and colors for me!"

The final page encourages parents and caregivers to up nutrition for their children by letting them help choose the foods, by talking about what they are seeing while shopping, and by working together to create food for the dinner table. 

Any (or all) of the books in this series would make a welcome and appreciated gift for any young child, and those who love them. 

Puffin and Penguin, written by Helaine Becker and illustrated by Kevin Sylvester. Kids Can Press, 2024. $18.99 ages 5 and up

"B-b-but no one even knew what 
a puffin was! 

So you felt misunderstood? But 
that's not really Penguin's fault, 
is it? 

Maybe your classmates need 
some egg-ucation. A bit of 
puffin pedagogy. 

Huh?"

Moving from Iceland for his mother's new job has been a bit daunting for Puffin; New Stork City proves to be quite the new home and the prospect of attending a new school with others whose parents work with Mom is full of excitement. 

His avian classmates and teacher are happy to welcome Puffin to their classroom. A buddy system is used to help students find their way in a new school. Penguin will be Puffin's buddy. Neither seems delighted with the circumstance. Penguin is very kind to all classmates, and shows concern and committment to make things better for everyone. Penguin is also very busy, with a long to-do list and many interests. It's hard to be a buddy when so much of your time is already taken. Penguin reluctantly agrees. Puffin is delighted. 

That delight and excitement is tempered by Penguin's assertion that he has little extra time for being a best friend. Puffin's optimism for making new friends falls flat when the other students consider him a penguin, but funny-looking. His parents encourage him to take some time to get to know everyone better by letting them know about puffins. He can do that! 

His reporting doesn't have the desired effect. Hatching a new plan goes awry. Penguin steps up to help Puffin find something important to do. Puffin is in charge of the lighting. When things go wrong during the performance of King Midas and the Golden Pinkie, it is Puffin's quick thinking that leads to success. 

Readers new to graphic novels will find much to enjoy: likeable characters, humor, drama, and a developing friendship.

Wombat, written and illustrated by Philip Bunting. Charlesbridge, Penguin Random House. 2020. $21.99 ages 3 and up

 

"Acrobat.

Chit -
              chat. 

Winkbat. 
Stinkbat. 
Plumbat. 
Numbat." 

Here's a bit of fun for little ones! With digital cut-paper artwork, Philip Bunting fills the book's pages with a charming short and stocky brown animal who provides laughs for the littlest readers. The puns are evident and engaging, starting with 'wombat' and moving on to 'twobats' before adding 'threebats'. Kids will be particularly interested in the creatures' playful demeanor as shown often throughout the reading. 

The images are placed on backgrounds that shift from one color to another, and offer a great deal of fun for the reader. Clever rhymes, changing perspectives, and pages that introduce numbers, shapes, colors, even emotions and directions guarantee avid interest and requests to hear it again. Soon, those children ready for some independence in reading will be trying on their own to repeat what they see and have heard.   

The final three spreads share a story of love and family, when two wombats fall in like, then love, and finally create a new family. 

"Thisbat. 
Thatbat. 
Madeanotherwombat." 

Awwwww!

Wildlife Crossings: Protecting Animal Pathways Around the World, written by Catherine Barr and illustrated by Christiane Engel. Candlewick Press, Penguin Random House. 2024, $24.99 ages 8 and up

 

"There are lots of ways to welcome hedgehogs. 
Wilder yards and gardens offer places to hide, 
a shallow bowl of water provides a welcome 
drink, and HEDGEHOG CROSSING! signs 
on roads help alert drivers to keep hedgehogs
safe.

Away from the traffic, these popular, prickly 
creatures prefer unplowed field boundaries, 
pesticide-free farms, and shelter in thick, 
shady hedges." 

There are 8.7 million species in search of 'food, water, mates and safe places to breed'. Of these, the wild ones need space to move freely. As humans have encroached on their natural habitats, they have been forced to find new and often dangerous routes to find what they need to survive. Today, it is important to find ways to build crossings that will help them live and prosper. 

Seven animals at risk (elephants, hedgehogs, birds, gibbons, fish, bears, and cougars) and their new pathways to safety are described here in two double spreads each. The first of the two spreads provides information about the animal itself and the difficulties faced in an ever- changing world. Their habitats are shown in detail-rich, captioned illustrations. Problems are evident. On the second spread, solutions are shown as they are being developed in various world communities; a simple counting game is included to invite participation and further attention. 

These animals are found in Europe, Asia, and North America. The safety corridors include animal highways, stopovers, bridges, fish ladders, and crossings. Each is shown as part of the solution to living with these animals who must move for survival. These actions are postive ways for humans to have a role in making certain they will be protected as they do so. 

In a final spread, Catherine Barr adds brief descriptions of seven other animals who are finding their way, with human help, along disrupted ancient pathways. 

Let's Get Creative: Art for a Healthy Planet, written by Jessica Rose and illustrated by Jarett Sitter. Orca Book Publishers, 2024. $26.95 ages 10 and up

"Creative reuse is the process of turning 
unwanted items into things you can use. 
Thanks to your imaginations, old or  
discarded goods can become something 
completely different. Creative reuse 
reduces trash, diverting it from the waste
stream, in fun and innovative ways! 

Creative reuse is also called upcycling
or repurposing. And it's something 
we can all do."

This is the latest book in the Orca Think series that encourages readers to 'question, connect and take action to become better citizens with a brighter future'. This call for creativity has five chapters beyond the introduction. They inform and encourage middle and high school readers to look at distinct ways for changing their world. 

The first chapter focuses on arts and crafts, and the fact that all art matters. The artists mentioned use viable materials while helping the environment by showing the work they do in outdoor spaces. They care about seeing that communities recognize the importance of protecting the world around them. Suggestions are made for the many kinds of art that enhances public places. 

As in other books from this series, the conversational text, the use of photos and helpful illustrations, and short visits to places in the world where special art projects are making a difference will encourage readers to think about their communities and the actions they might take to show creativity. 

"The good news is, there are sustainable art-making options,
and they're not only for professional artists. You can buy art 
supplies made from recycled materials or even make supplies 
that don't harm the environment."

Artists are introduced in each chapter with an explanation for why they do what they do in their artistic pursuits. The following chapters discuss turning trash into treasure and using found art; blending art, science and technology to come up with new ideas; using personal buying power to make choices about the businesses to support and defend; being an activist by using art and crafts to help bring attention to issues that matter for the environment. Readers will also find 'what you can do?' ideas for advancing the causes that are important to them, and 'let's look at art' to highlight projects that are being developed around the world. 

A glossary of terms used, lists of print and online resources, and an index are provided. 

Put the environment first, while creating art projects that make life better for all.